"The gothic evil elements in the black cat" Essays and Research Papers

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    Gothic Class

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    1. What does he ask for? Is this rational? Why or why not? Justified? What evidence does he offer for the legitimacy of his request? Analyze Victor’s reaction to him. When Victor has his first encounter with the creature he is very shocked and scared at the same time. “Devil‚ do you dare approach me?  And do not you fear the fierce vengeance of my arm wreaked on your miserable head?  Begone‚ vile insect! or rather‚ stay‚ that I may trample you to dust! And‚ on! That I could with the extinction of

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    The Theme of Perversity in Edgar Allen Poe’s The Black Cat ENG 201 American Literature to 1865 2/28/2012 The Black Cat is a tale that leaves the reader somewhat perplexed. It certainly contains all the ingredients necessary to satisfy the appetite of any Poe enthusiast - an enigmatic narrator‚ alcohol and the effects thereof‚ mutilation‚ strangulation‚ murder‚ putrefaction‚ and‚ last but not least‚ one of Poe’s slight (but recurring) obsessions‚ perversity - but we are

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    Gothic Literature

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    Gothic Literature Ann Radcliffe Name: Arunima Sircar Grade: 9 IGCSE A English Project- 1 Gothic Literature Gothic literature of gothic fiction is a genre of writing that merges elements of horror as well as romance. It has been believed to be first introduced by the famous English author‚ Horace Walpole. The many elements of Gothic Literature help make this genre successful and pleasing to the readers. Elements of Gothic Literature The many elements of a Gothic Novel help make the novel much more

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    The Gothic Proof

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    The Gothic Proof: “Tell Tale Heart” and “The Yellow Wallpaper” According to Edward Quinn the definition of gothic literature is‚ “ A type of fiction that employs mystery‚ terror or horror‚ suspense‚ and the supernatural for the simple purpose of scaring the wits out of its readers;” writers in this genre created eerie environments and imagery to keep readers on edge. Many authors contributed to the genre over time‚ with Edgar Allen Poe writing “The Tell Tale Heart” in 1843‚ and Charlotte Perkins

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    Gothic Architecture

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    GOTHIC ARCHITECTURE Basilica churchearly Christian churchRomanesquegothic - Religion grew more population - complete opposite of classical architecture - called "barbaric"; gothic age is considered one of Europe’s outstanding artistic eras Features of gothic architecture: 1. Plans- arranged for convenience rather than for symmetry (utilitarian) 2. Walls- rubble masonry not laid in horizontal courses -materials were in small pieces -walls were no longer load-bearing which contributed

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    Gothic in Frankenstein

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    The ‘Gothicelements in Frankenstein One of the first novels to be recognized as a Gothic novel was Horace Walpole ’s Castle of Otranto (1765). This text as well as others such as Matthew Lewis’ The Monk (1796) was seen as being linked with what were traditionally considered Gothic traits: the emphasis on fear and terror‚ the presence of the supernatural‚ the placement of events within a distant time and unfamiliar setting‚ and the use of highly stereotyped characters/villains/fallen hero/ tragic

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    Gothic Arch

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    THE BASIS OF THE GOTHIC STYLE Tom Bender * March 26‚ 1964 Top Award Winner – 1964 National Architectural History Student Competition A building is more than an assemblage of materials to provide a shelter for man. It is an expression of the society that created it‚ its forms shaped by the outlook‚ values‚ orientation and maturity of the society‚ and reflecting the nature‚ strengths and weaknesses of the various aspects of the society. It in turn shapes and directs the society in its role as

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    The Ties between the Two In the stories “The Tell-Tale Heart” and “The Black Cat” written by Edgar Allan Poe both share a sense of suspicion and murder. In both stories‚ each narrator has flashbacks of the crimes they commit after the wicked deed is done. Also‚ each narrator confesses to their crime once they start to feel the guilt come upon them. Both stories are also alike because of the unnamed narrators. The major way they are alike is that they both deflect responsibilities alike in several

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    most dominant characteristic of the Romantic movement was the rejection of the rational and the intellectual in favor of the intuitive and the emotional. In his critical theories and through his art‚ Poe emphasized that didactic and intellectual elements had no place in art. The subject matter of art should deal with the emotions‚ and the greatest art was that which had a direct effect on the emotions. The intellectual and the didactic was for sermons and treatises‚ whereas the emotions were the

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    The narrator of Edgar Allan Poe’s 1843 story “The Black Cat” insists that his tale of horror is “a series of mere household events” (348); this insistence forms the basis of much of the criticism of this story. Critics have risen to the narrator’s challenge to reduce these events to “the commonplace” and the “ordinary” (254) in their efforts to propose a motive for the narrator’s violence.1 Exploring the story through the lens of gender construction offers an additional perspective on this

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