This paper is going to be talking about this painting: Title: The Haywain; Artist: John Constable; Date: 1821. Most people see as an excellent example of how multiple elements and principles work together to create an outstanding masterpiece. First of all‚ this painting uses multiple types of lines‚ such as horizontal‚ vertical‚ and diagonal lines on the house to the left of the painting‚ and curved‚ diagonal and vertical lines on the trees because the branches are somewhat diagonal and the stem
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he Haywain‚ by John Constable‚ is a brilliant piece of artwork that thoroughly encompasses most‚ if not all‚ elements and principals of art. Constable masterfully incorporates these concepts to provide his audience with a clear and realistic depiction of a rural farm scene. This scene includes a house dating around the 1820’s‚ a semi flooded front porch‚ over hanging trees that stand in the middle ground‚ and a vast meadow containing a few cattle in the background. Two men and a horse drawn cart
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1. Discuss the impact of photography on the nineteenth-century landscape. How did it affect painting? What were the political implications of the medium? Use examples to support your essay. Landscape painting was a particularly effective vehicle for allegory because it allowed artists to make fictional subjects appear normal‚ conditioned‚ acceptable‚ or destined. Art was not just about the landscape‚ it actually allowed the spirit of the painter to come alive in their work. The allegory
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Variety is pretty self explanatory in this piece. From the animals to the structures depicted in the inner panels‚ not a single subject is exactly the same. There is a large diversity of animals from common animals that we recognize to mystical animals that appears in mythology. Different facial features are shown on the face of humans to reveal expressions of lust‚ happiness‚ and temptation. This painting is a canvas version of The Terracotta Army. It shows Bosch’s seriousness and solemn respect
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Romanticism was an artistic and intellectual movement in the history of ideas that originated in late 18th century Western Europe. It stressed strong emotionwhich now might include trepidation‚ awe and horror as esthetic experiencesthe individual imagination as a critical authority‚ which permitted freedom within or even from classical notions of form in art‚ and overturning of previous social conventions‚ particularly the position of the aristocracy. There was a strong element of historical and
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photomontage and combines this with painting as a powerful tool for propaganda. The artists and images this paper refers to are artists John Heartfield and his 1963 Spanish War montage‚ Liberty herself fights in their ranks and Peter Kennard’s 1984 The Haywain with Cruise Missiles. Both artists use historical‚ well known paintings and combine them with contemporary news photographs‚ to create different sorts of propaganda. In cultural terms propaganda involves presenting ideas to a audience in aid of
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Academic Institutionalization of the "fine arts” and the nature of academic instruction * The academy set the standard for what was art. * Very specific criteria * Only allowed to do History Painting: an event out of history‚ the bible‚ or mythology * Other than history – portrait‚ still lives‚ genre painting * Subject matter: history/mythology/politics * Studying in Rome was the high point of artistic development * Mengs‚ Parnassus‚ 1761 *
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ti Quiz V Study Guide (Greed) Humanities 102: Introduction to Western Civilization Mr. Vehse 1. Phyllis Tickle is the author of our current text‚ Greed. What is Ms. Tickle’s profession? -A religion editor for a trade journal 2. How does Tickle define or‚ if you like‚ describe religion? -From that perspective‚ religion is most accurately seen as a rope or cable of meaning that stretches through human history and has anchored‚ in one form or another‚ every culture or subculture of human society
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Library Services www.arts.ac.uk/library Guide to the Harvard System of Referencing Contents 1. Introduction 1.1 Disclaimer 1.2 Organising your research 1.3 Using Zotero or Other Referencing Tools 1.4 Definitions 4.5 Acts of Parliament 4.6 Anonymous works 4.7 Published proceedings‚ conference and symposium papers 4.8 Journal and newspaper articles 4.9 Unpublished theses 4.10 Exhibition catalogues 4.11 Reports 4.12 Translations 2. Citing in the
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Mannerism (1527-1600) * Confusing * Counterpart to High Renaissance Southern Italy * “…stylish style…” – John Sherman * Started in central Rome * Catholic church started to take problem with it Jacopo da Pontormo – Deposition * 1527 * Original Context: Commissioned for Capponi private chapel in Florence (Santa Felcita) * Materials: Oil on panel (unusual for Southern Italian art) * Other unusual things: * Jesus isn’t the center of the painting (VOID –
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