The term opera seria refers to the noble and ‘serious’ style of Italian opera that predominated in Europe from 1710- 1770 however this term was rarely used during this time and only really attained common usage when it was becoming unfashionable. The phrase opera buffa was first used as an informal description of the Italian comic operas which were especially associated with developments in Naples during the first half of the eighteenth century. The development of the opera buffa was parallel with
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WELCOME TO PEKING OPERA Min Doh I organized basic facts and simple information mainly related to my presentation‚ however the actual contents might be different because I did not want to add any spoiler. :-) Brief Introduction & History Peking opera of China is a national treasure with a history of 200 years. Through a period of more than half a century of combination and integration of various kinds of opera there evolved the present Peking opera‚ the biggest kind of opera in China‚ whose richness
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Storytelling Through Opera In the following‚ three operas will be compared by their ability to effectively tell stories through music. The three operas that will be discussed are: “Don Giovanni” by Mozart‚ “La Boheme” by Puccini‚ and “Wozzeck” by Berg. All of them represent a different era in classical music‚ and have similarities and differences. The music will be analyzed both instrumentally and vocally‚ to show how each is able to communicate to the audience‚ and tell a story. The first
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My Critique of The Phantom of the Opera The Phantom of the Opera by Gaston Leroux‚ a treat for lovers of dark‚ mysterious fiction‚ see’s the life of someone who will do almost anything for love (especially when there is lack of it in their life) from the lives of Erik‚ The Opera Ghost (’O.G.’ for short)‚ and Raoul‚ Vicomte de Chagny. Both men are in love with the same woman‚ Christine Daee. Christine is a Swedish soprano at the Paris Opera House who has been singing with her father ever since
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almost all pieces of literature. However‚ no piece of literature has a confidant character as complex as the Phantom in the musical "The Phantom of the Opera". The Phantom is a turn from the traditional confidant‚ who would be a friend of the heroine‚ or Christine in this case‚ and turns from a confidant to the main antagonist. The Phantom of the Opera used the Phantom as a confidant to add depth to his and Christine’s relationship‚ and also to be able to contrast the different ranges of human emotion
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Philadelphia High School High School Department S.Y. 2012-2013 The Phantom of the Opera A Movie Review Submitted by: Stephanie Pauline Dico Submitted to: Mrs. Velasquez September 24‚ 2012 The Phantom of the Opera (2004) is a romantic-horror movie directed by Joel Schumacher while the screenplay was written by the joint forces of Andrew Lloyd Webber and Joel Schumacher. The music they used were eventually put into a soundtrack and there were two versions released‚ the normal 14 disk
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a taste of real life. There is a big difference between reality and the reality on soap operas. There is always a lot of drama in soap opera’s. Someone is always sleeping with someone that they shouldn’t be sleeping with‚ someone is always dying‚ getting pregnant‚ getting married‚ or getting divorced. While this does‚ of course‚ happen in real life‚ there is never as much drama as there is in a soap opera. If a child were to watch an episode of “Days of Our Lives”‚ for example‚ the child in
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years between artworks can produce much contrast or it is not quantitative amount of time to make a drastic change in artwork‚ however much altars and it can be traced back to the zeitgeist of the period surrounding the art. Take a step into the Metropolitan Museum of Art‚ when gazing at the masterpieces take a look at the dates of the
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Music 101 MWW Study Questions MWW 54: Rationalistic Distaste for Opera 1. Italianate Opera did not conquer every European center without resistance‚ especially in countries (like France and England) with strong traditions of spoken drama. What exactly does St.-Evremond (p. 201-3) object to about opera‚ and why? Exactly what parts of a drama does he say should NOT be set to music‚ and why? People observe the justness if the cincirds; and amidst all the varieties that unite to make the sweetness
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McNair Scholars Research Journal Volume 4 | Issue 1 Article 4 1-26-2012 Governmental Fragmentation in Metropolitan Detroit Kristal D. Davis Eastern Michigan University‚ kdavis48@emich.edu Follow this and additional works at: http://commons.emich.edu/mcnair Recommended Citation Davis‚ Kristal D. (2012) "Governmental Fragmentation in Metropolitan Detroit‚" McNair Scholars Research Journal: Vol. 4: Iss. 1‚ Article 4. Available at: http://commons.emich.edu/mcnair/vol4/iss1/4 This Article is brought
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