The final scene of ‘The Namesake’ is an emotionally significant scene because of the poignant references‚ the language and the issues addressed. This passage clarifies the novel’s status as a “Bildungsroman”. Sympathy and affection is created for Gogol‚ making the tone of this final passage pensive and sentimental. It delivers the climax where Gogol is finally able to find balance in issues that had been bothering him throughout the novel. One of the key concerns dealt with in this passage is the
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Jhumpa Lahiri‚ the author of‚ The Namesake wrote this story from personal experiences and does a tremendous job showing how a person can move on with their life but the people who truly love them will always be in the same place. The main character‚ Gogol (aka Nikhil)‚ is a first-generation Indian who seems to only care about his life/future and wants nothing to do with his heritage. We are taken through his life long journey up until the end where he truly finds meaning in his life. Gogol’s definition
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Around the world‚ people struggle with many things like drugs and depression. The film adaptation of The Namesake starts with Ashima and Ashoke getting marry and adpadting to the American culture. Later on‚ they would have two kids named Sonia and Gogol. Gogol the main protagonist of the film doesn’t understand why his father gave him the name Gogol. Throughout the film‚ Gogol struggle to find his identify and he started to change throughout the movie. First‚ Gogol was immature in early if the film
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The book The Namesake by Jhumpa Lahiri is a classic novel that does an impeccable job of describing the problems of being wedged between his native culture and American culture along with various religious and ideological differences. The novel comprises of various characters‚ but the book revolves around Gogol/ Nikhil‚ the protagonist of the story. Gogol is an American Indian‚ who lives with his family in Boston. He moves on to several other places as he grows up. Gogol is a perfect example of reinvention
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Julia Golubenko Mrs. Greenfield Close Reading and Critical Writing November 13‚ 2007 The movie Namesake was a fairly good depiction of the book. As a movie‚ apart from the book‚ it was good. The characters played their role well‚ emotional scenes were shown‚ and the point of the movie was easy to see. The problems that I had with the movie‚ was the fact that they cut out Gogol’s whole college life and Ruth‚ his first girlfriend. This was taking out a huge part of his life‚ where Gogol actually chose
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The Namesake by Jhumpa Lahiri Copyright Notice ©2010 eNotes.com Inc. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic‚ electronic‚ or mechanical‚ including photocopying‚ recording‚ taping‚ Web distribution or information storage retrieval systems without the written permission of the publisher. For complete copyright information on these eNotes please visit: http://www.enotes.com/namesake/copyright eNotes:
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globalisation‚ the issues of diaspora‚ transnationalism‚ cultural mongrelization‚ hybridity‚ identity crisis continuously enrich the diasporic literatures of the twenty first century. Topographical shifting‚ cultural transaction‚ multiculturalism‚ fluid identity forms a complex framework in the field of global migration. Apart from these‚ the concept of root‚ home‚ nostalgia‚ memory‚ alienation‚ hybrid identity are interlinked with the diasporic phenomenon. According to the various critics‚ scholars
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The pages of The Namesake drift across decades effortlessly‚ and suck the reader into the daily lives of two generations: the immigrants: Ashoke and Ashima‚ and their children: Gogol and Sonia. Naturally‚ it is also a chronicle of all their romantic relationships. As we witness their lives unfold before our eyes‚ we see love go right‚ and quite often‚ wrong. This allows for an analysis of the finer details of their personalities‚ their backgrounds‚ and how they affect their endeavors in the new
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distress or impairment caused by an actual or anticipated separation from home. The frantic attempt to recreate the previous life leads to depression and a loss of identity. Distraught and alienated in America‚ Ashima pushes her Bengali heritage upon her children‚ Gogol and Sonia‚ in an effort to lessen her homesickness throughout The Namesake by Jhumpa Lahiri. Ashima completely rejects the bewildering American culture that is thrust upon her and becomes depressed and homesick. These characteristics cause
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condition which empowers an individual for better or sometimes for worse. An individual’s perceptions of belonging evolve in response to the passage of time and interaction with their world. It is a condition which is portrayed through the novel the Namesake‚ by Jhumpa Lahiri‚ and the cult movie The Breakfast Club directed by John Hughes which encapsulate the struggles and journey’s of both feelings through the passage of time. In the literary text the dynamic characters illuminate the idea and challenges
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