The Flaws of the Socratic Method In Plato’s Republic‚ as well as in most of his other works‚ the philosopher writes dialogues between the character of his mentor‚ Socrates‚ and various figures meant to illustrate contradictory positions. He carefully scripts the engagements in a form of discussion now called the Socratic Method‚ where Socrates critiques the positions of the other characters in order to find flaws in inaccurate arguments. Although this method is prevalent even today‚ I will make
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He was born into aristocracy‚ and all the attributes one would consider flawless. However‚ when it came to his relationship with love‚ he had many weaknesses. The tragic death of Romeo and Juliet and their ill-fated love was led about by Romeo’s flaws. Not quite yet a full grown man‚ Romeo was still a teenager who had not yet been fully exposed to the world. Being born and raised in aristocracy‚ he would have be shaded from the harsh reality of the world. Romeo first claims he is in love with
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Caesar’s tragic flaw is his pride‚ which leads him to believe he is invulnerable to mundane threats‚ which ultimately leads to his death. In act one scene one‚ tribunes Flavius and Murellus believe that “these growing feathers plucked from Caesar’s wings will make him
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The forces that drive men to make decisions‚ and the results that follow‚ are complex aspects within human nature and must be constantly attended to so that the resulting consequences do not create circumstances and situations that are worse than the original. The dilemma is how to do this‚ and what does it take to make the right decisions. How does a man determine truth from rumor? How does he react to information that is against his moral standards? How does he remain fair and just in the face
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Hamlet’s distress understandable? Why does he fail to act until too late? Is his inaction due to a tragic flaw? Until relatively recently‚ critics tended to assume that the causes of tragic misfortune resided in some moral defect of the protagonist. Aristotle’s term hamartia (derived from “fault‚” “failure‚” guilt” but literally meaning to “miss the mark”) was often translated as “tragic flaw‚” leading critics to seek the chink in the hero’s armour (such as pride or ambition) which leads to his
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Brutus’ tragic flaws are part of what makes him a tragic hero. In Julius Caesar‚ Brutus is a great example of a tragic hero. His tragic flaws are honor‚ poor judgement‚ and idealism (Bedell). In Shakespeare’s plays‚ the tragic hero and his flaws cause the downfall of the play (Tragic Flaws). In the play Julius Caesar‚ Cassius and the other conspirators take advantage of Brutus’ honor. The conspirators wrote Brutus fake letters from the public to get him to join them. Once he joined the conspirators
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studies‚ there is a balance. There is a balance‚ especially‚ in the continuum of the relationship between the concepts of cultural relativism and ethnocentrism. Ethnocentrism is defined as “a point of view that one’s own way of life is to be preferred above all others” (Rosado). This is an interesting viewpoint on life‚ contrasted by the definition of cultural relativism‚ which is the view that “values that are established by a culture are relative to the cultural ambiance out of which they arise”
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The Chinese saying “an evil action has its recompense” precisely describes the heroes in Shakespeare’s tragic plays. In these movingly charged plots‚ the characters often possess great power and appear invincible when‚ due to inherent character flaws‚ fall from grace and inevitably pay dearly with their own life. After reading Shakespeare’s Macbeth‚ it is abundantly clear that at least three of its character invite the catastrophes that they ultimately experience. In this play‚ Macbeth is an archetypal
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Though sometimes used in stories or fables as something to aspire to‚ such as being proud of one ’s work‚ pride is looked upon as quite the opposite in Beowulf. In Seamus Heaney ’s translation‚ pride is depicted as an unfortunate‚ often fatal‚ flaw which will eventually lead to tragedy or the untimely demise of the character cursed with this trait. Many of the main characters display this affliction‚ several examples being Hrothgar‚ whose pride leads to the deaths of his people‚ Beowulf‚ whose pride
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Cultural relativism can be defined as the understanding that the choices one can consider morally right are those approved of by one’s culture. Cultural differences in moral beliefs don’t imply cultural relativism because nonmoral beliefs can alter the perspective of basic moral principles shared by the culture. This would imply that there are no universally set/correct moral standards. Saying that cultural differences in moral beliefs imply cultural relativism is only part of an argument‚ not a
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