History The National Labor Relations Act (NLRA)‚ also known as the Wagner Act‚ was enacted in Congress in 1935 and became one of the most important legacies of the New Deal. Prior to the passage of the NLRA‚ employers had been free to spy on‚ interrogate‚ discipline‚ discharge‚ and blacklist union members. Reversing years of federal opposition‚ the statute guaranteed the right of employees to organize labor unions‚ to engage in collective bargaining‚ and to take part in strikes. The act also
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Assignment: How have women been portrayed through photography? 16/01/2009 How have women been portrayed through photography? The gaze deals with how the audience views the people presented in visual culture‚ in this case‚ adverts‚ magazines and Cinema. The ‘male gaze’ is the male ability to exercise control over women by representing them in visual means as passive‚ sexual objects of male desire. The power of men over women has always existed. They are seen as the more powerful and clever species
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INDUSTRIAL RELATION & LABOUR LAWS Assignment Topic National commission on Industrial Relation Recommendation Submitted by J. Mary Smile MBA-Final Year NATIONAL COMMISSION ON INDUSTRIAL RELATIONS The first National Labour Commission 1929‚ had promised lot in the direction of social security‚ social welfare‚ wages‚ social insurance‚ industrial relations‚ industrial adjudication‚ collective bargaining etc‚. In sequel to the recommendations made in the report of the first national commission
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Is the gaze male? Book Title: Women and Film: Both Sides of the Camera. Contributors: E. Ann Kaplan author. Publisher: Methuen. Place of Publication: London. Publication Year: 1983. Page Number: 35. Since the beginning of the recent women’s movement‚ American feminists have been exploring the representation of female sexuality in the arts—in literature‚ painting‚ film‚ and television. As we struggle towards meaningful theory‚ it is important to note that feminist criticism‚ as a new way of reading
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determining male gaze projects its phantasy on to the female figure which is styled accordingly.” (Mulvey 750) Mulvey refers here to classic Hollywood cinema. Is her analysis still relevant? Discuss in relation to films from the classic era and contemporary cinema. Refer to films screened in this unit and films of your choice with attention to mise en scene and narrative structure. Laura Mulvey identifies certain patterns in narrative cinema regarding the model of power between the gaze and the subject
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Jennifer Diaz AP English III Summer‚ 2012 AP Short Form: The Bluest Eye * Main Characters * Pecola Breedlove: She is an eleven year old black girl who believes she is ugly. She wishes for blue eyes to make her feel beautiful which is granted at the cost of her sanity. * Claudia McTeer: The narrator for parts of the novel. She is a very strong minded nine year old who fights for good causes. She is a stable force throughout the story. * Minor Characters * Cholly Breedlove: The
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The results supported the aim‚ showing the existing difference in the number of number of faces recalled with direct and averted gazes. The mean of direct gaze was 5.867 and averted gaze was 5.533. The standard deviation for Direct Gaze and Averted Gaze were equal at 1.922. The level of measurement for the data set is interval. Each of the faces were ones that participants had never seen before‚ establishing equal intervals of recalling them. Although there were factors such as attractiveness‚ race
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many hardships that the African American people had to face at this time. Families often had to separate‚ social agencies were overcrowded with people that all needed help‚ crime rates increased and many other resulting problems ensued. The Bluest Eye by Toni Morrison takes place during this time period. A main theme in this novel is the "quest for individual identity and the influences of the family and community in that quest" (Trescott). This theme is present throughout the novel and
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Male Gaze in Vertigo Several film theorists have used a variety of tactics and view points to analyze feature films since their inception. One of the most prominent theorists of those that analyze films from a feminist perspective is Laura Mulvey. Mulvey is famous for her essay “Visual Pleasure and Narrative Cinema‚” which presents an array of theories involving the treatment of women in films. Arguably the most notable idea presented in Mulvey’s work is the existence of the “male gaze” in
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In Chapter three of ‘The Practices of Looking’ Sturken and Cartwright examine the relationship between gender and the gaze. The chapter focuses on the work of feminist film theorist‚ Laura Mulvey. Mulvey’s main theory is first coined in her essay ‘Visual Pleasure and Narrative Cinema’ she discusses the ‘male gaze’‚ which is comprised of the outlook that the ‘camera is used as a tool of voyuerism and sadism’ and adopts the perspective of a heterosexual male viewer in order to objectify women. Mulvey
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