"Tagore gitanjali" Essays and Research Papers

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    Indian Art

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    Indian Art is the art produced on the Indian subcontinent from about the 3rd millennium BC to modern times. To viewers schooled in the Western tradition‚ Indian art may seem overly ornate and sensuous; appreciation of its refinement comes only gradually‚ as a rule. Voluptuous feeling is given unusually free expression in Indian culture. A strong sense of design is also characteristic of Indian art and can be observed in its modern as well as in its traditional forms. The vast scope of the art of

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    evolve to overcome fears‚ losses‚ and help gain wisdom. Experiences that were gained through life and journeys were written in the story "Volar" by Judith Ortiz Cofer‚ Wild: From Lost to Found on the Pacific Crest Trail‚ and the poem “12 (From ‘Gitanjali)”. In “Valor” the narrator dreams of herself being a superhero in the world she wishes to break free from her real-life limitations. The narrator learned and went on a journey at home and in her mind‚ she enjoyed it‚ while in the real world her

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    Nationalism in India

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    formed in India before the birth of Indian National Congress. In 1837 Landholders’ Society was formed to safeguard the interests of the zamindars. The British India Association was formed in 1851. Its leading members were Debendranath Tagore‚ Prasanna Kumar Tagore and Radhakanta Dev. Its aim was to present the demands of the Indians before the British Parliament. Dadabhai Naoroji established the East Indian Association in 1866 at London. Its main aim was to draw the attention of the British Public

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    maker of modern India"; for Mohandas Gandhi‚ Swami Vivekananda’s influence increased his "love for his country a thousandfold." His writings inspired a whole generation of freedom fighters. Many years after Swami Vivekananda’s death‚ Rabindranath Tagore told French Nobel Laureate Romain Rolland‚ "If you want to know India‚ study Vivekananda. In him everything is positive and nothing negative." The first organised militant movements were in Bengal‚ but they later took to the political stage in the

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    if I were the Prime Minister of India‚ what would I do to make India a super power by 2020? “where the mind is without fear and the head is held high...Into that heaven of freedom‚ my father‚ let my country awake". Tagore and so many other leaders of our country envisioned an India far better than what we have made it today. Easy though it may be for us to blame it on the ’corrupt political leaders’ or the ‘useless government’‚ the truth lies in the fact that they are also one of us. we have

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    c project

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    that this project is an authenticated and benefited work of _______________of class XII-A of K.V.‚ Tagore Garden‚ New Delhi. During the course of the project‚ I found her hardworking with good understanding and a strong urge to learn this work to be useful. I found her sincere and pain taking and her all the best part in all her future endeavour. Mr. Physics Teacher KENDRIYA VIDHYALAYA TAGORE GARDEN ACKNOWLEDGEMENT The satisfaction of successful competition of any task would not be

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    Superstitions and India

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    The Power of Superstition in Public Life in India Why are superstitions a part of public life in India? The modern mechanisms for risk-management or “disciplines” ranging from statistics to modern medicine exist side-by-side with superstitions in the country. The answer to why these disciplines have not penetrated into the pores of Indian society lies in the history of political power in India. It is difficult to use the word “superstition” without imagining quotation marks around it. For‚

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    Indian English Literature

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    History of English language and literature in India starts with the advent of East India Company in India. It all started in the summers of 1608 when Emperor Jahangir‚ in the courts of Moguls‚ welcomed Captain William Hawkins‚ Commander of British Naval Expedition Hector. It was India’s first tryst with an Englishman and English. Jahangir later allowed Britain to open a permanent port and factory on the special request of King James IV that was conveyed by his ambassador Sir Thomas Roe. English were

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    Indian School of Paintings

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    JAIN SCHOOL OF PAINTING We find Jain style in the four paintings of Jins (Jain Gods) in the Sittanvasala caves in 700A.D. The oldest examples of this school are the paintings of parshwa-Nath‚ Nemi-Nath and Rish-Nath etc‚ 20 Tirthankars in “KalKacharya Katha” and “Kalpa Sutra”. Most of the Jain paintings were done Black & white 10th&15th century. These paintings have been mostly executed on Tala-Patra. There was an article “Jain on Dwara Pallavit Chitrakala” in the “Vishal Bharat” written

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    irrespective of religious and regional differences. As discussed earlier; the celebrations started from Akbar’s reign. But the Public celebration of Pohela Boishakh and the large-scale organizations of cultural events have started more recently. Rabindranath Tagore had said that a person feels stronger‚ complete & united when he’s among other fellow mates on the occasion of a festival as compared to daily life. Truly‚ socializing brings a lot of change in the personality of a person; it actually changes his

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