Enter ROSALIND and CELIA ROSALIND Never talk to me; I will weep. CELIA Do‚ I prithee; but yet have the grace to consider that tears do not become a man. ROSALIND But have I not cause to weep? My loving people‚ We have been persuaded by some that are careful of our safety‚ to take heed how we commit ourselves to armed multitudes‚ for fear of treachery; but I assure you I do not desire to live to distrust my faithful and loving people. Let tyrants fear‚ I have always so behaved
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characters in the prescribed text. Rosalind and Celia are cousins who share a common understanding and identical values. Being from the same parental stock their social perception of life is similar. Their fathers being brothers‚ they share the same social economic circle. Their closeness is stressed when Celia paradoxically emphasises‚ “you know my father hath no child but I‚ nor none is like to have”. This shows Celia is prepared to forfeit the dutchy for her cousin Rosalind‚ which cements their friendship
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Rosalind – As You Like It It is not the fashion … Within this monologue Rosalind is talking about how it’s not the fashion for woman to be ending a play it’s not usually seen in other play so it’s some what strange. This monologue has elements of comedy in it which was something that I was really interested in including and considering when I was choosing monologues. Throughout the monologue Rosalind is going on about how a good play doesn’t necessarily need an epilogue‚ however it can enhance
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occurs between Rosalind and Orlando in Shakespeare’s As You Like It. When Rosalind first encounters Orlando at his wrestling match with Charles‚ she is instantly won over by his good looks and masculinity. The two then become smitten during this encounter‚ or in other words‚ fall in love at first sight. Orlando professes his deep‚ sincere love for Rosalind by carving their names on trees in the Forest of Arden‚ and even leaving poems about her there as well. Orlando then announces to Rosalind‚ as Ganymede
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dear former friend‚ accepts him into his company. Meanwhile‚ Rosalind and Celia‚ disguised as Ganymede and Aliena‚ arrive in the forest and meet a lovesick young shepherd named Silvius who pines away for the disdainful Phoebe. The two women purchase a modest cottage‚ and soon enough Rosalind runs into the equally lovesick Orlando. Taking her to be a young man‚ Orlando confides in Rosalind that his affections are overpowering him. Rosalind‚ as Ganymede‚ claims to be an expert in exorcising such emotions
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Burne‚ Kerry and Dick. Toward the end of his college career‚ Amory dutifully enlists for World War l. Upon his return to America‚ Amory meets the young debutante Rosalind Connage. The two fall deeply in love‚ but because of his family’s poor investments‚ Amory has little money‚ and Rosalind does not wish to marry into poverty. Rosalind breaks off their engagement in order to marry a wealthier man‚ Dawson Ryde. He goes on a three week drinking binge‚ and becomes very depressed. Amory’s quest for self-knowledge
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“As You Like It could hardly be considered a comedy as there is no humour within it.” Do you agree? Discuss how at least one comic scene from the play be performed. Answer “As You like It” is definitely a romantic pastoral comedies that finally ends happily with a multiplicity of marriages. Though the play consumes melancholy moralizing issues it does not end with a tragedy; unlike Shakespeare’s other works. “As you like it” entails comedy elements that fall into the convention of comedy
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separation from court and country by Rosalind and Celia breaking the sense of belonging to place. Celia and Rosalind convey a strong bond evident in Celia’s plea to her father‚ Duke Frederick‚ to keep Rosalind at court rather than banishing her to the Forest of Arden. Conventions of love are evident revealing Celia’s plutonic love for Rosalind portraying their belonging to one another. The high modality used when Celia states that she “can not live” without Rosalind reveals their constant urge and need
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‘As You Like It’ Essay Belonging is the inclusion of both acceptance and alienation. Belonging is security‚ connection and camaraderie where as not belonging is estrangement‚ ostracism and seclusion. To belong to people‚ communities or places can create positive as well as negative outcomes. People’s perceptions of belonging are constantly changing due to personal‚ historical‚ cultural and social contexts. In Shakespeare’s ‘As You Like It’ incorporates both aspects of belonging; acceptance
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The major conventions of Shakespearean Romantic Comedy are: The main action is about love. The would-be lovers must overcome obstacles and misunderstandings before being united in harmonious union. The ending frequently involves a parade of couples to the altar and a festive mood or actual celebration (expressed in dance‚ song‚ feast‚ etc.) A Midsummer Night’s Dream has four such couples (not counting Pyramus and Thisbe!); As You Like It has four; Twelfth Night has three; etc. Frequently (but not
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