Song of J. Alfred Prufrock and Eliot’s poetry as a whole? There are several aspects of the university lecture on T. S Eliot’s poetry that support my personal interpretation of The Love Song of J. Alfred Prufrock‚ Rhapsody on a Windy Night and Eliot’s poetry in general. My interpretation of Prufrock‚ Rhapsody and Eliot’s poetry is that this medium of expression is a way for Eliot to communicate his own personal feelings regarding his personal life and social context. This explains why his poetry
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In "The Love Song of J. Alfred Prufrock‚" T. S. Eliot reveals the silent insecurity of a man‚ for whom the passing of time indicates the loss of virility and confidence. Throughout the poem‚ Prufrock struggles with his fear of inadequacy‚ which surfaces socially‚ physically and romantically. The desire to ask some "overwhelming question‚" of the one he wants is outweighed by his diffidence‚ reinforcing his belief in his shortcomings. Ultimately‚ this poem is the internal soliloquy of someone who
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In his 1923 essay “Ulysses‚ Order and Myth‚” T. S. Eliot predicated that rather than the narrative style of poetry popularized by poets of the Romantic era‚ poets of the twentieth-century would instead employ James Joyce’s “mythical method‚” a technique characteristic of heavy mythological‚ historical‚ and literary allusions used to create a “continuous parallel between contemporaneity and antiquity” (177). Doing so allowed a poem to reach a new universal level of significance regardless of era‚
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T.S. Eliot was a literary and social critic‚ play writer‚ and publisher. The poem that made him well known was called “The Love Song of J. Alfred Prufrock”. It was started in 1910‚ and was finally published in 1915. When poems are written‚ they typically reflect the emotional state that the author is in at the time. Due to the tone of “The Love Song of J. Alfred Prufrock”‚ the reader can interpret that T.S. Eliot may have been in a dark stage of his life. As every author has his or her own form
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‚ T.S. Eliot appeared on the scene of 20th century English poetry as a wonderful innovator with these lines of his The Love-song of J. Alfred Prufrock on the pages of the Poetry magazine in 1915: “Let us go‚ then‚ you and I When the evening is spread out against the sky Like a patient etherized upon a table". These lines immediately revolutionized the intellectual climate of English poetry. Eliot initiated a new brand of poetry of the city‚ poetry essentially cerebral‚ impersonal‚ predominantly
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Dr. Richard Clarke LITS3001 Notes 09B 1 T. S. ELIOT “HAMLET AND HIS PROBLEMS” (1919) Eliot offers‚ as we have seen‚ what has come to be called an ‘impersonal theory of poetic creation.’ Eliot would not have denied either that poets have feelings or that poetry inspires certain feelings in the reader. He offers‚ rather‚ an account‚ centered around his notion of the objective correlative‚ of how such feelings enter the poem in the first place that differs significantly from the expressive model
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The Love Song of J. Alfred Prufrock (Response) When thinking of a typical love story a reader expects compassion and romance‚ but in T. S. Eliot “The Love Song of J. Alfred Prufrock‚ romance is not the topic of discussion. The backdrop of the poem is a typical London‚ England day with numerous travels through the seamless foggy streets early 1900’s London. The mystery or puzzle through the poem tend to transpire with cleverly diverted unanswered question from the narrator that somehow get overlooked
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TS Eliot’s Prufrock The ironic character of "The Love Song of J. Alfred Prufrock‚" an early poem by T.S. Eliot (1888-1965) in the form of a dramatic monologue‚ is introduced in its title. Eliot is talking‚ through his speaker‚ about the absence of love‚ and the poem‚ so far from being a "song‚" is a meditation on the failure of romance. The opening image of evening (traditionally the time of love making) is disquieting‚ rather than consoling or seductive‚ and the evening "becomes a patient" (Spender
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of the auditors presence only from clues in the discourse of the single speaker. The auditor never speaks‚ but we know of what he or she says and does when the speaker tells us. For instance‚ in the poem The Love Song of J. Alfred Prufrock by T.S. Eliot‚ the implied auditor is Prufrocks lover. We know of her presence when Prufrock addresses her‚ for example Let us go then‚ you and I. This first line of the poem tells us then that the poem is addressed to a specific person. Another instance is Oh‚
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” wrote Ezra Pound shortly after the poem was published in 1922. T.S. Eliot’s poem describes a mood of deep disillusionment stemming both from the collective experience of the first world war and from Eliot’s personal travails. Born in St. Louis‚ Eliot had studied at Harvard‚ the Sorbonne‚ and Oxford before moving to London‚ where he completed his doctoral dissertation on the philosopher F. H. Bradley. Because of the war‚ he was unable to return to the United States to receive his degree. He taught
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