STANDING OPERATING 17 May 2012 PROCEDURE STANDARD OPERATING PROCEDURE FOR COLLECTION‚ STORAGE‚ AND TURN-IN OF HAZARDOUS WASTE AND NON-REGULATED WASTE‚ 9TH MISSION SUPPORT COMMAND/THEATER SUPPORT GROUP (MSC/TSG) MAINTENANCE FACILITIES 1. Definition. The 9th MSC/TSG Maintenance Facilities include the following locations: Fort Shafter Flats‚ Honolulu‚ Hawaii; PFC Kaoru Moto‚ Wailuku‚ Hawaii; SFC
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encyclopedia Buddy Rich | | Background information | Birth name | Bernard Rich | Also known as | Traps the Drum Wonder (as a boy) and "B" (as an adult) | Born | September 30‚ 1917(1917-09-30) | Origin | Brooklyn‚ New York | Died | April 2‚ 1987 (aged 69) | Genre(s) | Jazz‚ Big band | Occupation(s) | Musician‚ songwriter‚ bandleader | Instrument(s) | drums and percussion | Years active | 1919–1987 | | | | | Bernard "Buddy" Rich (September 30‚ 1917 – April 2‚ 1987)
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Name: Terrence Patrick Drum major/Section leader Grade: 11th grade (for 11-12 school year) Future Position: The reason I‚ Terrence Patrick‚ want to be a leader is because I feel that leading is what I was meant to do. Ever since my sixth grade year I have wanted to be a leader in any organization I could be in. At Meadowbrook Middle School I was the trombone section leader for two years which were my seventh and eighth grade years. I felt that with myself in charge of the section I would
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with prominent four to the floor bass drum beat for 4 bars. There are clicks in the background. After four bars ‚ a synth is introduced for another four bars until a second synthesizer is introduced (0:15). The build up to the drop then begins. at 0:28‚ open hi hi hats start playing in the off-beats and long synthesized string chords (lots of reverb) are introduced underneath the dominant synth. (Can hear faint use of flanger). At 39 seconds‚ the drum beat drops completely and the synth strings
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"I’ve got to keep experimenting. I feel that I’m just beginning. I have part of what I’m looking for in my grasp‚ but not all." 				 John Coltrane This phrase‚ from the liner notes of "My Favorite Things" clearly defines Coltrane’s life and his search for the incorporation of his spirituality with his music. John Coltrane was not only an essential contributor to jazz‚ but also music itself
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larke hails from Pittsburgh‚ Pennsylvania‚ born 1914. Originating from a musical family‚ he examined various instruments‚ including vibes and trombone‚ and also composition and music theory‚ while still in secondary school. As a young person‚ Clarke played in the groups of Leroy Bradley and Roy Eldridge. He on the road in the Midwest for quite a while with the Jeter-Pillars band‚ which likewise included bassist Jimmy Blanton and guitarist Charlie Christian. By 1935‚ Clarke finally moved to New York
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5 1.1.5 Method 6 2 RESEARCH CRITERIA 6 2.1 Relevance 6 2.2 Researchability 6 2.3 Feasibility 6 2.4 Ethical acceptability 7 3 EXTENT 7 3.1 Brief background of the publications 7 3.1.1 Drum 7 3.1.2 KickOff 8 3.2 Geographical boundary 8 3.3 Nature of the time dimension 8 3.3.1 Motivation for choice of time 9 4 POPULATION 9 4.1 Target population 9 4.2 Accessible population 9 4
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in the history of jazz. In 1961 it peaked at the number two spot for pop albums and sold more than one million records in the United States. Brubeck’s quartet consisted of Paul Desmond on alto saxophone‚ Eugene Wright on bass‚ Joe Morello on drums‚ and of course‚ Dave Brubeck on the keys. If I refer to just an instrument‚ I’m also referring to the respective player. I’ll use these references interchangeably. The quartet was packed with incredibly talented musicians‚ those of which will
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Mina Loy and Futurism Mina Loy‚ a futurist and modernist poet‚ uses graphic and uncensored depictions to portray art as a violent force. I believe from the excerpt of poems read in class from Loy’s book The Lost Lunar Baedeker‚ she conceptualizes art in her poems through futuristic themes of speed‚ violence‚ rejection of the past‚ and urban scenes. Her poems are an insight into the modernist movement and a revolt against traditional views that embrace a new prospective on the importance of art during
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also đàn độc huyền (or độc huyền cầm) is a Vietnamese monochord‚ or one-string guitar.[1][2]. This is classified as Chordophone. 3 Membranophone he trống cái or trống đại "great drum" is a traditional Vietnamese bass drum.[1] It has a barrel-shaped wooden body‚[2] and gives a deep booming sound.[3] The trong cai drums are typically hung on a stable frame‚ and in traditional drama the trống đại cổ is beaten to support the singers. It can also be carried an used at the head of a dragon dance procession
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