Fritz Lang’s Metropolis (1927) and Stanley Kubrick’s A Clockwork Orange (1971). Released at almost a gap of 40 years‚ both Metropolis and A Clockwork Orange highlight societal
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aspects affected how composers viewed the world. With effects of war‚ effects of industrialisation and the corruption of political power‚ many composers of the time believed that they had to be the “conscience of society”. Through this idea‚ we have Metropolis‚ which is a 1927 German expressionism film directed by Fritz Lang; 1984‚ which was written in 1948 by George Orwell of a futuristic
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Although introduced almost seventy-three years apart‚ Charles Dickens’ novel Hard Times‚ and Fritz Lang’s Metropolis share many common parallels and themes. Through the use of biblical allusions‚ both Lang and Dickens are able to compare characters in their stories to holy figures such as Freder and Stephen Blackpool being alluded to as Christ-like. Both stories also show the harsh effects of industrialization‚ and present similar situations of with the school children and factory workers living
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ENS 303 Study Guide Power Gripgives strength required to maintain the grip (tennis racket‚ jumping rope) Hook Gripusing fingers in flexed position (carrying brief case‚ shopping bag‚ rock climbing) Key grip variant of precision grip to enable you to pick up or hold flat objects (key into lock‚ using cash card) Limbrical position involves the MCP joint Brings us back to original position (limb position) Boutonniere deformity Takes place in the PIP joint Mallet Deformity Takes place in
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Texts often reflect upon problems faced by a society‚ at the time of the texts creation. Nineteen Eighty-Four by George Orwell and Metropolis by Fritz Lang take the social context of their time to deliver a warning to society. Through their deliverance of their messages‚ they explore the impact of oppression‚ rebellion and the interaction between them and how that has an impact on society‚ as well as‚ introspectively. The puppet in Image 1 is being oppressed by the hand‚ this is shown through the
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Metropolis the story set in the future which shows the gap between the working class and the wealthy. Joh Fredersen is the city’s ruler‚ his son Freder is seen enjoying a carefree lifestyle. Freder is in the eternal garden when a woman appears with children that are filthy that live in the worker’s city. Freder is awed by the women’s beauty decides to follow her to an underground city. He is distraught to see the machine these people working explode and killing many of the workers. Freder runs to
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BAKING The act of placing a food such as a dough or other unbaked pastry in oven where dry heat cooks the food. Mise in place - getting everything ready and in its place Organizational Skills Needed for Baking * Reading the recipe carefully * Identifying tools and/or equipment needed * Gathering all necessary ingredients‚ tools‚ and equipment close to the work area * Preparing the pans * Measuring properly * Practising good sanitation Baking Tool and Equipment
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filmmaker who turns his life upside down when he goes “undercover” and is “poor” so he can make a movie out of it. The scene of them jumping on to the train and going on an undercover expedition shows how some people really had to live during the great depression and that to get somewhere they had to use a cargo train to travel where they wanted to go. The theme of this scene is for the main characters to set out on their journey to develop a plan for the movie Sullivan wants to make‚ but also
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facilitates dictatorship” To what extent does your comparative study of the intertextual perspectives of Metropolis and Nineteen Eighty-Four reflect this statement? The extent of which technology facilitates a totalitarian regime is elucidated by the comparative study of the composers’ intertextual perspectives. Despite living in different time periods‚ both George Orwell’s 1984 and Fritz Lang’s Metropolis convey their perspectives of technology as beings factors that bolster a dictatorship. ****** Technology
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A Rural Feel‚ Without Ever Leaving the City The metropolis is a place where nervous stimulation is found everywhere and getting away from it usually involves a trip outside of the metropolis. Satie’s “Gnossiennes No. 1” and Stravinsky’s “Rite” synthesize rural living by connecting with the listener through the unconscious mind. By making use of the ideas that Simmel conveys in his lecture The Metropolis and Mental Life‚ I will reveal how Satie’s Gnossiennes No. 1 and Stravinsky’s Rite of Spring transport
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