as a guide for journalist from‚ the Society of Profession Journalist. In a way to protect the journalist where they "seek truth and report it"‚ as well as‚ "minimize harm" to the public as human beings. Looking‚ at the article "the Falling Man" written by Tom Junod and the photos taken Richard Drew includes in the text‚ drawing attention to the ethical issues that are conveyed in this article and the reason behind it. An analysis of the "The
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26/09/11 The Falling Man The Falling Man is a photograph of a man who is falling from the North tower of the World Trade Center during the crisis of the 11th September‚ taken by a photographer called Richard Drew. This picture in particularly was chosen to appear in the newspapers of the world‚ it was seen only once in the New York Times but was then removed due too much criticism. This photo caused a lot of arguments in terms of the U.S. newspaper industries; this was because of the way the people
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“The Falling Man” Looking at this picture‚ emotions rush through your body making you remember the terrible event that happened on Tuesday‚ September 11‚ 2001. The story behind this picture has to do with the most horrific day in history; the day terrorists crashed two planes in the towers of the World Trade Center. Fifteen seconds past 9:41 a.m. on September 11‚ 2001‚ Richard Drew took the picture of the now world known famous‚ “The Falling Man.” He jumped head first‚ like an arrow shooting
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building as they were collapsing. Tom Junod‚ a writer for the Esquire magazine‚ illustrates his perspective of this shocking incident through pictures‚ media coverage‚ and depicting people’s reactions in his article The Falling Man. Tom Junod’s article should be read by anyone who believes they have felt all there is to feel from the 9/11 attack. He will prove otherwise that there is indeed still much emotion to be felt even 10 years after the happenings of that day. Tom Junod brings back the almost forgotten
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10 Nov. 2012 Analyzing Sarah stein’s “The ‘1984’ Macintosh Ad: Cinematic Icons and Constitutive Rhetoric in the Launch of a New Machine”. In 2002 the rhetorical analysis of the “1984” Macintosh ad was published by Sarah Stein. Sarah Stein’s “The ‘1984’ Macintosh Ad: Cinematic Icons and Constitutive Rhetoric in the Launch of a New Machine” Explores the dimensions of the “1984” Macintosh ad‚ which features a big brother theme taken from the dystopic George Orwell novel‚ allusions to the Wizard
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deaths of over 3‚000 innocent people (9/11). The aftermath and the coping of the citizens of New York City set as the backdrop of the novel‚ Falling Man written by Don DeLillo. As a native New Yorker‚ DeLillo has made references to the World Trade Centres in his previously written novels such as Americana‚ Player‚ Mao II‚ and Underworld (Conte 562). Falling Man introduces the reader to the family of Keith Glenn‚ a survivor of the World Trade Centres‚ Lianne Glenn‚ spouse of Keith‚ and their son‚ Justin
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became graceful sacred angels returning to their source. “Falling Man” is an article focusing on the identity of one of these jumpers depicted in a well-known photograph taken by Richard Drew. The article is composed of numerous rhetorical devices that eventually give way to the author’s arguments towards the photograph. Utilization of rhetoric in the article allows a better understanding of the writer and its intended audience. The search for the man who fell seeming to embrace his fate in the article
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death. Many believe that these “jumpers” were put to the test. “The Falling Man” was one of the many workers that did not anticipate their end to come. But this particular ‘jumper’ was very different from all the others. The man was identified as a slightly dark-skinned‚ tall person wearing a uniform that most chefs and pastry workers wore- along with a noticeable bright orange shirt underneath. His stance as he was falling was one of the things many people noticed that was very unique. His body
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Through the exploration of the texts Maestro‚ by Peter Goldsworthy‚ and The Falling Man‚ by Richard Drew‚ the emergence of imagery deciphers and projects the varying meanings of each text. Through distinctively visual language features in the novel Maestro‚ images are created which help convey the major theme of the text; relationships. This is contrasted by the visual techniques in the image of The Falling Man‚ capturing a moment of terror in history. Both texts similarly consist of the raw
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Conte in “Don DeLillo’s Falling Man and the Age of Terror” notes‚ “DeLillo repeatedly invoked the World Trade Center as representative of the gigantism and hubris of global capitalism‚ a force that he stridently resisted from the start of his carrier in Americana‚ in which the television executive David Bell‚ abandons his unfulfilling job in New York City” (562). Falling Man exposes DeLillo’s transnational political investigation through its fictional
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