his enduring power and artistic qualities‚ and his audiences are emotionally and intellectually engaged and thus more responsive to Sadat’s deliverance of their own views on their beliefs and aspirations. “Spotty-Handed Villainesses” (1994) by Margaret Atwood‚ using subversive irony and humour‚ forces her audiences to deconstruct the deception of ‘evil’ women within literature and with her enduring power engages her audiences in cries for the dismantling of social gender roles. The speeches set for
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Writing Task C Rationale I chose to write an extra chapter for the book ‘The Handmaid’s Tale’ by Margaret Atwood. This book is about the Republic of Gilead‚ a dictatorship‚ where most women are infertile due to nuclear waste. The few fertile women become ‘Handmaids’‚ birth-mothers for the upper-class. The main character is Offred‚ who became a Handmaid after attempting to escape Gilead with her daughter and husband‚ Luke. She was separated from them became a Handmaid in the house of the
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Atwood based love on how society portrayed it and not how she saw it. In the second stanza of the poem‚ Atwood describes love as something more powerful and valuable. As the poem continues‚ Atwood shifts into how she views the actual emotion of love. Her arrogance towards love had been bitter‚ however it was not towards love itself. Her emotions and attitude begins to become known when Atwood says‚ “Then there’s the two/of us. This word is far too short for us‚ it has only/four letters” (22-24).
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Women’s Liberation Movement Kalanit Knackstedt “Rape Fantasies‚” by Margaret Atwood is a short story about the narrator‚ Estelle‚ recalling to an anonymous male a controversial conversation she has with a group of her female co-workers during their lunch hour. Estelle is critical of her female peers’ rape fantasies; however she fails to see the fallacies in hers. Estelle portrays herself as a heroine who tells stories to threatening males to compel them to not assault her.Atwood uses a temporal setting
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“Free speech is not to be regulated. The audience that hissed yesterday may applaud today‚ even for the same performance.” –Michael Douglas Undoubtedly‚ a speaker moulds his/ her speech by the principles of purpose‚ and the audience who are to receive the given speech. More than this however- the responder’s context also shapes the way in which they interpret a speech. Michael Douglas- famed actor and movie director‚ contrasts an audience’s response in his quote‚ to emphasise that a responder’s
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Margaret Atwood’s poem “Siren Song” is a story that has been retold for generations; a tale of beauty‚ distress‚ and the ultimate betrayal. Margaret Atwood’s allusion‚ and the title of the poem itself set the stage for a story in which the readers already know the ending. As the siren leads her victims to their death‚ she seems bored‚ unamused‚ and ultimately unhappy. However‚ the siren uses her appearance‚ and her ability to gain sympathy in the minds of her targets‚ to lead them to their demise
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Margaret Atwood’s ‘‘Happy Endings’’ first appeared in the 1983 Canadian collection‚ Murder in the Dark‚ and it was published in 1994 for American audiences in Good Bones and Simple Murders. Subtitled ‘‘Short Fiction and Prose Poems‚’’ Murder in the Dark featured four types of works: autobiographical sketches‚ travel notes‚ experimental pieces addressing the nature of writing‚ and short pieces dealing with typical Atwood themes‚ notably the relationship between the sexes. ‘‘Happy Endings‚’’ which
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In “Bread‚” Margaret Atwood takes a concrete object‚ bread‚ and views it through multiple lenses. The story has five different sections‚ each that asks the reader to think about bread in a different way. In the first section‚ Atwood conjures actual bread before the reader by undermining her own directions — first she asks the reader to “imagine a piece of bread” then she says‚ “you don’t have to imagine it‚ it’s right here in the kitchen‚” and describes it. Atwoods descriptions and the second person
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Author Margaret Atwood’s writing has been shaped by one particular movement- the push for women’s rights in the 1960s and 1970s. When Atwood was a college student‚ “a woman was expected to follow one path: to marry in her early 20s‚ start a family quickly‚ and devote her life to homemaking” (“The 1960s-70s”). Employers assumed that the females who did work would soon become pregnant‚ so ladies were unlikely to advance in their careers. What money they did earn was controlled by their husbands
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Margaret Atwood’s novel “Oryx and Crake” is a thought provoking speculative fiction novel‚ published in 2003. Margaret Atwood was born in Ontario‚ Canada‚ where she was raised with her mother‚ a nutritionist‚ and her father‚ an entomologist. As a result of her father’s continuing research in entomology‚ Atwood spent most of her childhood in the backwoods of Quebec‚ reading Dell map books‚ or Grim Fairy-Tales and comic books. With such an early interest in literature‚ she began writing at a young
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