Representations of the Tragic Hero in Othello and Macbeth One of the engaging elements of Shakespeare’s tragic heroes is that they are not monstrosities of virtue but rather people who are simultaneously accessible and elusive; they are made up of qualities and characteristics that we find within ourselves and other characters within the play while exhibiting an intensity that places them beyond our grasp. We come to realize that we have never known such a person (20). This quality of the tragedies
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What features of Othello contribute to its textual integrity? Shakespeare’s tragic play Othello has the ability throughout time to relate to the intrinsic nature of the human condition. Exposing the vulnerability of humanity‚ Shakespeare confronts the universal concerns such as racism and discrimination‚ which have a sense of timelessness still present from the Elizabethan age to the modern day. Potentially leading an eternal life‚ the play Othello is able to be interpreted by each individual
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and Reversal: Othello Aristotle classifies both recognitions and reversals as the greatest point of tragedy in a play or story. Recognitions and reversals are consistently used to develop character‚ advance the plot‚ and get a reaction of pity and fear from the audience. Recognition is the act of realization or knowledge or feeling that someone or something present has been encountered before. Reversals are a major change in attitude or principle or point of view. For the main character or hero/protagonist
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Racism in Othello‚ by William Shakespeare‚ plays a major role in the play‚ and Othello’s racist roots eventually destroy all of the main characters. Othello‚ on the outside looking in‚ does not seem like a racist play because it is about a marriage between two people of different races‚ but it is most certainly racist. Upon close examination‚ it is clear to see that the union of a white and a non-white is not accepted‚ and cannot possibly persevere. The outcome of Othello is quite predictable when
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Temptation is a very manipulative process. The character of Iago‚ in William Shakespeare’s Othello‚ is a very devious man that manipulates the character of Othello through temptation. Iago has a plan to distort Othello’s marriage and trick Othello into believing that his wife‚ Desdemona‚ is having an affair with his former lieutenant‚ Cassio. Act III of this play is the prevalent point of Iago’s plan where he is really able to suck Othello in to his devious ways. Iago uses drawing attention‚ allurement
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“Radical Evolution” In Joel Garreau’s book “Radical Evolution: The Promise and Peril of Enhancing Our Minds‚ Our Bodies- and What It Means to Be Human” Garreau discusses the concept “singularity” along with views from Vernon Vinge‚ Ray Kurzweil and others. Singularity is this drastic change that will take place during a period of accelerating change in particular with technology. “The Curve implies one of the all-time changes in the rules. Those who study it call it “The Singularity”. (p.67)
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these themes are present in Othello. Most dominant‚ however‚ are manipulation and jealousy. Jealousy runs the characters’ lives in Othello from the beginning of the play‚ when Roderigo is jealous of Othello because he wishes to be with Desdemona‚ and to the end of the play‚ when Othello is furious with jealousy because he believes Cassio and Desdemona have been engaging in an affair‚ but manipulation the prominent action that fuels the jealousy within Othello. Some characters’ jealousy is fashioned
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Symbols of Evolution Symbols of Evolution Two billion years ago two prokaryotes bumped into each other and formed the first multi-cellular organism. 65 million years ago an asteroid hit the earth and dinosaurs became extinct. Three days ago‚ in your notebook‚ you drew a mess of squiggles which to you represented Jackson Pollock ’s painting‚ Number 1‚ 1948. You wrote the word entropy on the upper left hand corner of the page. On the bottom right hand side you wrote‚ Creativity is based
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Color in film went through a self-contained evolution much like sound. Many films of the silent era‚ for instance‚ used processes such as tinting and toning to give an overall color to the frame (Thomspon & Bordwell 34). Thompson and Bordwell comment on the process that “color could provide information about the narrative situation and hence make the story clearer to the spectator” (34)‚ much like the use of photogénie and mise-en-scene by the Impressionists and Expressionists. Other films‚ such
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on Othello: Act 1 1. There are three main reasons for why Iago hates Othello. The first being that Iago deeply believes that there used to be an affair between his wife Emilia and Othello. While there is no actual evidence to support the affair‚ the fact that Iago believes it happened supports the fact that he is very paranoid and might be searching for reasons to hate Othello. The second is that Othello denied Iago a promotion he believes he very much deserved. The fact that Othello gives
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