Hip hop is a cultural movement that began its journey during the early 1970s‚ among African American young children’s residing in the South Bronx in New York City. Afterwards‚ became popular outside of the African American community in the late 1980s and by the 2010s it became the most listened-to musical genre in the entire world. Furthermore‚ it consists of four fundamental elements‚ which represent the different manifestations of the culture: rap‚ turntablism‚ b-boying‚ and lastly graffiti art
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see that most of the current genres of music were rooted in older genres such as jazz. This essay in particular will discuss hip hop which has roots stemming from jazz‚ blues‚ and also gospel music. In Understanding Black American Aspects in Hip Hop Cinema by Tani Sanchez‚ we see an excerpt where music scholar Craig Werner establishes a three step process in which hip hop music is associated with the gospel. These steps include “(1) acknowledging the burden; (2) bearing witness; (3) Finding redemption”
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Hip Hop as a Force for Social Change In the Triton Talk‚ Using Hip Hop and Arts as Forces for Social Change‚ Phillip Jacobs discusses the societal impact of hip hop and the changes it has caused. Social change‚ as defined by Cliff Notes‚ “refers to any significant alteration over time in behavior patterns and cultural values and norms…changes yielding profound social consequences” (Social Change Defined). Jacobs claims that hip hop is influential in society in many ways; he brings up several examples
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fans respectively suggests that they will grow in the future. Although the genres are not like by everyone‚ they have loyal fans that will listen for years. On the contrary‚ I believe the genres of rap and hip-hop will not make great contributions to the music industry in 50-100 years. Rap and hip-hop have a strict following by the younger generation. However‚ as that group ages‚ I don’t see as much success with the genre. Many rap artists sing about drugs‚ sex‚ or utter nonsense that is used simply
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Kid ‘n Play‚ was a hip hop duo that has left their mark in the culture’s history. Composed of Christopher “Kid” Reid and Christopher “Play” Martin. They not only made a successful music career‚ but also branched out into acting and even the clothing industry. The hip hop duo aided in the diversity of the hip hop culture. They help revolutionize the genre through their party anthems‚ energetic dance moves and overall success that helped spread their fame and aided in the building of Kid ‘n Play’s
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Jazz vs. Hip Hop It is exceedingly interesting the way American culture is unoriginal in every way. Just about every aspect of American culture is in some way based on and/or influenced by people of another nationality as well as people of much different ethnicities than that of the typical white-protestant American. This is proven true through what Americans eat‚ the way they dance‚ and even the music they listen. Although America is the birthplace of both jazz and hip-hop‚ neither was really
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Outlines “Voice of the Streets: The Birth of a Hip-Hop Movement” Author: Jackson Allers Title: Voice of the Streets: The Birth of a Hip-Hop Movement Topic The topic is hip-hop and social issues. Thesis The author claims that Arab hip-hop was not an insular clique any more and its music can have impact on the larger society as the responses from this Arab hip-hop movement. Main points When Jackson interviews the MCs‚ he finds bribes might happen during the events Ground Zero: Jackson looks
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lazy‚ stupid‚ dirty‚ worthless nobody‚” (Nigger‚ a brief history). The use of the word “nigger” strips away the individuality of a person. Nigger is evident in hip hop music‚ the civil rights movement‚ pop culture‚ and is now used as a term of endearment. The genre of hip hop music inspires use of the generalizing term “nigger”. Hip hop music allows the term “nigger” to be a normal thing to say. When nigger is used in a song it gives people of every race an excuse to use it. Certain words from
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Hip-Hop was brought into the U.S by a gathering of Jamaican settlers in the 70’s. One of the Jamaicans‚ Clive Campbell‚ A.K.A Kool Herc started‚ making instrumentals out of two turntables. While another man from the Bronx‚ Theodore Livingstone‚ A.K.A Grand Wizard‚ incidentally found the scratching sound of the turntable. Rap was made as a between social marvel of New York’s poorer segments (Harlem‚ Soho‚ Greenwich Village‚ Bronx‚ Queens‚ and Brooklyn). Rap turned into a developed type of Jamaican
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The article “Hood Politics”: Racial Transformation in Hip-Hop by Richard Spradlin it argues that hip hop music is a vehicle for gaining an understanding black individuals identities. However‚ it also claims that rap can deconstruct and rebuild the black identity‚ in regards to one’s self-perception or judgment of society “in a racialized
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