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    Cinema of Attractions

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    The cinema of attraction. ‘A matter of making images seen.’ This is what Fernand Léger was writing in 1902 about the new art‚ trying to describe the possible changes in cinema‚ by emphasizing the fact that imitating the movements of nature is not necessarily the best way of defining cinema’s essence. This is only one of the writings concerning this topic which influenced Tom Gunning in characterizing the cinematic period before 1906 as that of the ‘cinema of attractions’. In this essay I am

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    Cinema of Attraction

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    When one contemplates the concepts of cinema and attractions‚ the ideas of the modern day blockbuster film might come to mind. World disasters‚ car chases‚ and high profile police investigations are just some of the story lines that attract people to theatres year round. The term "cinema of attraction" introduced by Tom Gunning into the study of film is defined more precisely. To quote Gunning‚ a cinema of attraction: "directly solicits spectator attention‚ inciting visual curiosity‚ and supplying

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    This essay will discuss both the Cinema of Attractions and Narrative Cinema and their origins in order to better understand the differences found between them in regards to the criteria to follow. This essay will highlight the role that the spectator plays‚ and the temporality that both the Cinema of Attractions and Narrative Cinema exhibit. Tom Gunning proposed the Continuity Model in order to better understand the beginning of film and the making of film. Gunning proposes the following assumptions:

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    Attractions

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    Attractions There comes a point in every person’s life where they meet that special someone and know instantly they are meant to be together. There is a special kind of chemistry that aligns all thoughts and feelings with one another and creates a bond that will forever tie you to that person. Contrary to that‚ there are certain people who we cannot stand and have absolutely zero physical‚ mental‚ and emotional attraction to. Using the information learned through my PSY 301 class along with various

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    attraction

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    repeat visit as well as to attract more visitors to come.Hence we propose to have a novel attraction product to make it work. The main target market for the proposed product is the family with children. Children are interested in watching animals and they always have great influence on the decision making within the family. But they can seldom go out at night to see the animals. The proposed new onsite attraction core product is the Cave Trail where visitors are able to explore different kinds of nocturnal

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    Digital Cinema

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    IMPACT AESTHETICS: BACK TO THE FUTURE IN DIGITAL CINEMA? Scott McQuire Millennial fantasies As anyone interested in film culture knows‚ the last decade has witnessed an explosion of pronouncements concerning the future of cinema. Many are fuelled by naked technological determinism‚ resulting in apocalyptic scenarios in which cinema either undergoes digital rebirth to emerge more powerful than ever in the new millennium‚ or is marginalised by a range of ‘new media’ which inevitably include some

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    Cinema

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    Critical Reception of Rashomon in the West   Greg M. Smith   Asian Cinema 13.2 (Fall/Winter 2002) 115-28 Most of us who write about films may as well relax and confess that we know nothing at first hand about Japanese movie production; that all we have as data has come to us from press-sheets‚ from quick consultations with the nearest Japanese bystander‚ or. . . whatever we have been able to find useful in the way of analogy and of seeing the "unaccredited" performances of Kabuki.      - Vernon

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    cinema

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    NATIONAL ECONOMICS UNIVERSITY International School of Management and Economics ******************************************* RESEARCH REPORT “The trend on seeing movies at the cinema of IBD students Intake 9 Fall at National Economics University” INSTRUCTOR: Phạm Phương Lan STUDENT: Bùi Lê Hiền Trang CLASS: I9A4 Contents ACKNOWLEDGEMENTS Firstly‚ I want to thank Mrs. Lan for having guided and constantly supported me during the

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    Cinema

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    cinema - its uses and abusesNothing is so popular nowadays like cinema. People easily miss meals but they hardly miss the premier show of a film in which their favourite hero or heroine is acting. It has greatly influenced the youths of our country and there is no exaggeration if say that they have become prey to it in a way. Cinema has both the aspects. It is good as well as bad. It is a source of entertainment‚ according to the common concept but we can’t deny the fact that it also diverts the

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    Cinema

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    Before Cinema In the late eighteenth century most consumers enjoyed their entertainment in an informal‚ haphazard and often non-commercial way. When making a trip they could suddenly meet a roadside entertainer‚ and their villages were often visited by traveling showmen‚ clowns and troubadours. Seasonal fairs attracted a large variety of musicians‚ magicians‚ dancers‚ fortune-tellers and sword-swallowers. Only a few large cities harbored legitimate theaters‚ strictly regulated by the local and national

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