"Talking drum" Essays and Research Papers

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    This usage of imagery is also a simile by the cause of the poet comparing our heart beat to being like a drum beat. Another example of imagery is in the poem when the poet says “Be not like dumb‚ driven cattle!”( line 19). This part of the poem uses a simile to say that we shouldn’t be like cattle to help convey the point he is trying to make about the purpose

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    Sub Saharan African Music

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    Concepts about Music: Cultural Influence 1. What is music in the culture? African music is as diverse as its cultures and peoples and has flowered many indigenous forms as well as been shaped by foreign influences. It bears a difference from other regions and cultures. The roles of music and dance are tightly woven together in Sub-Saharan Africa‚ and music intersects with every aspect of life‚ expresses life through the medium of sound. African music also helps connect people together in a variety

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    Rumi Night on the Heights

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    any specific song. Based on my statements above that may seem hard to believe. However‚ I can explain. As I explained before I entered the room quite jaded and honestly did not even focus on Amir’s opening statement. It was when Peter Rogen began talking was when my attention focused. His southing tone immediately relaxed me. It reminded me of how my own grandfather used to speak to me when I was little and I got upset. When he began reciting Rumi’s poetry was when my mind slipped away into an almost

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    It goes from high to low and the opposite. This piece is also fast and it has more drums. The piece has more like of repeating the notes from high to low. One times its calm and smooth and another time it’s completely the opposite‚ which makes it unique. The second moment of the symphony has a similar style like the first one but with different notes. However‚ in this piece I hear more of clear violin than drums. In additional‚ the first moment I heard this piece I felt that I know it somehow‚ then

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    During my junior year I was the section leader for the Alto Saxophones‚ and I went on to become drum major the next year. I attended a drum major camp to learn how to correctly and efficiently lead the band. Along with the help of the section leaders and the other drum major‚ we lead the band to learn more sets and music than we had ever done in the past. By the end the that performance at the SVVSD Band Night we had practiced the

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    Funeral Blues

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    the other hand‚ the speaker is addressing an audience of mourners as a funeral. Lines 3-4 Silence the pianos and with muffled drum Bring out the coffin‚ let the mourners come. In the 3rd line‚ this is not a time for a piano. It’s a time for muffled drum. In the next line‚ the speaker wants the coffin to be brought out and for mourners to come see it. Maybe the ’muffled drum’ represent the sound of mourners walking‚ or of pallbearers carrying a coffin. Or maybe it is a slow and stately drumming that

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    about a year ago Bryan Sammis or most commonly known by his stage name Olivver the Kid stormed the music scene with his debut EP “Freak”. Now he’s back with his latest EP “The Boy Who Cried Wolf”. Talking about his earliest memories of music‚ the singer songwriter mentioned he started playing drums at the age of 9 then progressed to playing shows and being in band around the 15. A lot of people might recognize Bryan from his days as a drummer for The Neighbourhood but left last year. It was then

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    different instrumentation. For the horn section‚ there are two alto saxophones‚ two tenor saxophones‚ and one baritone saxophone; trumpets and flugelhorns; trombones and bass trombone. For the rhythm section‚ there are piano‚ guitar‚ double bass‚ drums and vibraphone. Personally‚ among all those different genres of music‚ I like big bang jazz a lot because of the colorful timbres and the feeling of the jazz orchestra. Also‚ since I have attended to other big bang jazz performances before at MAC‚

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    - The Story Behind the Sea Gongs In 1995‚ Gareth Farr was commissioned to write the official piece for the NZSO’s 50th birthday celebrations. Roger Lloyd‚ artistic manager of the NZSO at the time‚ chose him after being impressed by another of Farr’s works‚ Tabuh Pacific‚ written for orchestra and Javanese gamelan. Lloyd’s vision of the work was a multicultural piece‚ taking inspiration from music around the Pacific Rim. The piece was to be in two parts: a short impressive prelude followed by

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    How Did Jazz Develop

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    it wasn’t collected by record companies the music came from mostly tapes or discs made by amateur engineers‚ bebop was an underground movement it rebelled against the swing era. With the form of a small combo consisting the trumpet saxophone piano drums and bass the musicians took off with improvised lines getting faster and more complex many other bands couldn’t copy someone’s piece now. The syncopations and dotted eighth notes that had characterized earlier jazz were now far less prominent. Making

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