century‚ it was believed that African slaves and Irish servants observed each other’s dances on Southern plantations and tap was born from this. Tap dance was a dynamic art form‚ and dancers continually molded and shaped it. Dancers such as Harland Dixon and Jimmy Doyle impressed audiences and influenced developing dancers with their skill‚ and creativity. Tap did not appear in the “books” until 1928. More than one hundred years after most dances. It enjoyed nearly four decades of popularity on the
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Trenchmore is an old Irish peasant dance. After this dance was created‚ another dance which originated from this it was called The Hay. In The Hay‚ the female dancers would dance around the male dance in a fashion similar to the current day reel dance. The Reel is upbeat it is played in 4/4 time and cut time. This means that it is fast which means the dancer has to move fast as well. In the 1800’s‚ there was a group of dance teachers called the Dance Master’s. They arrived at Ireland‚ going village to village
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dance- theatre works include the melancholic Café Muller (1978) in which the dancers ran around the stage crashing and stumbling into pieces of furniture‚ another one being Frühlingsopfer (The Rise of Spring)‚ a frantic piece which combined innovative use of emotion and set‚ the entire stage was covered in soil. Relationships‚was quite a prominent theme in her works‚ Bausch had a precise way of drawing emotions from her dancers that she could later use when creating her performances. Male- Female interaction
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Dance competitions provide dancers with a different type of dance than the basics such as ballet and modern companies. Joe Tremaine started this path that has now lead into a full blown competitive dance world. Joe Tremaine started dancing when he was four years old in Oak Ridge‚ Louisiana. His mother put him in dance class because he was a shy kid. She would take him to dance class three times a week in Monroe which was a 35 mile drive. He loved it and was immediately hooked from the first dance
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own faults and weaknesses. This perfectionist behavior pervades nearly every styles of dance‚ from hip-hop to lyrical. Dancers constantly strive for a stronger‚ more flexible‚ more controlled body.
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ACry Analysis Table Section 1 Components Movement Description straight arms and curved arms‚ contraction of the torso‚ reaching arm movements‚ curved arm over head and arched back‚ walking on knees- scrubbing floor with material‚ pauses and collapse‚ material around head and body‚ swish of hips in coordination with long stretched arms‚ bird movements‚ flexed and stretched hands‚ ends in a pose bringing her arms out like the side of a boat- slave trade performs in the circle of light‚ forward and
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observations to an individual performance of both ballet and modern and a group performance of both. Dance has the ability to draw it’s viewer in‚ by captivating the audience with the amount of grace‚ coordination and talent it’s dancers display. The lines a dancer created with their body is nothing short of amazing. Almost every type of person could appreciate something about dance. One of the first dances of the night was a ballet done‚ by a 9 year old girl. As she entered the dance area
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featured performances of cha-cha‚ samba‚ rumba‚ and paso doble. From the moment I started watching‚ I was captivated by the elegance of the dancers’ dresses and the intricate shapes they formed with their arms. Although some movements appeared rigid and somewhat stiff at times‚ there were also moments of fluidity that made the performance visually captivating. The dancers’ movements were dynamic‚ with sharp turns and intricate footwork‚ which added depth to the choreography. In this paper‚ I will discuss
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[pic] THE EVOLUTION of WOMEN in the CULTURE of BALLET By Name Withheld for privacy CULTURAL STUDIES WST152AR WOMEN’S FOLKLIFE‚ WOMEN’S CULTURE Recognized as a natural occurrence of human expression‚ the folklore of dance has existed since the beginning of time. Ballet’s elegant quality of movement and expression was established in these ancient demonstrations of dignity in the human spirit. The culture of ballet has been a reality for over 400 years‚ yet the tradition of
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long blue dress which fades into white which also has large silver jewels and head piece with a veil. The chorus of female dancers elegantly dance on pointe‚ in which the dancers support their entire body weight on the tips of their extended feet with pointe shoes. The male dancers show their strength‚ energy‚ and grace through impressively
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