epic tell‚ how they came to be. How the great Roman civilization came into power‚ through the hardship and trials of the Trojan people. Virgil speaks to his people through this text to build pietas or dutifulness in an attempt to mature the virtue of his people. He also provides several examples of not only pietas‚ but constantia or perseverance as well‚ both of which are the characteristic traits that he wants his civilization to develop and nurture in an attempt to better the society. Another great
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When you look at figure 18-23 Vesperbild (Pieta) and then figure 21-9 Pieta you see two different interpretations of the virgin marry holding a dead Jesus in her lap. However‚ there are some difference between these two religious three-dimensional sculptures. Let’s start with the medium used in these three-dimensional sculptures. With the Vesperbild (Pieta)‚ sculpture the medium used wood and polychromy‚ (PG 557). While on the other hand the Pieta sculpture was constructed out of marble‚ (PG 643-644)
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Pietas? Dharma? Let’s Call the Whole Thing Off! Written in 29 B.C.E. by the famous poet‚ Virgil‚ The Aeneid tells the legendary story of Aeneas‚ a Trojan warrior who travels to Italy to find a new home. As Aeneas makes his way across the ocean‚ he encounters a plethora of complications. In the face of all this adversity‚ Aeneas continues to exhibit the principal Roman virtue‚ pietas‚ which comprises the concepts of piety‚ public virtue‚ and duty. The idea of pietas bears an uncanny resemblance
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During the thirteenth and fourteenth centuries‚ a transformation occurred in Italy with respect to society‚ economics‚ politics‚ and religion. One of the major factors that led to such a change was the shift from a farming culture to a culture of industry dominated by merchants. This led to an urban economy‚ the expansion of cities‚ and the alteration of government to accommodate the growing population. In addition‚ Christian sects such as the Franciscans and the Dominicans began to form‚ advocating
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Rome Pietà and Crouching Boy by Michelangelo and Monument of Don Pedro of Toledo by Giovanni Nola. The sculptures are from the Renaissance era in Italy and all were sculpted in marble within 50 years of each other. Each has at least one main figure although the Monument of Don Pedro does not use a human figure as the focus of the sculpture. There as some unique similarities in the context of each of these works‚ since they could all be viewed as symbols of sadness and loss. The Pietà portrays
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The powerful Medici family had a profound impact on a great many lives‚ but few to the extent of Niccolo Machiavelli (1469-1527). As a leading political thinker Machiavelli personally dealt with the Medici‚ and as a writer their influence was all the weightier‚ exemplified especially in The Prince and The History of Florence (Hereafter Istorie); both works in which Machiavelli paid considerable attention to the way the Medici would envisage his work. The relationship between Machiavelli and the Medici
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In this painting‚ you see around 60 Greek philosophers arranged in a very large hall. The philosophers are talking to each other‚ discussing theories or mathematical queries. It symbolizes philosophic thinking and the search for truth. On the wall you can see paintings and statues. He has used contour lines with domes and actual line with figures. Personalities are arranged like actors in a tired architectural setting‚ Raphael has represented distinguished Greek philosophers such as Plato‚ Aristotle
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it was. Forms‚ colors and proportions‚ light and shade effects‚ spatial harmony‚ composition‚ perspective‚ anatomy - all are handled with total control and a level of accomplishment for which there are no real precedents. Leonardo da Vinci was a Florentine artist‚ one of the great masters of the High Renaissance‚ who was also celebrated as a painter‚ sculptor‚ architect‚ engineer‚ and scientist. Leonardo fuses his subject with the landscape behind her by means of light. He called this technique sfumato
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Medici family. What followed was a remarkable career as an artist in the Italian Renaissance‚ recognized in his own time for his artistic virtuosity. His works include the David and Pieta statues and the ceiling paintings of Rome’s Sistine Chapel‚ including the Last Judgment. Although he always considered himself a Florentine‚ Michelangelo lived most of his life in Rome‚ where he died in 1564‚ at age 88. Early Life Painter‚ sculptor‚ architect and poet Michelangelo‚ one of the most famous artists of
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best of his era; his skills in art were matched only by his rash temper. Michelangelo was undoubtedly one of the most skilled and interesting artists of the Renaissance. Coming from an upper-class Capresian family who considered themselves to be Florentines‚ Michelangelo seemed like he would live a privileged yet simple life.
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