’Red’ is a final collection by Ted Hughes in 1998 before he died. It has also engages the final death of Slyvia Plath in this piece of poetry. Ted Hughes has used ’Red’ and ’blue’ to describe Plath’s view of life and character from the day they got married and lived in their house. In the beginning of Red‚ it has defines Plath’s favourite colour that seems to wrap her entire life and movement. In line 4‚ ’blood-red’ may have constitute a certain image caused in life that can be related to violence
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Wind - Ted Hughes Setting: A house and the surrounding landscape exposed to a violent storm Main Figure: The wind itself which represents the forces of nature Theme: Man’s helplessness as opposed to the power of nature Tone: Potent‚ Vigorous Structure: ’Wind’ is written in six‚ four line stanzas characterised by enjambment. Enjambment is when sentences‚ in poems run over the end of one line and into the next one(s). In ’Wind’ lines spill into each other and the end of one stanza runs
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PIKE By Ted Hughes Background Ted Hughes was born in Mytholmroyd in the West Riding of Yorkshire‚ England in 1930. His poetry discards Romantic notions about the natural world. He became British Poet Laureate in 1984 and was so until his death in 1998. In Pike Hughes offers a far from Romantic view of nature in his depiction of this primitive and malevolent fish. Stanzas 1 – 4 offers a mix of objective description (‘green tigering the gold’) and subjective description (‘their own grandeur)
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written by Ted Hughes‚ he tries to capture the mood of a post war‚ 1950’s zoo. He depicts the animals as hot‚ lazy and lethargic. This is because they have been captive for a long stretch of time. The animals are not lively but are dull and lifeless. He uses the expression ’stinks of sleepers from the breathing straw’ to show this. He then unveils the jaguar as being live and vivid. ’At a jaguar hurrying enraged.’ ’The Jaguar’ longs for freedom physically but is free mentally. Hughes has a few main
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The jaguar by ted Hughes In stanza 1‚ an image of distorted nature commences. The opening line ‘the apes yawn and adore their fleas in the sun’ presents an oxymoron that evokes a sense of both boredom and decay for the reader. The aural imagery and onomatopoeia of ‘the parrots shriek’ is complemented by two similes ‘as if they were on fire’ and ‘strut like cheap tarts’ to add visual imagery‚ parrots that are acting desperately and unnaturally for attention and food In stanza 2‚ the empty cage
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"Pike" by Ted Hughes Envisage the Yin and Yang emblem. The idea behind it is that there is no such thing as purity. You can’t have pure evil – there is an element in all things of some good‚ however small. Similarly‚ you can’t have pure goodness – there is an element in all things good that is itself bad. We see the idea in great poems like Chinua Achebe’s “Vultures” and in our day to day actions as member of a fickle and capricious human race. This is the idea of Pike. It is attempting to
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Trophies Ted Hughes Birthday letters * Trophies was a response to Sylvia Plath’s own poem “pursuit”‚ Hughes used Trophies as a response to the poem. * Hughes starts of the poem with “The panther?” which gives the readers an idea of what the poem will be based on we mentally create an image of a panther in our minds. It is almost like a question that leaves the readers suspicious and wanting to continue to read to answer the question. * Words such as “Jaws” “Fangs” “prey” and “Beast”
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Hughes makes reference to Plath’s problems‚ implying her “exaggerated American grin “as false‚ having a purpose of its own. The content Plath was there for the “cameras‚ the judges‚ the strangers‚ the frighteners  the extended metaphor suggesting the intrinsic connection issues between Hughes and Plath were caused from external forces. Furthermore the allusion of her “Veronica lake bang†and “what it hid...â€suggests that appearances can be deceiving and raises questions about Plath’s
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– How are conflicting perspectives revealed in two of Ted Hughes poems and a related text? Individuals form perspectives over time reflecting their experiences‚ knowledge‚ attitudes‚ opinions and beliefs. Ted Hughes’ anthology of poems‚ Birthday Letters (1998)‚ illustrates his personal perspective on his life with Sylvia Plath. The poems ‘Fulbright Scholars’ and ‘Sam’ reveal an array of conflicting perspectives effectively depicted by Hughes. The film The Triumph directed by Randa Haines in 2006
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Hughes demonstrates his perspective towards his destructive relationship with Plath through The Minotaur. Violence is evident in the very opening when Plath ‘smashed’ Hughes’ ‘mother’s heirloom sideboard – Mapped with the scars of [his] whole life’. Here Hughes is expressing the damage deep inside him than the physical destruction by Plath; that he too has childhood ‘scars’. Hughes suggests that Plath’s over-reaction and violence reflects her unstable mind by the word ‘demented’ revealing his helplessness
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