Aufderheide‚ P. (2010‚ September). Making Your Media Matter 2010 Conference: Honest Truths--Documentary Ethics in Practice. Retrieved March 4‚ 2013‚ from Center for Social Media: http://www.centerforsocialmedia.org/making-your-media-matter/video/making-your-media-matter-2010-conference-honest-truths-documentary-et Aufderheide‚ P.‚ Jaszi‚ P.‚ & Chandra‚ M. (2009‚ September). Honest Truths: Documentary Filmmakers on Ethical Challenges in Their Work. Retrieved March 4‚ 2013‚ from Center for Social
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Don’t Look Back by D.A. Pennebaker is a 1967 documentary which follows the young folk singer Bob Dylan‚ during his 1965 tour in the United Kingdom. The documentary is shot in the observational style known as ‘direct cinema’‚ which was invented between 1958 and 1962 in North America and focuses on the subject acting in their natural habitat as if there was no camera - made possible‚ through an agreement between the filmmaker and the subject. This form of documenting became possible due to the development
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The documentary Through These Eyes is an exploration of the forgotten U.S. educational program implemented in the Kennedy-era. Leading intellectual‚ educational‚ and ethnography experts at the time‚ were charged with the task of devising an educational program which would invoke peace in the adults of the future. To do so‚ they came up with Man: A Course of Study or MACOS‚ a film based‚ year-long social sciences course for 5th grade students. Despite the program being created in good faith and containing
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The film Koyannisqatsi (1983) had opened the public’s eyes to the possibility of extensive time-lapse cinematography and the non- verbal style of filmmaking. Filmmakers such as Frances’ Jean Painleve made similar films before but nothing had been made such as Koyannisqatsi (1983). The other films where similar but made more towards the experimental film audiences. Godfrey Reggio the director of Koyannisqatsi (1983) and Ron Fricke the cinematographer showed how the modern world was moving from a
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Disconnected is about three college students who choose give up their computer for a documentary. Some key aspects of the documentary are how attached our society is to computers and the internet in general‚ even in 2007. Our culture is heavily reliant on technology to help them get through our daily lives. It is basically a requirement for professional communication‚ school‚ and even to access to other older forms of media such as books and old articles and diagrams. Those ideas were made especially
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Film Review Chosen Film: Biggie and Tupac Biggie & Tupac (Nick Broomfield‚ 2002) is a documentary styled film directed and produced by ballsy British director Nick Broomfield who goes through great lengths in learning and portraying the real throughout the film. Out of many individuals examining the connections between the murders of multi-platinum selling rappers Notorious B.I.G. (Biggie) and Tupac (2Pac) Shakur‚ Broomfield’s account was deemed one of the most in-depth examination of the link
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mentioned in a prior class it is more or less a sitcom and not capturing the family in a documentary style the way in which An American Family is. An American Family challenged traditional forms of documentaries and violated viewers expectations of what a documentary was supposed to be about (Ruoff‚ 1998). The way in which this show is shot and edited also gives is more of a narrative feel than a documentary style. I would argue that the way the it is broken into different episodes especially
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natural Rome streets with refusal. 9-True lightning-also thru out the entire movie the lightning was natural didn’t use any type of an official lighting it was all natural lightning. 10-Photography similar to documentary-the style of the movie uses it of long take and documentary style‚ which makes the sequences to have within the
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The beginning of the documentary‚ “The Invisibles” talks about the journey to a new world‚ United States‚ the many risks those who try to escape the economic problems take just to get across the border. Many distasteful thing happen to families who try to reach North America‚ people are kidnapped‚ tortured in an inhumane matter‚ and killed in front of the others. This establishes fear among all other kidnapped to and all other who attempt to cross the border in hope of a better life. One thing that
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Frederick Wiseman (born January 1‚ 1930 in Boston‚ Massachusetts‚ U.S.) is an American filmmaker‚ documentarian‚ and theatrical director.[1] He came to documentary filmmaking after first being trained as a lawyer. He has won numerous film awards‚ as well as Guggenheim and MacArthur fellowships.[2][3] In 2003‚ Wiseman was awarded the Dan David Prize for his outstanding films‚ which make us reckon with our emotions and the cost to society of marginalizing those who cannot speak for themselves. In
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