Persuasive Speech: Australian Films 1. Define Australian Films * What they’re * How they’re unique/iconic for…. * History of * Box office success- past‚ current films * Significant Australian actors- contribution to Australian Film Industry * Quotes/references 2. Define Australian identity and culture * Practical‚ inventive‚ fair go etc * Language use‚ important historical events/people that have shaped us (ANZACs‚ Ned Kelly etc) * Beach‚ outback
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This essay will discuss the aims and purposes of the Australian Classification system and explain how the classification guidelines are applied to the selected sectors of television/film and radio. This essay will then distinguish between the differences in the way the guidelines are applied within the two chosen media sectors with reference to a classification decision made for each sector. This essay will conclude by summarizing the main points of discussion made throughout this essay and linking
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SHOULD THE AUSTRALIAN FLAG BE CHANGED? The Australian flag was chosen in 1901‚ when a competition was held to design our country’s flag. The guidelines of this competition included that the Union Jack and Southern Cross should appear on the flag. However‚ I believe that in the year 2001‚ the Australian flag needs to be changed. During the course of this essay‚ I will show that the Australian flag does not represent all Australians‚ in particular‚ Aboriginal Australians and that the symbols on
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Landscape and Brand Analysis: Australian Gold Background Australian Gold is one of the fastest-growing sun care brands in the United States.2 Owned by New Sunshine LLC it was founded in central Indiana 26 years ago.3 Australian Gold is “sold in more than 50 countries [worldwide and] is recognized by its mascot “Sydney” a koala bear riding the waves on a golden brown surfboard”.5 The company’s headquarters is located in Indiana but they also have a “research and development lab and a manufacturing
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BOSES (Voices) Filmmakers Production Company: Erasto Films Director/Executive Producer: Ellen Ongkeko-Marfil Co-Director and Technical Supervisor: Milo Paz Director of Photography: Nap Jamir Associate Producers: Shandii Bacolod‚ Tonee Acejo Supervising Producer: Cynthia Paz Screenplay: Froi Medina‚ Rody Vera Original Compositions and Score: Jourdann O. Petalver Musical Direction: Coke Bolipata Sound Supervision: Allan Marcelo Hilado Production Designer: Bianca Gonzalez Editor: Orlean
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several high profile mass murders and a large media campaign. The first decade of the new gun laws saw a 59% drop in Australian gun-homicides‚ while statistics related to non-firearm related homicides remained relatively similar. As for mass shootings‚ we’ve gone from 11 a decade (from the
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Because Australian Aboriginal people didn’t have written language‚ they created many symbols to record their important culture stories. This essay will discuss Australian Aboriginal art and culture and European art and culture. Australian Aboriginal art is one of the oldest traditional art in the world. Australian Aboriginal art has been thousands of years. Australian Aboriginal artists continue using traditional and modern materials in their works. One of the most recognized form is Australian Aboriginal
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Crow Country Kate Constable Prepared for 9.2 and 9.9 English Dr K Kimber‚ 2015 Australian novels reflect the best and worst of what defines us as Australians. ASSIGNMENT TASK: BLOG MAIN – 400 words analysis LINKS – 150 words reflection on your values‚ your experiences 1 x 50 words 1 x 100 words Australian values • • • • • • • Care and Compassion - Friendship Understanding‚ Tolerance and Inclusion - Equality Responsibility – honesty‚ Respect – for people‚ environment Fair go - Justice Integrity;
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The Australian identity is a complex and ever changing image. It is impossible to define using one singular concept‚ event or symbol. The multicultural society Australia proudly hosts makes it difficult to develop and pin point an accurate and widely accepted national identity and idology. The three texts ’Then and Now ’ by Ooderoo of the tribe Noonuccal‚ ’Eucalyptus ’ by Murray Bail and ’Nobody Calls me a Wog anymore ’ by Kimninos‚ each reflect the different forces that have shaped and forged
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becoming increasingly crowded and competitive. Whilst new competitors are emerging and old foes are growing stronger‚ Australia must adapt to these changing circumstances and embrace change. No longer can it simply be business as usual. Reform of the Australian sports system – both at elite and community level – can be put off no longer. Over the past decade there have been many reports into sport – the Oakley report‚ the Senate’s inquiry into women in sport‚ a review of the ASC act‚ an unreleased plan
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