The first scene of Drive (Nicolas Winding Refn‚ 2011)‚ has the audience following the main character on a fast paced‚ high suspense getaway scene. This first scene introduces the main character and his job as a getaway driver and creates a suspenseful hook to bring the audience into the film’s world. The scene starts out with a black screen. A man’s voice is heard in the background. The shot fades in to a map of downtown Los Angeles with words and annotations scrawled all over the page. The audience’s
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6 Scene Paragraphs Psycho The scene is when Marion arrives at the hotel. After checking in she is invited to have dinner with Norman. While she is getting settled Norman goes back into the house and Marion overhears He and his "Mother" arguing about Marion eating dinner there. He instead brings the dinner down to her where they begin to talk. While talking she gives her opinion of what he should do with his mother because she is "very ill". Throughout this scene you get an idea of how Norman
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Investigating a Crime Scene Denise Swank Bryant & Stratton College Criminal Justice: Research Paper Mr. Frank Chmarak December 2011 Investigating a Crime Scene On TV shows like "CSI‚" viewers get to watch as investigators find and collect evidence at the scene of a crime‚ making blood appear as if by magic and swabbing every mouth in the vicinity. Many of us believe we have a pretty good grip on the process‚ and rumor has it criminals are getting a jump on the good guys by using the
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The Crucible‚ published in 1953‚ a second scene for Act II was written but Arthur Miller decided to take it from the future editions that came after that time. A reason Arthur Miller might have removed this scene from the play was that it showed the readers too much information‚ which would have given the readers too much about what would happen later on in the play and it might have had disinterested the readers into continuing reading. The Act II scene‚ which was taken off from the play‚ would
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Crime scene preservation should be the most important step to any first responder. This protocol should continue to be followed by anyone who processes the scene. From the moment the first responder arrives at the scene‚ he/she should exercise a pertinacious attitude to insure that curious onlookers and personnel who are not involved in a task related to the scene‚ remain outside the cordoned perimeter. Without this first step‚ evidence found at the scene can be compromised or worse destroyed
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isON THE WATERFRONT SCENE ANALYSIS The ending scenes of the film are set on the waterfront‚ at Jonny Friendly’s shack. In this scene we see Terry seize revenge after his brothers murder. We see Terry’s independence‚ strength and motivation emerge from his hesitant and conserved self. Through Terry’s act of rebellion‚ he stands against the crowd‚ becoming the man he never was. Through his physical exploitation Terry is able to redeem himself. This scene acts as the climax of the film‚ and is where
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The chase scenes in The General can be considered modern because it employs an abundance of continuity editing‚ which is still used today. Analytical editing (a type of continuity edit) is used when Johnny hops off the train to tie the rope around the telegraph line. There is first a long shot of Johnny jumping off the train and seeming to walk out of the frame. Next‚ the camera is behind him as he walks in the frame and throws the rope on the line. Instead of this action taking place in a single
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Mise en scene Analysis: Days of Being Wild After viewing the opening sequence of Days of Being Wild for the first time‚ several things were apparent. We have two main characters that are involved in an ongoing exchange. It begins as a simple transaction leads to our first insight into whom these characters are. Our leading man is confident. He seems to know what he wants and doesn’t appear to take no for an answer. The girl he’s after seems reserved and seems to decline his advances despite
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mise-en-scène refers to everything that appears before the camera and its arrangement—composition‚ sets‚ props‚ actors‚ costumes‚ and lighting.[2] The “mise-en-scène”‚ along with the cinematography and editing of a film‚ influence the verisimilitude of a film in the eyes of its viewers.[3] The various elements of design help express a film’s vision by generating a sense of time and space‚ as well as setting a mood‚ and sometimes suggesting a character’s state of mind.[4] “Mise-en-scène” also includes
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This busy scene begins with a moment of light comedy‚ which serves to heighten the suspense. The porter of Macbeth’s castle‚ drunk from the previous night’s revels‚ complains that his job is worse than that of the porter of hell. In a private game with the audience‚ he engages in a piece of stand-up comedy in which he imagines himself as that beleaguered servant‚ opening and closing the gate on the demand. The first two examples he uses (that of a farmer and an equivocator) have specific religious
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