SYNOPSIS OF THE RESEARCH PROGRAMME FOR Ph. D DEGREE IN ENGLISH Research Topic: “Realism in Tagore’s Poetry” Research Scholar : (Sumer Prasad) S/o Late Mahendra Prasad Vill. Semari‚ P. O. Gothain Dist. Ballia‚ U. P. Supervisor : Dr.( Ravi Shankar Singh) P. G. College‚ Ghazipur U. P. Co-Supervisor : Dr. (A. K. Mishra) Reader‚ Dept. of English D. C. S. K. (P. G.) College‚ Mau‚ U. P. Research Centre : D. C. S. Khandelwal (P
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Nature in Literature Nature is one of the most powerful forces that has ran through literature throughout human history. Ever since the first recorded dramas and philosophical works‚ man could not avoid being in contact with the world around him‚ and so his connection to the earth must inevitably be part of his story. In literature‚ when nature is addressed‚ it is often in praise or awe‚ of its terror or of its beauty. Nature can represent the real and visceral as well as the sublime and
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disturbing actions‚ like hate crimes. These concepts attempt to distinguish the “other‚” to create sense of superiority by degrading fellow humans. They create enemies where there should be unity in our common humanity‚ similar to how the true essence of patriotism disrupts the common effort for peace by functioning as a vessel for human pride‚ forging mortal enemies out of foreigners‚ and using idealized concepts to galvanize innocent people to atrocious acts. Outwardly‚ nationalism‚ pride for
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cultural or historical. Mary Shelley’s Frankenstein (1818) and Ridley Scott’s Blade Runner (1982) are two prime examples of how similar concerns may differ in representation due to varying times and contexts. Both Shelley and Scott strongly explore the essence of humanity alongside science and development‚ cautioning the audience about the concerns of these explorations as a possible path of severance with the natural order and the seemingly inexistent future of mankind due to their concerns and issues
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York:OxfordUniversityPress‚ 1986. Princeton‚NJ:PrincetonUniversityPress‚ 1988. London: Hogarth Press‚ 1989. 4. Barfield‚ Owen. What Coleridge Thought. London:OxfordUniversity Press‚ 1972. 5. Holmes‚ Richard. Coleridge: Darker Reflections. New York: Pantheon‚ 1999. 6. Romanticism: An Anthology. Malden‚MA: Blackwell Publishers‚ 1998.
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During the era of the Puritans‚ a new structure of literacy‚ American Romanticism‚ reformed and brought freedom of imagination to two specific writers: Washington Irving and Nathaniel Hawthorne. Even though Irving’s "The Devil and Tom Walker" and Hawthorne’s "Young Goodman Brown" revealed differential aspects of literature‚ they still employed similarities through mystifying symbols and the exemplary diction it implies. Although they reveal their themes in an opposing matter‚ both Irving and Hawthorne
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through personal emotion and imagination; the truest experience was to be found in nature. The concept of the Sublime strengthened this turn to nature‚ because in wild countrysides the power of the sublime could be felt most immediately. Wordsworth’s romanticism is probably most fully realized in his great autobiographical poem‚ "The Prelude" (1805–50). In search of sublime moments‚ romantic poets wrote about the marvelous and supernatural‚ the exotic‚ and the medieval. But they also found beauty in the
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the creativeness of using abstract though. Mary Shelley uses her epistolary novel to communicate the image of light describing idealistic knowledge and innovation as dangerous potential upon its use in efforts to critique Romanticism. One of the ways Shelley criticizes Romanticism and the destructiveness of knowledge is by indirectly voicing her attitude at her character’s cost. She enters this quote in the beginning of the novel with Victor speaking in attempt to aware Walton of his overreaching
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Ozymandias Percy Bysshe Shelley was a rebel from the British upper class. He was married to Harriet Westbrook‚ and friend with Byron. Although he died very young at the age of thirty‚ he left behind him valuable writings. Ozymandias is without doubt a poem of such kind. The poem is an Italian sonnet‚ and describes the remains of a ancient "glorious" ruin seen by a common "traveler from an antique land"(1). The subject of Shelley’s poem is more subtle than it seems. Found in the multitude of Romantic
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Transcendentalist writing is a style of writing that gives nature a whole new meaning. Essentially saying that there are spiritual connections to nature. Thoreau’s story “Walden” shows Thoreau’s love for nature. While Hawthorne was known for romanticism writing style. Hawthorne was an Anti- Transcendentalist. In other words‚ Hawthorne was known for his power of blackness. He uses evil in his stories such as “Young Goodman Brown”. He uses evil by his use of allegories and symbols. Thoreau’s love
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