"The mise en scene of metropolis" Essays and Research Papers

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    the first scene‚ medium close-up shot of a teenage girl as she talks about her disappointment in her father and that she pitys him; suggesting almost sarcastically that someone should ’put him out of his misery’ ‚another male out of shot suggests that maybe he could kill her father himself. This first establishing scene sets up the film and brings up the question why does she want her father dead‚ and does this male out of shot end up actually killing her father. The way the first scene is shot also

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    Technophobia or Reality In Tezuka’s Metropolis and Asimov’s‚ I‚ Robot‚ the role of the robots are to serve humans. In both worlds‚ humans have come to rely on computers and robots to do everyday tasks to manual labor. In Metropolis‚ the robots are utilized for all labor and are treated only as machines. Over the years‚ the use of robots has eliminated most jobs for humans. Without these jobs‚ the humans became impoverished and forced to live in the slums. The plutocratic government controls everything

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    social/cultural influence and key principles. Fritz Lang’s film Metropolis (1927) and George Orwell’s novel Nineteen Eighty-Four (1949) both provide dystopic projections about a future where the corruption of power and the exploitation of technology create significant threats to humanity. The context of the two texts has obvious influence on the key concepts and values presented. The Weimar Republic (Germany) context of Lang’s Metropolis creates his fear of society’s growing corruption and mechanisation

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    The given circumstance in this scene is a break up between Javier and Caroline. The previous scene begins with Caroline trying to know where Javier’s new apartment is‚ resulting in Javier giving an answer that shifts the emotion of the characters compare to the prior scene. What began as an awkward conversation‚ led to an argument in which both characters brought up many feelings that one another weren’t necessarily aware about. I am Caroline‚ I am twenty-eight years old and I live with my mother

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    and worst of human nature‚ and through the study of the underlying political commentary in Aldous Huxley’s Brave New World (BNW) and Fritz Lang’s 1927 silent sci-fi film Metropolis‚ these motivations are demonstrated. Reflecting and critiquing the oppressive social and political values of their time‚ Brave New World and Metropolis each serve as a medium of exerting their composers beliefs. These dystopian texts serves as a catalyst for criticising the inability for a perfect society to eliminate revolution

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    The conflict between the individual and the state is perpetuated in Metropolis‚ and it is in its plot that the modernists fears of the machine age are evident.
 Robot Maria is used as a narrative device in Fritz Lang’s Metropolis to orchestrate chaos and disunity in the city‚ perpetuating the conflict between the Head and the Hands. Rotwang creates her as the antithesis of Maria and the personification of vice‚ so Joh Fredersen can use her to “…sow discord between them and her!” It is in the visual

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    Shortly after‚ In November 2000‚ D.Wayne Osgood of Pennsylvania State University and Jeff M Chambers of University of Nebraska-Lincoln‚ held a study named Social Disorganization Outside The Metropolis: An Analysis Of Rural Youth Violence which discusses the Social Disorganization theory of crime that has been developed in urban communities. In the study‚ there were no research questions posed. However‚ there were numerous hypotheses that were posed‚ (1). Rates of juvenile violence will be positively

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    Constantinople and Tenochtitlan were two great cities in their time. They both had many dominant physical features. They also had many cultural influences and their major function for each city was different. The two cities had important landmarks and their locations still exist. The cities both had religious affiliations and other important aspects. Constantinople and Tenochtitlan help to show you what cities were like between 1160-1520. Any two cities could have been chosen to show what it was

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    Today the media is everywhere society turns. With the click of a button‚ people can see where their friends are checking in on Facebook‚ what they are doing on Twitter‚ and even check apps regarding their favorite celebrities. Technology has given people easy access to everyone’s lives. Fans are able to feel a part of their favorite celebrity’s everyday life by tracking their whereabouts. They feel up to date on what is happening in their lives. Thus‚ giving them a connection and a sense of closeness

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    who aren’t familiar with the name‚ you probably are familiar with his work. Ferriss was the master draftsman of his time of the American metropolis‚ both real and ideal. In the course of his career‚ he rendered hundreds of buildings and projects around the country‚ but it was his visions for the ideal city‚ particularly as illustrated in his book The Metropolis of Tomorrow‚ that would earn him his fame and legacy‚ which still resonates today. Born in 1889‚ Ferriss earned his degree in architecture

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