participants’ feedback from the focus groups‚ the authors found that while there are several similarities in opinion between the two races‚ the most significant results come from the differences. Both races agreed with the very broad statements that racial comedy can be entertaining‚ that there is some truth to it‚ and that there is certainly a time and place for it. When these generalizations are broken down‚ however‚ there are many distinct differences. These differences are especially clear when broken
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living room. While all of his guests‚ intended and accidental‚ attempt to illuminate their condition both figuratively and literally‚ Brindsley desperately endeavors to thwart them to increasingly comedic effect. In Peter Shaffer’s one-act farce‚ Black Comedy‚ first performed in 1965‚ he amusingly juxtaposes light and dark in order to underscore the play’s central treatment of lies and deceit. Simultaneously its most distinctive and challenging feature‚ the play is performed under a reversed lighting
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Introduction One of the most daunting questions posed to graduate students (or any student for that matter) is the one inquiring about their focus. When asked about this project‚ I have told friends and family that I study the use of Americanness in British comedy as a means to reassert a sense of British identity. This is the easiest and most concise way I have found to answer the question. It is also a sentence constructed in such a way as to impress those unfamiliar with television studies. For some reason
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Shakespeare’s The Comedy of Errors The Comedy of Errors was Shakespeare’s first comedy. It is a light yet dramatic play about a family of twins‚ their parents‚ and their twin servants‚ who have been separated for over twenty years due to a tragic accident at sea. The story‚ following the usual format of Shakespeare’s work occurs and is concluded all in one day. The twins run into each other the whole day through and are mistaken for each other more than once. This confusion makes the tragedy
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A Comedy of Errors is made better by the July 15th production because of the physical acting‚ portrayal of both Antipholous’ and Dromio’s relationships‚ and the situational comedy of Shakespeare. Physicality is the biggest addition to Shakespeare’s original piece. Some of these instances aren’t in Shakespeare’s stage directions‚ but only serves to enhance the performance for the audience. The first time Antipholous S. comes into contact with his twin brother’s wife for example. In the play Adriana
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Voltaire Paper Justin Spicer Voltaire uses many writing techniques‚ which are similar to that of the works of Cervantes‚ Alighieri‚ Rabelais and Moliere. The use of the various styles shows that‚ despite the passing of centuries and the language change‚ certain writing techniques will always be effective. One common literary technique is the author’s use of one or more of his characters as his own voice to speak out the authors own views on certain subjects. For instance‚ in Moliere’s Tartuffe
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JUNO Juno‚ a sixteen year old girl decides to experiment and have sex for the first time with Paulie Bleeker her friend and with no luck on her side gets pregnant. Juno has to decide what to do after visiting an abortion center and deciding she can not kill the baby because it already has nails. Juno then talks with a friend who tells her to look in the “Penny saver” for people who want to adopt. Juno comes across Mark and Vanessa Loring who have the money to support a child and looking to
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The Divine Comedy: Inferno Dante Alighieri Major Characters • Dante Alighieri o Thirty-five years old at the beginning of the journey ( half of man’s biblical life span “threescore and ten years” (Psalm 90:10) o Lost his way on “the true path” of life ( sin has obstructed his path to God o Explores the nature of sin by traveling through hell o Rooted in the Everyman allegorical tradition ( represents humanity o Little known about his life
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confidence in God‚ makes his challenge clear—he sets out to look for God in a sinful world. His reference to “our life” contributes to the allegorical level of Inferno: the journey upon which Dante is embarking is not solely his but rather that of every human being. He describes his journey in only the vaguest of terms‚ with no mention of where he is coming from or where he is heading‚ because he believes that this journey is one that every individual undertakes so as to understand his or her sins and find
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The major conventions of Shakespearean Romantic Comedy are: The main action is about love. The would-be lovers must overcome obstacles and misunderstandings before being united in harmonious union. The ending frequently involves a parade of couples to the altar and a festive mood or actual celebration (expressed in dance‚ song‚ feast‚ etc.) A Midsummer Night’s Dream has four such couples (not counting Pyramus and Thisbe!); As You Like It has four; Twelfth Night has three; etc. Frequently (but not
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