THEIVANAI AMMAL COLLEGE FOR WOMEN Cultural Identity In Jhumpa Lahiri’s THE NAMESAKE Jhumpa Lahiri‚ the author of The Namesake‚ was born in London‚ the daughter of Indian immigrants from the state of West Bengal. Her family moved to the United States when she was three. Lahiri grew up in Kingston‚ Rhode Island‚ where her father Amar Lahiri works as a librarian at the University of Rhode Island. When she began kindergarten in Kingston‚ Rhode Island‚ Lahiri ’s teacher decided
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Jhumpa Lahiri is the author of the fictional bestseller‚ “The Namesake”‚ a moving novel exploring the life of the married couple‚ Ashima and Ashoke Ganguli‚ immigrants from India in the United States of America. The two both adapt to the new cultural changes in America though once they give birth to Gongol Ganguli‚ a name Ashoke has given after he was “rescued” by that author in a train accident‚ they have both yet to experience parenthood. As the years go by‚ and Ashima and Ashoke begin to get accustomed
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important for a person’s self-esteem and it is equal to having an identity of your own‚ since it effects a person’s ability to relate to other people. It is something that you grow into‚ as well as something that you already are. Jhumpa Lahiri’s The Namesake (2004) emphasizes the essence of that. It is being characterized by the protagonist of the book‚ Gogol Ganguli‚ a second-generation immigrant that is trying to find his own identity. This paper is build upon the thesis that the problem of alternating
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My two texts are “The Namesake” and “Bend it like Beckham”. Our prescribed text‚ Jhumpa Lahiris “The Namesake” explores the link to belonging in detail. The emphasis is on Gogol Ganguli. Gogol struggles with a sense of belonging to his family and his Bengali culture and heritage throughout his life in the course of the novel. Born and raised in the U.S.‚ while his parents spent their entire life in India following Bengali culture and practices and moved on to America as young adults. Gogol must try
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“The Namesake” and “The house on mango street” contain a notable amount of similarities. Literary devices and similar themes allow a deeper interpretation of both stories by comparing and contrasting them. Immigration‚ harsh situations experienced by immigrants and the arduously discussed how-will-I-adapt question. Indeed‚ Jhumpa Lahiri’s “The Namesake” and Sandra Cisneros’ “The House on Mango Street” both use description‚ imagery‚ and settings. A wide panorama including identity which plays an immense
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two different cultures‚ American and Bengali. Many children of immigrants may feel like Gogol‚ having one foot in each world. Gogol framed his struggle with cultural identity through something tangible‚ his name. In Jhumpa Lahiri’s novel‚ The Namesake‚ Gogol’s struggle with cultural identity is exposed most greatly by the name others call him and his reaction to it. On Gogol’s first day of school‚ he gets his first taste of the cultural tension that his name and “good name” generate in typical
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Scholarly Article on “The Namesake” By Jhumpa Lahiri The article I chose is titled‚ “From Hybrids to Tourists: Children of Immigrants in Jhumpa Lahiri’s The Namesake‚” written by Natalie Friedman. This in depth article focuses on the inner personal struggle of an immigrant family to the United States with emphasis on Gogol Ganguli. Friedman distinguishes “the Namesake” from most other novels of its kind. As opposed to stories about immigrants coming to the United States in search of financial
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The Alexander Technique evaluates and explores the opportunities of it being an effective and safe technique that can be integrated as a holistic healing modality within the nursing practice and self-care. “The Alexander Principle states: that there are certain ways of using your body which are better than certain other ways; that when you reject these better ways of using your body‚ your functioning will begin to suffer in some important respects; that it is useful to assess other people by the
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Managerial control is a systematic effort to set performance standard along with planning targets. There are various techniques of managerial control. All techniques can be classified broadly into two categories. Such as :- A. Budgetary control techniques B. Non-budgetary control techniques Budgetary Control Techniques The word ‘budget’ is derived from a French word “Bougettee”. The meaning of this word is a leather pouch in which funds are appropriated for meeting anticipated expenses
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Visual Techniques Dara Nichols CGD 218 Professor Argo August 31‚ 2009 There are many different types of visual film techniques that I see being used in contemporary television. Some of the techniques I see are the use of extreme long shots‚ which shows a lot of landscape that helps establish the location and atmosphere of the film that is being shot. Another technique that is used frequently is the use of a bridgingss shot‚ which is used to cover a change in time or place. Some specific
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