In Abuela Invents the Zero by Judith Ortiz Cofer‚ Constancia meets her grandmother for the first time‚ which leads to her being ashamed of being with her grandmother because she acts and dresses differently; that makes Abuela very sad that her grandmother. The theme is given people with the utmost respect‚ or you will lose the respect from the other person. To begin‚ the main character named Constancia and her family picks up her Abuela. Constancia’s mother tells her about the stories of her mother
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The artworks Girl Before a Mirror by Picasso and Reptiles by MC Escher have both simple and intricate similarities and differences. Girl Before a Mirror is an oil painting done in 1932. The painting is very surreal‚ as the girl in the painting is distorted and inaccurate. In contrast‚ Reptiles is a lithograph done in 1943 and the main focus is multiple lizards accurately portrayed and surrounded by desk items such as books and plants. The lithograph is also in black and white and three dimensional
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In Carol Armstrong’s “Counter‚ Mirror‚ Maid: Some Infra-Thin Notes on A Bar at the Folies-Bergère‚” she addresses the debate over the setting (at Folies-Bergère) and the significance of the foreground and the background in Manet’s painting A Bar at the Folies-Bergère. She believes the still life at the foreground embodies commodity and the mirrors’ reflection in the background displays a fabricated reality. Moreover‚ Armstrong argues the barmaid is a bridge between the two realms that is both male
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clearly states that child abuse and the murder of one’s child is illegal‚ but does allow abortion. Regardless of whether it is right or wrong‚ the fine line that exists between abortion and murder will be discussed and debated for decades to come. In Judith Thomson’s article‚ "A Defense of Abortion‚" she argues that abortion can be morally justified in some instances‚ but not all cases. Clearly‚ in her article‚ Thomson argues‚ " while I do argue that abortion is not impermissible‚ I do not argue that
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In Judith Ortiz Cofer’s “First Love”‚ the speaker is opportunistic and infatuated. The narrator is opportunistic because she did not let a sense of morality stop her from taking advantage of whatever opportunity she had to get what she wants. Simply because the narrator wanted a mere glimpse of her crush who worked at a grocery store‚ she hoped her mother “[smoking] with so little enthusiasm”(Cofer 1) did not mean that she’d have to stop going to the store to pick up cigarettes. The narrator did
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because people have to make difficult choices every day. People choose to do something to fit in with other people. This reason convinces them to choose a specific decision so they can feel better about themselves. In “Abuela Invents the Zero”‚ by Judith Ortiz Cofer‚ it is portrayed that Constancia made her decision so she would fit in and wouldn’t be made fun of. For example‚ when Constancia knew that her friends saw her with her Abuela in the church‚ she thought‚ "I just know that on Monday my friends
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theories as you can to explain why the reward system adopted by Mary Kay works in China? a) Contingency Theory – Path Goal Theory or Goal Setting Theory Path Goal Theory is a contingency approach to leadership which under Mary Kay’s responsibility is to increase subordinates’ motivation by clarifying the behaviours necessary for task accomplishment and rewards. Under Path Goal Theory it must be formed by tangible award. Mary Kay increases her follower motivation by either (i) clarifying the follower’s
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in adolescence. Children are judged by if one is ‘wearing glasses‚ they must be smart’ or ‘one is tall so they must play volleyball.’ Society should not judge a child based on their looks especially since they have not developed their identity. Judith Ortiz Cofer‚ author of “The Story of My Body” published in The Latin Deli in 1993‚ shares her story of dealing with self-image and finding her identity‚ "My skin color‚ my size and my appearance were variables - things that were judged according to
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and overcome challenges‚ for in doing so they gain an appreciation of self and self worth. Conversely‚ those who do not test themselves and the barriers‚ can only experience a superficial sense of belonging that can not result in a deep connection. Judith Wright’s poem “The Surfer” presents an individual who puts himself up against the waves everyday‚ and thrives on the feeling he gets when he conquers them. Luhrman’s film “Strictly Ballroom” is focused around the standards of ballroom dancing by which
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convey a mirror defending itself against an aging woman’s conclusion that the mirror is making her appear old and ugly. The mirror reflects what stands by it precisely like it is without any alteration. The mirror exhibits exact reflections of how something appears in reality. The mirror has “no preconceptions” towards the image; it cannot be prejudice against the image‚ since it is incapable of emotions. In addition‚ the mirror “swallows” what it sees‚ and reflects that image back. The mirror is “unmisted”;
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