caged to what is merely "cinematic" because the term "cinematic" itself is already enigmatic‚ subjective in its very definition and has something more to do with how the recorded moving pictures are treated and utilized to express rather than how these pictures are moved and later on recorded. That being said‚ for all the accusations of supposed theatricality‚ Mario O’Hara’s flawed yet masterful Ang Paglilitis ni Andres Bonifacio (The Trial of Andres Bonifacio) is truly cinematic‚ probably the most important
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Alternative Cinema Harry Mathias Contrasting Apocalypse Now and Road to Perdition The movies Apocalypse Now and Road to Perdition are both films that keep you on the edge of your seat and pleading for the next scene to arrive and blow you away. In the opening scene of Apocalypse Now you see the forefront of the Vietnam War accompanied perfectly by the Rolling Stones soundtrack that adds the precise amount of intensity and loudness needed to portray the war from the perspective of Captain Benjamin
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Essay Tim Burton is a stylistic writer who differs from many other directors. He uses various cinematic devices to convey messages that the character or narrator of the film does not directly say. It helps the audience understand the mood of the story when they do not show the character or their emotions. In the films‚ Edward Scissorhands and Charlie and the Chocolate Factory‚ Tim burton uses many cinematic devices including color and sound to establish the mood. In both films‚ Edward Scissorhands
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Film essays (or "cinematic essays") consist of the evolution of a theme or an idea rather than a plot per se; or the film literally being a cinematic accompaniment to a narrator reading an essay. From another perspective‚ an essay film could be defined as a documentary film visual basis combined with a form of commentary that contains elements of self-portrait (rather than autobiography)‚ where the signature (rather than the life-story) of the filmmaker is apparent. The cinematic essay often blends
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Differentiate ordinary fictional realism‚ historical realism‚ documentary realism‚ and fictional documentary realism. • Distinguish two modes of cinematic self-reflexivity. • Explain why multiple modes of screen reality are possible in cinema. Key Terms • screen reality • realism • expressionism • fantasy • cinematic self-reflexivity • ordinary fictional realism • historical realism • documentary realism • mockumentary Overview: The concept
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Some people say Tim Burton is crazy; however‚ I think he is a genius. The way he chooses different cinematic techniques to express the feelings in the scene is just brilliant. Two of Burton’s trademarks are bottom lighting‚ and low angles. Tim Burton uses these cinematic techniques in order to enhance the fact that his characters are dark in many scenes and also to make the viewer feel scared of them. Tim Burton in Edward Scissorshands uses low angles in order to create suspense. For example
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There is now a fairly large body of cinematic depictions of the Holocaust. These films supplement what has become an enormous body of scholarly literature that has grown up around this dismal subject. The best of these films‚ in my opinion‚ fill an important need and‚ because of the nature of the medium‚ accomplish something that words printed on a page cannot. They give the modern viewer a sense of the sheer horror of what the Holocaust was and they do so in a direct way that has a visceral impact
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When examining the plot of “The Leftovers‚” it is difficult to assign only one moral framework to the plot and characters. Indeed‚ the members of the “Guilty Remnant” cult have a viewpoint that is doggedly nihilistic‚ something that is perfectly understandable given the events through which they have lived‚ and the circumstances in which they continue to live. However‚ the majority of the other “leftover” characters appear to subscribe to the doctrine of ethical relativism‚ which is perhaps the most
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Contrasting Cinematic Experiences To see or not to see? That is a question that many Americans ask themselves quite often. Whether you want to get caught up in a dramatic plot full of twists and turns‚ or be scared half to death by a horror flick‚ movies are a great way to escape reality for a few hours and just become lost in an immersive multimedia. In this essay‚ I will be contrasting cinematic experiences. Whether you enjoy a night out on the town‚ or relaxing on your own couch‚ there
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attention because he grew to abnormal things that a normal person wouldn’t be familiar to. Tim Burton uses three key cinematic elements in his films to create mood and tone. He uses lighting‚ sound‚ and camera movements. Through those three key cinematic elements‚ they create Tim Burton’s unique sense of style as a movie director. Camera movements are an important cinematic element in Tim Burton’s movies. Tim Burton uses camera movements in three particular movies. He used a technique called
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