THE SOCIAL CONSTRUCTION OF RACE/ETHNICITY IN THE FILM GLORY ROAD Race and Ethnicity have been socially constructed to pertain to certain qualities and attributes that have been generalized to the entire race or ethnic group. A few such constructions may include a belief that Asian people are smart yet physically small‚ Africans are physically blessed while not as mentally gifted and that white people are somewhere between the two. It is also socially constructed that Muslims are angrier people and
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Present value is where the value on a set date of a future payment is discounted to reflect the time value of money and other factors. This can also apply to a series of future payments. Present value calculations are commonly utilized in business and economics to provide a way to compare cash flows at different times. Present value can be described as the current worth of a future sum of money or stream of cash flows given a specified rate of return. (http://www.getobjects.com) Future cash flows
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coined by Francois Truffaut to describe the mark of a film director on his films. A director can be considered an auteur if about five of his film depict a certain style that is definitely his own. In other words‚ much like one can look at a painting and tell if it is a Monet‚ a Renoir‚ or a Degas‚ if a film director is an auteur‚ one can look at his film and tell by style and recurring themes that it was made by a certain director. In auteur films‚ the director is many times what brings an audience
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. To find the PVA‚ we use the equation: PVA = C({1 – [1/(1 + r)]t } / r ) PVA = $60‚000{[1 – (1/1.0825)9 ] / .0825} PVA = $370‚947.84 The present value of the revenue is greater than the cost‚ so your company can afford the equipment. 7. Here we need to find the FVA. The equation to find the FVA is: FVA = C{[(1 + r)t – 1] / r} FVA for 20 years = $3‚000[(1.08520 – 1) / .085] FVA for 20 years = $145‚131.04 FVA for 40 years = $3‚000[(1.08540 – 1) / .085] FVA for 40
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without food but not without a film. The cinema is the cheapest and the most popular form of amusement. Laborers can afford to miss their evening meal‚ not their evening show. Students prefer films to reading books. Thus‚ cinema exercises a very powerful effect on society. Cinema is a universal teacher. It educates the people in different branches of learning. Our film producers have made very purposeful films to collect public opinion against some of the social evils as dowry system‚ the labour
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Book value: The book value of ordinary share is the net worth of a corporation less the par value of preference shares outstanding divided by the number of ordinary shares outstanding. Suppose the net worth of a company contains the following information viz; Preference shares (Rs. 100 per share): 1000000.00 Ordinary share (Rs.5 per share): 1500000.00 Share premium:
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AMERICAN BELIEFS AND VALUES There are some ideals and values rooted in the country’s history and spread by media (films‚ TV) that many Americans share. 1. Individualism – has strong roots in America. Individualism is understood not only as self reliance but also as economic self-sufficiency. It has been a central theme in American history. Many years ago most Americans were farmers whose success depended not on cooperation with others but on their ability to confront the hardships of land
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Arthur Miller’s Use of His Artistic License Many will always debate on whether or not Arthur Miller had a responsibility to portray the Salem With Trails accurately. It is however seen in his play‚ The Crucible‚ he was responsible enough to recreate the events in a way that portrayed what happened in the Salem Witch Trails. Miller in the beginning of the play states that not a lot is known about the characters and that he took it upon himself to make any creations necessary (Miller 2). It was important
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ADAPTATION AS INTERPRETATION The debate on cinematic adaptations of literary works was for many years dominated by the questions of fidelity to the source and by the tendencies to prioritize the literary originals over their film versions. (Whelehan:2006) Adaptations were seen by most critics as inferior to the adapted texts‚ as “minor”‚ “subsidiary”‚ “derivative” or “secondary” products‚ lacking the symbolic richness of the books and missing their “spirit”. (Hutcheon:2006) Critics could not forgive
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The film Metropolis‚ Fritz Lang adopts the same way of thinking as Eliot. Lang depicts the fragmented society through social stratification. He depicts the bourgeois as people who lead a callous and monotonous life in order to serve the wealthy upper class. The crescendo in the non-diegetic music with the addition of wavering vector lines in the beginning of the film forebodes the exploitation of the working class and creates a sense of chaos. The centralisation of the clock indicates that the workers
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