I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots‚ And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled
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In "The Love Song of J. Alfred Prufrock‚" T. S. Eliot reveals the silent insecurity of a man‚ for whom the passing of time indicates the loss of virility and confidence. Throughout the poem‚ Prufrock struggles with his fear of inadequacy‚ which surfaces socially‚ physically and romantically. The desire to ask some "overwhelming question‚" of the one he wants is outweighed by his diffidence‚ reinforcing his belief in his shortcomings. Ultimately‚ this poem is the internal soliloquy of someone who
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In his 1923 essay “Ulysses‚ Order and Myth‚” T. S. Eliot predicated that rather than the narrative style of poetry popularized by poets of the Romantic era‚ poets of the twentieth-century would instead employ James Joyce’s “mythical method‚” a technique characteristic of heavy mythological‚ historical‚ and literary allusions used to create a “continuous parallel between contemporaneity and antiquity” (177). Doing so allowed a poem to reach a new universal level of significance regardless of era‚
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T.S. Eliot was a literary and social critic‚ play writer‚ and publisher. The poem that made him well known was called “The Love Song of J. Alfred Prufrock”. It was started in 1910‚ and was finally published in 1915. When poems are written‚ they typically reflect the emotional state that the author is in at the time. Due to the tone of “The Love Song of J. Alfred Prufrock”‚ the reader can interpret that T.S. Eliot may have been in a dark stage of his life. As every author has his or her own form
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Dr. Richard Clarke LITS3001 Notes 09B 1 T. S. ELIOT “HAMLET AND HIS PROBLEMS” (1919) Eliot offers‚ as we have seen‚ what has come to be called an ‘impersonal theory of poetic creation.’ Eliot would not have denied either that poets have feelings or that poetry inspires certain feelings in the reader. He offers‚ rather‚ an account‚ centered around his notion of the objective correlative‚ of how such feelings enter the poem in the first place that differs significantly from the expressive model
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The Love Song of J. Alfred Prufrock (Response) When thinking of a typical love story a reader expects compassion and romance‚ but in T. S. Eliot “The Love Song of J. Alfred Prufrock‚ romance is not the topic of discussion. The backdrop of the poem is a typical London‚ England day with numerous travels through the seamless foggy streets early 1900’s London. The mystery or puzzle through the poem tend to transpire with cleverly diverted unanswered question from the narrator that somehow get overlooked
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TS Eliot’s Prufrock The ironic character of "The Love Song of J. Alfred Prufrock‚" an early poem by T.S. Eliot (1888-1965) in the form of a dramatic monologue‚ is introduced in its title. Eliot is talking‚ through his speaker‚ about the absence of love‚ and the poem‚ so far from being a "song‚" is a meditation on the failure of romance. The opening image of evening (traditionally the time of love making) is disquieting‚ rather than consoling or seductive‚ and the evening "becomes a patient" (Spender
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of the auditors presence only from clues in the discourse of the single speaker. The auditor never speaks‚ but we know of what he or she says and does when the speaker tells us. For instance‚ in the poem The Love Song of J. Alfred Prufrock by T.S. Eliot‚ the implied auditor is Prufrocks lover. We know of her presence when Prufrock addresses her‚ for example Let us go then‚ you and I. This first line of the poem tells us then that the poem is addressed to a specific person. Another instance is Oh‚
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At the beginning of T. S. Eliot’ s poem The Love Song of J. Alfred Prufrock‚ there stands an epigraph from Dante’s Inferno‚ Canto 27. This epigraph unifies the text and brings‚ through its imagery and context‚ a deeper understanding of Eliot’s poem. Prufrock represents both of the characters in this section of the Inferno‚ corresponding to Dante in the first section and Guido da Montefeltro in the second and third. Dante represents the antithesis of Prufrock as well as the ideal that Prufrock strives
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Thomas Stearns Eliot was a publisher‚ essayist and most importantly‚ a well-known poet. He was born on 26 September 1888 in St. Louis‚ Missouri in the United States. Even though he was of American origin‚ nowadays he plays an extremely important role in British literature since he obtained British citizenship in 1927. As a young intellectual looking for his place in the world‚ life brought him to Oxford in 1914. Although he liked Oxford‚ because of his restless spirit he was not satisfied there
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