Couch Dents by Samuel Piedmonte She sits down on the living room’s faded blue couch and turns on the TV—to turn off the landscape of thoughts—dealing with the swirling. Her body needs a reset‚ but it’s yelling way too loud. Tell no one about it. Tell no one about it. She gets up for a glass of water‚ the tap’s broken and she gives up‚ thinking she was thirsty. With the empty glass‚ she toasts the dilemma in silence. Her stomach’s talking and she tells herself she isn’t hungry. She eats her nails
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TECHNOLOGY - FRIEND OR FOE? Until recently‚ I had always accepted technology as a wonderful friend‚ but after doing some in depth reading and research on the topic I found that technology also has its draw -backs. Through research I found that technology has been nothing more than a journey of trial and error. In my research I discovered what I choose to call the dark side of technology. Everyday household conveniences‚ transportation‚ and modern medicine are all products of technology that
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Jayna Kovel World Theatre Greg Justice 07 November 2013 The View Unnerving. That’s the only way to describe walking into a dimply lit black box theatre to realize that the actor you have come to watch…is watching you. He’s acting‚ yes‚ but the whole premise of “The View” could not have been more clearly stated as we sat down to the crackle and pop of white noise in the background. In the tiny theatre‚ I couldn’t have been more than ten feet from what we were soon to learn was the main character
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Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition‚ Creon is the tragic hero of Antigone. Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad; he is somewhere in-between‚ as humans are. The audience
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Samuel P. Huntington’s paper "The clash of civilizations" defines the shifting of causes for friction between nations. He describes the changing of the guard‚ between secular ideological friction‚ such as democracy versus communism‚ to cultural and religious reasoning. Huntington’s hypothesis is based heavily on examples of recent struggles between civilizations all over the world. I agree with Huntington’s hypothesis because it is evident that since the fall of the "Iron curtain" culture and religion
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Tragic Hero In many‚ a tragedy do the tragic heroes have flaws that lead themselves to their own demise. The main character always acts exactly on his or her own emotions; thus aiding their tragic flaw and leading to their own demise without giving them the time to stop the repercussions of their emotion driven actions. In the play “Antigone” by Sophocles many of the characters are simply too headstrong and passionate about their beliefs to realize that they would greatly regret the decisions
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Samuel Meeker storms into the Meeker tavern in a muddy uniform one rainy and wet day on April 1775. With a hungry stomach and a smile on his face he claims : "We’ve just beaten the British in Massachusetts!” which makes father extremely mad. You see‚ Father is loyal to the English government and King‚ or as Sam would say‚ Lobsterbacks. They get into an argument‚ which isn’t unusual between Sam and Father. Later‚ when the brothers are outside together Sam reveals to Tim his plan to steal their father’s
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Macbeth as a Tragic Hero William Shakespeare ’s plays have the reputation of being among the greatest in the English language and in Western literature. Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories‚ genres he raised to the peak of sophistication and artistry by the end of the 16th century. He then wrote mainly tragedies until about 1608‚ including Hamlet‚ King Lear‚ Othello‚ and Macbeth‚ considered some of the finest
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Price Carter English 10 Meredith 5/20/14 The Other Tragic Hero Aristotle’s definition of a tragic hero is a main character that is not so virtuous that the reader feels outraged‚ instead a feeling of pity or fear at his downfall. Also‚ the hero cannot be so evil that for the sake of justice we desire his misfortunes. Instead‚ he is someone who is neither outstanding in virtue and righteousness; nor is it through badness or villainy of his own that he falls into misfortune‚ but rather through some
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by the people of Rome until he killed his best friend‚ Caesar‚ thinking it was for the good of Rome. Brutus is the perfect example of a Shakespearean tragic hero. William Shakespeare’s definition of a tragic hero includes traditional elements. These elements are a person usually of noble birth‚ one who suffers a catastrophe‚ and one who has a tragic flaw. In act I‚ Cassius talks about Brutus’s nobility “You and I have heard our fathers talk of another Brutus-your ancestor-who would’ve let the devil
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