Gabrielle ‘Coco’ Chanel Fashion Designer Gabrielle "Coco" Chanel (1883-1971) was born in Saumur‚ Southern France. She began by designing hats‚ first in Paris in 1908‚ and later in Deauville. Her fashion boutiques (one in Paris and one in Deauville) opened simultaneously in 1914. She opened an haute couture salon in Biarritz in 1916‚ and in 1920 moved to Paris in the present quarters on rue Cambon. Ready-to-wear fashions were not introduced until 1978‚ after Coco’s death. Chanel is a member of
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Akshada Kunnul & Priyanshi Kothari Fashion Management Final assignment- Business plan and Management process Lecturer- Samiksha Gandhi Submission date: 30th November 2013 Executive Summary This report is a study of management process for a retailing company - BillieBlush – that was launched in February 2010. The 1‚750 sq. feet store is located in Juhu‚ Mumbai‚ India where it caters to kids wear between the ages of 2-10. With the concept of fast fashion and short lead times‚ the company
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H&M Fashion and Quality at its Best Price Leah-Marie Marsang 00044231 College of Science Technology Applied Arts of Trinidad and Tobago Abstract In this paper‚ we look at the European born fashionable clothing store‚ H&M. We gain knowledge of the brief history of the store‚ where it began‚ who started it and how it became worldwide. Also discussed‚ the different services and products H&M provide its consumer‚ who does it provide such products to and in what categories
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the new fashion vogues are just mere modifications and revivals of existing fashion models. Topic Outline: I Fashion Evolution A Fundamentals and Natures of Fashion B Contributing Factors of Fashion Evolution II Fashion Vogues A Fashion vogues of the old generations (1950s to 1980s) B Fashion vogues of the new generations (1990s to 2000s) III Deductions Topic- Sentence Outline: I Fashion Evolution A Fashion is delineated
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OBJECTIVE Passionate about the fashion industry‚ I wish to expand my skills by working with a dedicated and innovative team of designers. Seeking to obtain a challenging position as a Fashion Designer in a professional‚ artistic environment where I can use my talent to benefit the company and its clients and also shine up my skills. My goal is to assist in bringing current international fashion trends‚ developing unique styles‚ and providing beautiful and practical clothes to the public.
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spring/summer 2015 fashion in Paris was demonstrated differently. Instead of models just stuting down the runway‚ they yelled things like “What do we want?!” out megaphones and held up picket signs that said “Women’s Rights are More than Alright” and “History is Her Story.” Fashion and feminism are incompatible. Throughout history fashion had always been a way to express women freely. Fashion has also helped women. Fashion is a business where women can take control in and be successful. Fashion has been a
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Reading Report / 2012 Winter/ Fashion Theory/ Prof. Spinelli / Elise Wang Thortein Veblen Dress as an expression of the pecuniary culture Karl Marx The fetishism of the commodity and its secret Peter Braham Fashion: Unpacking a culture production Tim Dant Consuming or living with things?/ Wear it out Reading Report / 2012 Winter/ Fashion Theory/ Prof. Spinelli / Elise Wang/ 2 Intro Arguing against all Forms of Reductionism in accounts of fashion‚ Elizabeth Wilson says that:
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1. How would you describe Zara’s financial performance? Since only Inditex historical financials are shown in the case‚ we took the financials of Inditex to describe Zara’s financial performance. It is reasonable to take Inditex financial data because Zara made up 76% of Inditex’s sales in 2001. Zara (Inditex) Financial Performance in 1996-2001 1996 1997 1998 1999 2000 2001 Liquidity Ratio (current ratio) 0.81 1.00 0.88 0.87 0.90 1.02 Leverage Ratio (debt/ equity) 1.98 1.84 1
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http://www.clicktoconvert.com 1 B.Sc. COSTUME DESIGN AND FASHION FASHION DESIGNING AND SEWING TECHNOLOGY UNITS PAGE NUMBERS UNIT 1 UNIT 2 UNIT 3 UNIT 4 UNIT 5 03 48 91 126 166 CONTENTS UNIT NO. UNIT I UNIT II UNIT III UNIT IV UNIT V LESSON NO. TITLE OF THE LESSON 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 PRINCIPLES OF FASHION FASHION PRODUCERS FASHION DESIGNING & ACCESSORIES PRINCIPLES OF DESIGNING COLOUR COLOUR
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When all that is Solid Melts into Fashion - fashion’s FLIRT with modernity DKDS // CDF // 2006 Two Papers on Fashion Theory TWo PaPeRS on FaShIon TheoRy 2 When all that is Solid Melts into Fashion - fashion’s FLIRT with modernity Nikolina Olsen-Rule // External Lecturer‚ University of Århus // nor@dkds.dk // Research Assistant // Danmarks Designskole // 2006 0 Ferns in Fashion - on the Logic of Trends Maria Mackinney-Valentin // Ph.D. Scholar // mmk@dkds.dk // Center for Design Research
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