There are several Innovations and Inventions‚ which are shaping the Future of Cinema. Now we will dive into the future of filmmaking in our ever-increasing digital world. Some moviegoers and filmmakers are surprised by the innovations introduced in this Century. We will discuss a few of the most recent technologies in the craft‚ as well as the way they´re changing the viewer´s experience and revolutionizing the way movies are distributed nowadays. Digital cameras have gain popularity‚ mainly for
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on‚ these films all revolved around an innocent main character‚ which has somewhat of a delicate personality. In each movie‚ the protagonist has an occupation which requires some sort of talent or artistic value. Going deeper‚ it was found that the protagonist of each movie is a dynamic character‚ which alters throughout the course of the story. To top it all off‚ each of these movies had a soothing conclusion‚ leaving the viewer fairly comfortable with the story. Although these films are from different
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India the Centenary of Indian Cinema. It was a 100 years ago the first Indian film “Raja Harishchandra” was made by the métier of Indian cinema‚ none other than Dhundiraj Govind Phalke‚ better known as The Father Of Indian Cinema. His adamant character and hardwork fulfilled his dream of having in India a Desi Film Enterprise which he made into reality with his own Phalke Film Company which later integrated with The Hindustan Film Company. Even though Indian Cinema bloomed in 1912 it took time for
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Cinema is a major source of recreation in most countries of the world especially in India where the majority of people live below poverty line. It provides us with entertainment and sometimes educates us too. Depending on the quality of films produced by the directors‚ one could label cinema as a curse or a boon. Bombay is the main centre of film city. Films are mainly produced in Bombay. There are hundreds of them produced every year. India is known to be the highest producer of movies in the world
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218 Majestic Cinemas plc 1. What is the span of control of the film purchase director? [2] The film purchase director has 3 subordinates which are under his command therefore the span of control is 3. 2. How many levels of hierarchy are there in the cinema buildings department? [2] There are 4 levels of hierarchy in the cinema buildings department which are the following: Cinema Buildings Director‚ Regional Buildings Managers‚ Cinema Managers (in each country) and Cinema Staff. 3. Outline
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THE AMERICAN HORROR CINEMA Christophe CHAMBOST ISIC.L2.cinéma Evaluation : Un devoir sur table en examen terminal avec 2 questions de cours (exemple : une question sur le gothique et une question sur un cinéaste) → 50% de la note Un dossier à faire en groupe : prendre une scène d’un film fantastique Américain qui nous paraît intéressante Fantastic The origin of the fantastic as a literary genre started in the 18th century. At that time there was no films but there was an interest for the macabre
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The history of theatre charts the development of theatre over the past 2‚500 years. While performative elements are present in every society‚ it is customary to acknowledge a distinction between theatre as an art form[->1] and entertainment and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens] in the 6th century BCE‚ vibrant traditions of
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shocked now merely intrigues. Packaged as harmless entertainment‚ movies are slowly changing the way we see things. Does real life inspire reel life or does real life aspire to what is projected in reel life? The truth probably lies somewhere in between. Art — be it movies‚ literature‚ music or paintings — is inspired by the dramatic and unique aspects of real life and are framed appropriately for either artistic expression‚ entertainment value or both. Sometimes this very act deems them acceptable;
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widely discussed and disseminated area of research throughout the academic community. It is to be noted‚ however‚ that only very rarely‚ if ever‚ is any differentiation made between distinct forms of innovation. This paper will endeavour‚ therefore‚ to identify two separate forms of innovation and justify the demarcation between the two by analysing the ways in which they are represented in the archaeological record and forming interpretations and hypotheses based on the evidence which highlight the
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Parallel Cinema While Indian Cinema known as Bollywood was thriving in the 1950s‚ the film industry also saw the emergence of a new Parallel Cinema movement. A group of film-makers broke with the past traditions and made exciting‚ experimental and innovating films (Gupta 11). Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content‚ realism and naturalism‚ which reflected social and politics during those times (Gupta 14). Indian parallel cinema represents
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