Digital Cinema –Boon or Bane! In today’s fast paced age‚ with technology upgrading constantly‚ soon filmmakers will be opting for more digital rather than analog prints. Digitization is nothing but electronic software distribution without the use of any physical media‚ utilizing media like satellites & the internet. In the beginning of the decade‚ if the introduction of multiplexes gave the cinema industry a huge boost‚ then digitization will usher in the second phase in the resurgence of Indian
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that seized Morocco as their subject of writing and setting of shooting films down to its strategic and intercontinental locus. Going back to some historical reviews of the literature written about the representation of Morocco in the Anglo-American cinema and literature‚ we find that political‚ economic‚ and religious motivations are various pretexts that legitimize the western representation of Moroccan people together with their different cultural aspects. In Belated Travelers‚ Ali Bahdad has shown
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TURKISH CINEMA NAME : MUHAMMET SURNAME : TARHAN ID : 02031139 BEING A KURD IN TURKISH CINEMA “The best way of spreading and imposing culture‚ political behaviour and literature to other states is cinema” my father always says. Then he adds: “For instance‚ America introduced emperialism and it’s ‘power’ to the whole World via American movies”. Previously‚ i was not be able to comprehend that‚ however‚ after I started being interested in cinema‚ i realised
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Values and Traits of Filipino Films Philippine Cinema has unique values and traits. Don Jose as the Father of Filipino Films labeled the Filipino films as quality content and has a commercial appeal among movie goers. Many of the films created by Don Jose Nepomuceno were received the approval of the box office and win the heart of film critics. Nepomuceno has a mind-set in every movie that he will create that a content of a movie should have the combination of artwork and crass commercialism (Quirino
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narrative of Krishna’s childhood is then unfolded revealing his divine self. At the end the great underwater sequence shows Krishna subjugating the demon snake Kaliya followed by the ritual of aarti and celebration. PIFF 2013 100 Years Of Indian Cinema Sant Tukaram Sant Tukaram 1936-35 mm-130-Marathi-Black And White-India Director: Vishnupant Govind Damle‚ Sheikh Fattelal Cast: Vishnupant Pagnis‚ Gouri‚ Pandit Damle‚ Kusum Bhagwat‚ Bhagwat‚ Master Chhotu‚ B. Nandrekar‚ Shankar Kulkarni‚ Shanta
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African Americans have been in American cinema for many years. Since the introduction of African American in cinema‚ there has always been a misrepresentation or negative outlook on this race in cinema. For instance‚ in early cinema there was a wide use of blackface in many films. Blackface was designed to represent a Black person by a White character. For example‚ the actors would dress as mammy’s‚ sing folk songs‚ or use improper language. This act was insensitive and misleading but was used as
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The type of cinemas listed is niche Genre‚ meaning they’re trying to attract a certain type of audience to market to. These niches genre are informative‚ it allows the viewers to get an insight into the culture‚ instead of relying on stereotypes‚ assumption‚ and prejudicial judgments. African American Cinema can sometimes be riddled with stereotypes and negativity of the race and culture. Seldom‚ there is a movie made about the African Americans in the journey into conceding in the corporate America
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Kyle Keitz Professor Mullens Film 221 March 5‚ 2013 Art Cinema Characteristics in Persona According to David Bordwell’s research‚ Hollywood had a basic outline on how they made their films. The classical narrative cinema follows narrative structure‚ cinematic style‚ and spectatorial activity. In Classical Hollywood Cinema there is usually a psychologically defined‚ goal oriented character that’s easy to like. Foreign countries had a different way of making film‚ post WWII‚ Europe reestablished
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to telling the tale of man since it was born in 1895. The film Blood Diamond endeavours to tell to the world the story of post colonial Africa to highlight as it were the challenges that bedevil Africa. Many critics have complained that the world cinema is unfair to Africa because more often than not it portrays Africa negatively. On eighth December 2006 Blood Diamond added to the list of films about Africa done by non-Africans. When all is said and done about Africa as perceived through film the
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under commercial circumstances take an approach to form and style influenced by "high art" which offers an alternative to mainstream entertainment" (1). Like avant-garde film making‚ this style offer the audience with a movie that takes glory in cinemas stance as a modern art form‚ for art house films are not just intended to be entertaining‚ they are designed to be imaginative. Shekhar Kapur’s 1998 film ’Elizabeth’ presents us with a contemporary art film. Although it does offer entertainment
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