movement was very repetitive‚ as Cann layered the same harmonies and repeated them rapidly in a serialism that Cann likened to the work of Phillip Glass. It has a quick tempo that seems like an ever-flowing stream of arpeggios where no two notes are ever played simultaneously. The second movement was somehow more hectic and had a quicker tempo than the first. It was an exercise in perpetual motion where it always seemed to be moving forward and not really repeating anything in the process. Leibowitz called
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excited. The first movement is Allegro‚ with the starting of the melody I felt like that this is a hard part‚ one reason is the tempo is allegro so it’s not easy to correct if mistakes were made; the other reason is the dynamic changed a lot‚ it turned fast from soft to strong; and the last reason is the cooperation which made the performance harder because the tempo is fast once the performer is distracted it will destroy the whole piece and the catch up also needs players really focused. By the
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Daniel Stephenson History of Rock and Roll Chapter 2 Listening Journal Jeanie With the Light Brown Hair- Timbre: A. In this song I hear a flute from the very beginning‚ after a moment other instruments join‚ a piano‚ and a violin‚ and what seems to be a guitar but I am unsure of what the final instrument is. B. Mr. Hampson’s voice is the only heard in this song. It is smooth and almost has an opera type feel to it‚ it is also very deep and resonant it seems. C. I didn’t notice any further noises
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classical period instrumental compositions. This piece is whimsical and reminds me of a butterfly just flying through the spring air after coming out of a cocoon. The tone is very warm and bright‚ listening to the overall allegretto tempo you get excited when you hear the tempo jump to vivace and back down to moderato. This concerto was completed in 1786‚ which also happened to be a productive and successful year for Mozart. Mozart was very proud of this piece and even wrote a letter to the court chamberlain
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the recreational ones and the spiritual songs. II. Body Paragraph 1 – Work Songs A. Focus on Work songs B. The work songs differed according to the type of labor. C. The tempo of the songs reflected the amount of work done i. Slave owners encouraged the up-tempo songs ii. The working machined influenced the tempo iii. Different cultures in the songs III. Body Paragraph 2- Recreational Songs A. Focus on dancing songs B. Sundays were very important for the slaves. i. Parties
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decipher and it negatively affects the individual mind. the schedule is a lot like the thought the individual uses to understand everythiThese are the psychological conditions which the metropolis creates. With each crossing of the street‚ with the tempo and multiplicity of economic‚ occupational and social life‚ the city sets up a deep contrast with small town and rural life with reference to the sensory foundations of psychic life. The metropolis exacts from man as a discriminating creature a different
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and other interests that draw a lot of tourist. The music to the song had an up-tempo beat to it. The second song of the night was I Did My Part by Irma Thomas. This song had a more old time blues feeling to it than the previous song. Irma sung about doing her part in the relationship when her mate was there. The instruments that made up the sound consisted of a piano and a saxophone. The song was medium in tempo and I really liked its melody and lyrics. The next song played was Jean Knight’s
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Cited: Capell‚ Richard. Beethoven‚ Music and Letters‚ Vol.19‚ No.4 Oxford University Press: Oct. 1938‚ p. 375-390 Kamien‚ Roger. Music: An Appreciation 6th Brief Ed. New York‚ NY: McGraw Hill 2008 Kolisch‚ Rudolf‚ Arthur Mendel. Tempo and Character in Beethoven ’s Music Part I The Musical Quarterly‚Vol. 29‚ No. 2. Oxford University Press: Apr. 1943‚ p. 169-187 Lane‚ William. Beethoven: The Immortal. Jan. 16‚ 2006 <http://lucare.com/immortal> Sabaneev‚ Leonid‚ S.W. Pring Tchaikovsky
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identifying a song’s texture‚ harmony‚ and tempo‚ among other things. “The Rite of Spring” by Stravinsky and “Bulgarian Chant” by an unknown composer are two basic pieces that can be described with some basic terminology. “The Rite of Spring” is an instrumental piece composed by Stravinsky. This particular work of Stravinsky is polyphonic. The chords of the song are very dissonant and make for an unsettling and somewhat eerie tune. It is a complex piece‚ with a tempo varying from moderato to allegro. The
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was little excess feedback from surrounding areas so Marvin and his band could be solely heard‚ but that could also be due to audio editing afterwards (Gaye). The song consisted off the same melody played throughout as well as the same rhythm and tempo and was a R&B style. While
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