Rickshaw the vehicle kilometres is 30-50 Kms‚ for E-Rickshaw‚ the vehicle kilometres is 50-80 Kms and for the Tempo the average vehicle kilometres per day is 80-100
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notes and loud and soft tempos. The melody was very dark but seemed to have a lighter side once the timbre of the piece began to calm. The piece had a singular melody that it returned to but would also break from the melody in almost an urgent and terrifying manor. This piece was not particularly one I enjoyed. The second piece by Beethoven was a bit more put together than Prokofiev’s piece. It was still a very intense melody that reminded me of fluttering birds. The tempo and pitch would often change
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from the Italian Renaissance. The title is reminiscent of The Roman Catholic Church’s sunrise service and the Italian hymns of praise‚ otherwise known as “laude”. The first movement‚ “Reveille”‚ reflects the sunrise due to its long period of adagio tempo and piano dynamics followed by outbursts of disjunct melodies. The end of the movement repeats the same melody a few times with all of the instruments. The next movement‚ “Scherzo”‚ uses all five instruments that appear and disappear in a single
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texture is very similar to Bach’s fugues in that there is less improvisation but rather a theme and rules that are followed. The beginning starts off slow and soft‚ the tempo is consistently medium paced. After the beginning the sound rises sharply at some points to forte‚ a sharp contrast from the dominant piano dynamic. The tempo is not to slow and the piece is very expressive‚ as the piece transitions to the second movement the pace quickens and becomes “livelier”. The second movement‚ “allegretto
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age 15 to age 80 give or take a few years‚ most of the people who showed up were college students though the rest was made up‚ of about 16 or so‚ elderly couples. My favorite piece played was the Sonata no. 21 in C major‚ OP. 53‚ "Waldstien" the tempo was a
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It’s titled Relaxin with Lee. This song‚ unlike the Bloomdido’s quick fast paced tempo‚ has more of a smoother feel to it. Its starts off with a walking bass line by Curley Russel and Buddy Rich on the drums. Charlie Parker then enters on the saxophone gliding right into the melody adding an improvised solo. Following Parkers solo‚
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“Rooster” Review by Paris Day Rooster is a dance piece choreographed by Christopher Bruce. It was originally premiered by the Ballet du Grand Theatre de Geneve in 1991. It is a contemporary ballet piece performed by ten dancers to eight of The Rolling Stones’ most memorable hits. Christopher Bruce based the production on the “sexual war” he witnessed growing up in the 1960’s. His intention was to celebrate the music of The Rolling Stones and use the qualities of the songs to reflect this.
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first line there is a shift in tempo‚ the pleasant title opposed to the fast first line‚ not only surprises the reader‚ but immediately grasps their attention. The poem is four stanzas long‚ with four verses in the first two stanzas and then only three verses in the third and fourth stanzas. The one less verse in the third and fourth stanzas provides further meaning to the theme. For instance in the first and second stanza the reader is forced into the poem with a fast tempo‚ “feel it creeping closer”
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it. Thus‚ the use of sounds can set a viewer’s mood. When the police came and the children started to run‚ the rhythm and tempo of drum beats speed up. This shows simultaneous sound as high tempo would mean that the children are running. It also creates some excitement for the audience at the start of the chase. As the chase goes on‚ drum beat continues at same tempo. However‚ for different places‚ different sound mix could be heard. For instance‚ when they ran pass the drain‚ there is the
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continued to suffer from the consequences of that ill-fated night in Philadelphia‚ he also continued to soar to the top of the jazz world‚ often using his mental health issues as an inspiration for his compositions. His originality and uncanny fast tempo playing earned him “The Charlie Parker of Piano” nickname‚ since the two were both viewed as virtuosos of the era. Powell is known for many intriguing compositions that are very original and faithful to his style‚ but “Tempus Fugue-It‚” an interestingly
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