Chicago Launched in 1975‚ the musical Chicago‚ created by a talented pair of composers and producers that included both John Kander and Fred Ebb later known as Kander and Ebb. Kander was born on March 18‚ 1927 in Kansas City‚ Missouri. His exposure to music began at an early age as a result of having had tuberculosis as a baby. During this time‚ Kander was cut off and not allowed to be around other people‚ that separation developed his ability for sound. Kander started piano lessons at the
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Musical Analysis The first piece I chose was Frédéric Chopin’s Prelude in E-Minor (op.28 no. 4). It was performed by Aldona Dvarionaite (2009). Chopin was a composer in the Romantic period. This is a sad piano piece. Chopin wrote primarily for the piano. The piece range was almost monotone in nature. The sound was in scale rising and lowering using the same melody throughout the piece. The tones were kept uniform repeating over and over again. I found this piece of music one dimensional.
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Tarzan the musical is based on the Disney Movie of the same name and story by Edgar Rice Burroughs. The story starts out with a young couple and their baby. After becoming shipwrecked and stranded off the coast of Africa‚ they make themselves a home in the jungle but are attacked by the leopard. The baby is the only one who survives. Kala‚ a gorilla has recently lost her son by the same leopard. She hears the baby crying and takes him for herself. She names him Tarzan. The leader of the gorillas
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Musical Elements In the process of analyzing musical elements of a work‚ one must direct one’s attention to such matters such as: Song Form – Binary (A-B-A-B) ‚ Linear (A-A-A)‚ Open‚ Suite‚ etc. Dynamics – Such as: Soft/Loud (piano-forte)‚ Rit.‚ Performance Expression‚ Cresendo Decresendo‚ Articulations (‚ legato‚ staccato‚ etc.) (Music without dynamics or expressions can easily become sterile.) Time Signature/Meter – Look for consistencies or changes in meter‚ tempo‚ feel‚ musical style
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MUSICAL PARAMETERS Pitch: consonance Felix Mendelssohn‚ A Midsummer Night’s Dream‚ Nocturne (MEB 2/10) dissonance Béla Bartók‚ String Quartett no. 4‚ mvt. 1 Melody: conjunct 10. Yıl Marşı Pyotr I. Tchaikovsky‚ The Nutcracker (“Pas de Deux”) (MEB 1/5) Johannes Brahms‚ Symphony No. 1‚ mvt. iv (MEB 1/11) disjunct Istiklal Marşı Claude Debussy‚ Golliwog’s Cakewalk (MEB 1/51) Stockhausen‚ Klavierstück V
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boys will be boys Barbara Kantrowitz and Claudia Kalb’s‚ “Boys will be Boys” article‚ explains how after years of research on girls‚ boys must also be put under the microscope‚ in efforts to reach a further understanding of the adolescent male. The two authors start their article by pointing out‚ that boys and girls come from two completely different “planets”. They have two different “crisis points”‚ which are stages of emotional and social development‚ where things can go seriously wrong. Kantrowitz
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the phrase‚ “boys will be boys” has had‚ in the American school system. From the truth about why girls seem to thrive more in a structured classroom setting than boys‚ to the effects of bullying and how‚ until the 90’s‚ either a blind eye was turned to it or‚ in the case of many coaches‚ it was practically encouraged for the (supposed) betterment and cohesion of the team or group. I found it very interesting that girls tend to be more successful in school than boys because‚ unlike boys who often
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Vivienne Lee Per.6 A Musical Regret All throughout my life‚ I’ve made many mistakes. Whether it was picking the wrong type of food‚ the wrong clothes for my doll‚ or just making the wrong choices in my life‚ I was never one to look back upon those mistakes‚ and ponder upon them; I would usually just brush them off‚ and say to myself "Oh well‚ it’s not a big deal." However‚ there came a time when I did make a mistake‚ a big mistake; even to this day‚ I regret not doing the one thing I had always
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and the animated film is a beloved classic. The challenge then for Resorts World Manila’s production of Rodgers and Hammerstein’s Cinderella is to measure up to such high standards. Just an aside: Rodgers and Hammerstein’s Cinderella is a 1957 musical written for television‚ starring no less than Julie Andrews. It’s been remade for television twice‚ with one version featuring Brandy Norwood‚ Whitney Houston‚ Bernadette Peters‚ and our very own Paolo Montalban. It’s also been adapted for the stage
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Musical evening No‚ I haven’t been to a musical (lately). But Friday "my" choir and I had an appointment with‚ well‚ the rest of the population here‚ really. The local choirs (5) and whoever else who wanted to come along‚ were gathered to sing. The choirs had 2-3 songs each in between‚ but the rest was pure singalong (not karaoke..). Before going I felt as if I was a hundred years old‚ because that’s what I expected the average age of the people attending to be - but no such thing. Admittedly
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