"The bluest eye in relation to national gaze" Essays and Research Papers

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    idea of the male gaze in her paper on visual pleasure and narrative cinema. She pinpoints the man as the active pro-tagonist in mainstream Hollywood movies (838). Mulvey believes that the audience‚ regard-less of sex or gender‚ identifies with the “active male figure” (838) due to the means of cine-matography and the rooted patriarchy in Western cultures. Thus‚ women in film become sub-ject to the gaze of the active – the male. However‚ I believe that Mulvey’s notion of the male gaze is not limited

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    In 1935‚ Congress passed the National Labor Relations Act (NLRA)‚ an act that protects the rights of employees and employers‚ promote collective bargaining‚ as well as ending practices by the labor and management that damaged overall welfare (National Labor Relations Act Violations‚ 2014). Congress has deemed some examples of violations that can occur by either the employer or by unions. An example of a violation is if an employee was intimidated by their employer who threatening them with losing

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    Introduction p.2 1.Jane Eyre p.2 2.Jane Eyre and the Gaze p.3 2.1. Foucault‚ Gaze and Jane Eyre p.3 2.2. Jane Eyre and the Returned Gaze p.4 3.Jane Eyre and Subjectivity p.6 3.1. Subjectivity as Jane Eyre ’s Strength p.6 3.2. Childhood as Roots to Subjectivity p.8 3.3. Criticisms p.8 Conclusion p.10 Bibliography p.11 Introduction All Charlotte Brontë needed was a woman who would openly speak

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    Eye for An Eye

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    An Eye for an Eye Life is a precious gift from God. Even when a person has no material possessions‚ life is still possessed. In light of these observations‚ it is logical to assume that murder‚ the taking of another’s life‚ is the most heinous of crimes. Undeniably‚ penalties imposed upon criminals should match the crimes committed. Therefore‚ the worst crime possible‚ murder‚ should receive the worst penalty possible‚ death. One argument against the death penalty comes from the Bible‚

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    Redline Training Program – The “Institutional Gaze” and Disciplining Subjects Introduction Southwestern is a sales and leadership company based in Nashville‚ Tennessee that provides summer work opportunities for university students across North America. Students sell educational products directly to families in their homes throughout the summer (SW Corporate). Redline is part of the Southwestern Company training and working with mostly students from the West Coast‚ including Canada‚ Washington

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    essay ‘The oppositional gaze’‚ is a comparatively unexplored territory by scholars. She focuses on cinema in its early form as a unique site for a gaze to emerge that opposed the assumed maleness and whiteness of the viewer. Hooks’ main argument stems from the idea that the black women are doubly excluded from the practices of looking as a hierarchical structure continuing to use this in terms of cinema. She argues that the place of black women in the politics of the gaze is subjugated‚ by their

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    of empowering vs. disempowering. This analysis will discuss and bring into question how these powerful gender dynamics should be understood as spectators and participants. Through the use of the Gaze‚ I will be analyzing how females are actually empowered by changing the traditional structure of the gaze‚ and the ways we make meaning.

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    Male Gaze Case Study

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    The concept of the male gaze is the idea that the audience is forced to view women through the eyes of a hetereosexual male. In regards to the depiction of female criminals in the media‚ the male gaze views them as victims. The woman is almost always looked at as though she was somehow the victim‚ and that the other person involved is at fault. Though‚ if the woman in the case is homosexual‚ she will then be viewed as a man hater‚ because she is not interested in men. She will also be viewed as the

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    Laura Mulvey made the term “Male Gaze” in 1975. Mulvey plans to use Freud and Lacan’s concepts as a "political weapon” she states. She used some of their concepts to argue that the cinematic apparatus of classical Hollywood cinema unavoidably placed the viewer in a masculine subject position‚ by the figure of the woman on screen as the object of desire and "the male gaze." During the era of classical Hollywood cinema‚ viewers were encouraged to recognize

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    Cinderella's Male Gaze

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    Almost everyone in the world grows up reading‚ listening to‚ or watching fairy tales as a child. These fairy tales started out as entertaining stories‚ but as they were handed down from one generation to the next‚ they slowly became more than that. They have grown to be of great importance because they teach children how to act and present oneself in the world. One such fairy tale is Cinderella. On the surface‚ it seems to be a simple story about a young woman whose wishes come true. However‚ the

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