LESM A201 Unit 1 Crime and justice 10 Course team Developer: Dr Mark S Gaylord‚ Consultant Course designer and course Ross Vermeer‚ OUHK team coordinator: Members: Dr So Wai Chor‚ OUHK Dr Cheuk Wai Hing‚ OUHK Dr Lin Siu Fung‚ OUHK External Course Assessor David Chan‚ City University of Hong Kong Editing and Production ETPU Publishing Team Copyright © The Open University of Hong Kong‚ 2000‚ 2001‚ 2009‚ 2010‚ 2012. Reprinted 2015. All rights reserved. No part of this material may be reproduced
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The website provides resources for the critical analysis of popular culture in the US‚ including the impact of that culture beyond national borders. Resources include sites on various forms of popular culture‚ including music‚ film‚ television‚ advertising‚ sports‚ fashion‚ toys‚ magazines and comic books‚ and the medium in which this message moves‚ cyberculture. The site focuses on issues of race‚ ethnicity‚ class‚ gender‚ sexuality‚ cultural imperialism and censorship‚ as shaped by and reflected
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Japanese Cinema: Its Stakeholders Lecturer: Yow Chong Lee Email: clyow@faca.unimas.my • To illustrate the effects of the interplay (interference) of the state and the capitalist system on Japanese film industry. • To explain the causes and effects of such interferences: – The ways films are produced‚ distributed and exhibited – Type of films allowed‚ – Regulation and censorship‚ The Arrival of Sound Cinema in Japan • Sound cinema arrived comparatively late in Japan. WHY? • 1st sound film: Heinosuke
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Vertigo and film noir in general male and female relationships often appear as a decoy sustained by a fear of death. ‘Woman‚ for man‚ is death’ (Cixious). As an illustration‚ the mis-en-scene of Vertigo could be seen as linking the character of Madeline/Judy to death with the flowers and the church yard. Nevertheless‚ with the presence of the mirror shot in which we see Madeline twice over‚ may imply that Scottie and as a result the audience be seen as her reflection. In other words‚ Scottie’s identification
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MGT B399 Unit 1 Overview of strategic management 150 Course team Developers: Dr Yeung Ping-kwong‚ OUHK Roy Chik Kwok-on‚ Consultant Designer: Caroline Leung‚ OUHK Coordinator: Dr Anthony Ko Chi-keung‚ OUHK Member: Dr Carrie Lee Nga-wan‚ OUHK Developer (previous version) Dr Anthony Ko Chi-keung‚ OUHK External Course Assessor Dr Tseng Choo Sin‚ City University of Hong Kong Production ETPU Publishing Team Copyright © The Open University of Hong Kong‚ 2013. Revised April 2015. All rights
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WOMEN‚ SEXUALITY AND INDIAN CINEMA By Shoma A. Chatterji WORD-COUNT: 1900 Recent films like Tauba Tauba‚ Murder‚ Julie and Jism have focussed on something not explored before in mainstream cinema - the sexuality of the Indian woman. Though this has given the director and producer ample scope for exploring the anatomy of the woman in a hundred different ways to lure the box office‚ the one positive spin-off of these films is that they have uncovered the sexual desires of the Indian woman
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00 Years O ndian Cine 100 Years Of D. G. Phalke Films PIFF 2013 Raja Harischandra 1913-DVD-15-Silent-India Direction: D.G. Phalke Cast: D.D.Dabke‚ Salunke‚ Babaraya Phalke Screenplay: D.G. Phalke Cinematography: D.G. Phalke Production: Phalke Films The narrative is drawn from the Indian epic Mahabharata where the King sacrifices his kingdom to uphold his ideals of truth. The king accidentally blunders into the religious ceremonies being performed by Sage Vishwamitra and incurs the
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Cinema attendance is starting to decline as Americans have only bought nearly 3.6 movie tickets per person by the end of 2017 compared to 5.1 in 2002‚ resulting in a 30% decline (The Economist‚ p. 2). The absence of people in the theaters can be clearly be seen‚ since there are so many substitutes such as streaming services now. The decline of cinema attendance is a great illustration of a change in taste and preference for consumers as substitutes‚ like Netflix‚ have caused the demand for cinemas
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increase in expression of popular piety became prevalent at the end of the 11th century during the call for the first crusade by Pope Urban II. Popular piety refers to seeking a closer more personal relationship with God that was based off of emotion and love. This emotive Christianity reflected a shift in the attitudes of medieval society that were continuing to change due to other historical factors happening from the 12th through 15th centuries. The growth of popular piety‚ the ongoing threat
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Lane Writing II 10 October 2006 Popular Culture Should Be A Popular Course Dear Chair of the Education Department‚ Popular culture should be a course that is offered on Clarion campus for everyone. If popular culture is taught correctly‚ a course on popular culture can provide a very educational outlook on wide variety of important topics such as race and ethnicity or politics(Rise and Fall). Popular culture is very interesting‚ in that it is what is popular to people‚ and should be a class
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