LAND REFORM PRORAM 1. The Society or community - Barangay was the community itself. 2. The Social Classes a) Maharlika – the Datu family was considered the aristocracy‚ pay no tribute‚ and enjoy the privileges. b) Freemen or the Timawa – own their houses and property and in case of war joined the Datu to defend the barangay c) Slaves – the Alipin belongs to the lowest class and could be sold together with the land; always serving the Datu Terms to Remember 1. Casiquism- the agricultural institution
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Land of the Free‚ Home of the Slave Our national anthem chants “O’er the land of the free‚ and the home of the brave.” My challenge is although this is indeed the land of the free; it is more the home of the slave than the brave. The reasoning behind this logic is that it was the slave whose muscle built the soul of America‚ and whose uncanny intrusion branded an indelible mark upon U.S. history. It is not fourscore‚ but seven score and five years later that the controversy which comprised the
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"The Odyssey" The Land of the Dead Oddyseus started to seak to the spirits of the promising to sacrifice his best cow before she had her calve. Then he promised to sacrifice a black lamb whick was the finest in his heard. After promising to sacrifice the animals he did it. The spirits started to gather at the edge of Erebus‚ the place where the dead reside. The spirits included those of the young and the old; male and female. There were also many warriors who were still in possesion of their
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policies? 1. Are they clearly stated‚ or are they merely implied from performance? 2. Mission: What business( es) is the corporation in? Why? 3. Objectives: What are the corporate‚ business‚ and functional objectives? Are they con-sistent with each other‚ with the mission‚ and with the internal and external environments? 4. Strategies: What strategy or mix of strategies is the corporation following? Are they consistent with each other‚ with the mission and objectives‚ and with the internal and external
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the British Empire in 1763 was controlling land speculators in both Europe and the British colonies whose activities often led to frontier conflicts.[2] Many Native American peoples—primarily in the Great Lakes region—had a long and close relationship with France‚ and were dismayed to find that they were now under British sovereignty. Pontiac’s Rebellion (1763–66) was an unsuccessful effort by Native Americans to prevent Great Britain from occupying the land previously claimed by France. The Proclamation
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From all the various themes the book My Promised Land by Ari Shavit introduced in just the first sections‚ it invoked my memory of past lectures‚ personal experiences‚ and thoughts on the matters surrounding the State of Israel and its inception. Reading through these pages I found myself dancing around Ari’s combination of words that described scenes of devastation and of a humiliated Palestinian population after or depiction from his grandfather about of the disease and despair found in the faces
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TITLE: ISLAND OF THE BLUE DOLOHINS AUTHOR: SCOTTO’DELL PUBLISHER: PENGUIN GROUP PUBLICATION DATE: 1960 MAIN CHARACTERS Karana: She is the protagonist. When the Aleuts invade her homeland and the natives fled‚ Karana and her brother are left behind to fend for themselves. SECONDARY CHARACTERS Ramo: This was Karana’s younger brother. He is however killed shortly after the island is deserted by a pack of hungry‚ wild dogs. Ulape: Karana’s older sister. Ulape manages to escape with the natives
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Aboriginals have always had a strong link between them and the land with the belief of the Dreamtime and the art‚ symbols‚ rituals and totems that came with it. After the white settlement‚ the way in which aboriginals lived their everyday life took a dramatic turn. It had affected their culture for many generations with a disconnection with the land to them. Captain cook arrived to Australia in 1770 and it was believed that there was at least 750 000 Aborigines living in 600 different tribes in
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The eye of the camera Lucy Walker‚ the director of Waste Land‚ focuses on the perspective of Vik Muniz using the camera lens as an artistic and metaphorical eye to represent his distance‚ understanding‚ and ignorance on the Wasteland. Scenes within this documentary‚ especially in the beginning and middle‚ the camera view is often mimicking the changes in perspective of what Waste Land has within Vik’s point of view. Often the camera shows Vik glancing at an object‚ immediately the camera switches
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