Canopic Jars are from the ancient Egyptians who had a strong religious belief that when a person died they would return to an ‘afterlife’ that was almost the same as the life they had when they were alive.Canopic Jars were created to contain people’s organs that were taken out of them.Then‚they were put into special chest that was placed in the tomb of the person that had died.If there wasn’t a chest to put the jars into‚they kept all four jars together and put them close to the mummy. On the top
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Paragraph 1 Portrait Head Jar is yellow crockery with a little bit of lime green color. The head of the jar is like an inverted egg with two large proportionally ears. Near the ears are the sideburns‚ which are prominent. On the forehead there is a slightly downward curve. The eyes are shaped like seeds. Looking down there is a cone shaped nose and closed lips representing with upward curves. The neck of the head is very short. The upper part of the head is cut horizontally‚ forming an oblique line
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Museum Paper Ushabti Jar Old Kingdom Rosicrucian Egyptian Museum Domenic DiSalvo Yael Karmi Arts2A Museum Paper: Ushabti Jar The piece I have chosen to research and write about is from the Rosicrucian Museum‚ which is known for its Egyptian collection‚ and the chosen piece is titled by the museum as Ushabti Jar. The piece is protected by protective glass along with other similar art pieces. The art history text‚ Art Through the Ages‚ states that an ushabti is a “figurine placed in tombs as
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rules everything would go to chaos but when non conformity is practiced‚ freedom comes along with it. Conformity follows rules‚ is restricted‚ and sees life in plain eyes while nonconformity bends rules‚ lives life on the edge‚ and sees life in a multitude of perspectives. It is better to not conform to society because with nonconformity it is easier to see different perspectives in life and along with‚ there is allowed more freedom. Non conformity is so prevalent in today’s society because of how
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The novel A Jar of Dreams‚ by Yoshiko Uchida‚ is a multicultural book that is based on a Japanese and American culture. The setting of this book is set in California during the Depression‚ the time period where there were many prejudice against Japanese people. Rinko Tsujimura is an eleven year old girl. Since she is Japanese American‚ she is usually left out and made feel different by her classmates. Therefore‚ Rinko desperately tries to hide her Japanese culture by staying invisible‚ quiet‚ and
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Trent University greenhouse for a 14-day period. Ten small glass jars were labelled according to their treatment type (warm or room temperature). Room temperature jars were categorized as 1.1‚1.2‚1.3‚1.4‚ and 1.5‚ then the warm temperature jars were 2.1‚2.2‚2.3‚2.4‚ and 2.5. Jars were filled with a 100ml of federalized water‚ and a mark at the 100ml was made as indication to ensure the correct amount of water was given if the jars needed to be topped up. With a Q-tip‚ 10 green Lemna leaves with growing
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The elementary years of my life were the most stress free and enjoyable time of my life. I remember back when I was in elementary school‚ after school I would go to my backyard to catch frogs in the lake backyard. My best friend‚ Steven‚ and I would also go to the park and play in the playground. Life was too good during the earlier years. No conflicts‚ just scrapped knees. This was the time I also first learned how to ride my back. It was the most rewarding day I can remember. At first‚ I believed
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Fitness in America is being promoted more today than it has ever been before‚ mainly due to the over whelming obesity epidemic. “…data indicate that 11% of 6-11 year olds and 14% of 12-17 year olds are obese (Strategy Development‚ 1996).” “…double the prevalence of 30 years ago (CDC‚ 1996).” This is the year 2009 if it had double then‚ just think how much is has increased with the availability of fast foods. Promoting healthy lifestyles is thrown at us from every direction in today’s society. From
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Examining a Moche Stirrup Jar At the Polk Museum exhibit I was struck by a Moche ceramic artifact titled “Stirrup Jar with Fanged Deity Effigy‚ Early Intermediate Period‚ 400-600 CE”. The base of the jar was molded into a sphere (with a flat bottom surface) which acts as the “body”‚ sporting painted arms and items held within each hand. The deity also appears to be wearing some kind of cloak‚ most notably indicated by the bow that is tied at the base of its neck. The head of the creature is
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The work of art I have chosen is Jar (p.351) by Ácoma Pueblo. This pottery was created around 1850 to 1900. These pots are created with local earthenware‚ and they are shaped without a wheel. The designs are decorated in open fires with pigments made from earthen powders. Each Pueblo has their own style‚ and the designs on the pots are typically meant to delight children‚ provide humor and sometimes public scoldings. Any information the artist gives about a certain piece of artwork should be considered
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