movement‚ with films like The Cabinet of Dr. Caligari and Nosferatu influencing the next generation of American cinema.”(Harris‚ Mark H) Soon in the 1930’s some famous classic horror films came out‚ such as‚ the Hunchback of Notre Dame and The Phantom of the Opera. By the 1970’s most of the horror films were made for scares and not so much a plot for the story. In conclusion‚ horror has been part of our history since 1235 when the first book came out in France. No matter what type of horror‚ we can’t
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this or after this‚ which I feel like no real person should ever feel for so long in their life. When I was trying to figure out what to talk about all I could think about is his similarities to one of my favorite characters ever Erik‚ or The Phantom of the Opera‚ as both of them feel that they are destined to be a villain and then act upon their feelings. But in
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shaping of a complete universe was the musical language created by John Williams. Williams’ orchestration‚ thematic motifs and understanding of the emotional context of the story propelled the film to legendary status‚ and now‚ in 2005 we reach the climax of the six feature film series with Episode III Revenge Of The Sith. Lucas‚ never having been a conventional filmmaker‚ completed the Star Wars (Original) Trilogy (OT) with Return Of The Jedi in 1983 (see Appendix: Synopses). However the original
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The Drama of Existence: Myths and Rituals in Wole Soyinka’s Theatre Rosa Figueiredo‚ Polytecnic of Guarda‚ Portugal Abstract: The citation for Soyinka’s 1986 Nobel prize for literature reads: “Who in a wide cultural perspective and with poetic overtones‚ fashions the drama of existence”. The “wide cultural perspective” mentioned refers to the fact that Soyinka’s writings‚ especially the dramas for which he is best known‚ are at once deeply rooted in traditional African expressive and performance
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Christoph Willibald Gluck‚ a French composer who had made the orchestra more important in Opera‚ developed Operas that held sudden loud dynamics‚ tremolos in the strings‚ chromatic motion‚ dissonant chords‚ and blasts from the brass that was unlike any other Opera of its time.1 Gluck‚ in the year of 1762 produced an opera with the poet Raniero de Calzabigi known as Orfeo ed Euridice‚ which held one of the scenes of the story of Orpheus when he was in a cavernous space in the underworld.2 Gluck had
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practices. Tita would like to marry her love interest; however her mother‚ Elena forbids her from doing so. Alternatively‚ Pedro who is interested in Tita decides that he can acquire a level of intimacy with Tita by marrying Rosaura. More of a soap opera plotline begins to develop as the dark expectations of the married Rosaura are considered in her ambition to be the head of the household when her mother dies. A mild Nightingale syndrome creates a love triangle between Tita and her doctor John
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anywhere. Different music serves different functions in our life. Why is music important to many people? Can you imagine any type of dance without music? Dance steps are created according to the rhythm and beats of different types of music. Operas‚ plays and musicals all revolve around music. While watching different dance forms and musicals‚ you also enjoy the music that is a part of it. Dancing and music cannot be separated. When people dance‚ they usually need appropriate music to company
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Stagecraft Essay Since ancient times‚ people have been enjoying the delights of theatre and play enacted and carried out on stage. The history on lighting for the theatre is very interesting and innovative. As technology has developed over the years‚ theatergoers have been witness to extraordinary progress as innovations took over and added unique contributions to stage craft‚ architecture and theatrical lighting. The history of stage lighting and lighting cues in theatre dates back to Greek
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“Le Tango de Roxanne” scene - which is in fact three scenes intercut - contributes to the overall success of Baz Luhrmann’s Moulin Rouge in several ways. Specific techniques‚ including lighting and music‚ are vital contributors to the effect of this scene. The long shadows and the cold‚ blue light in the tower are captured by a PAN across the room prior to Satire’s dramatic entrance à la Marlene Dietrich. An ECU of her face shows the minute diamond shapes of which her veil is made‚ suggesting
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do is frown upon those who are more artistically bound rather than academically bound. Robinson shares a perfect example of the previous statement. He shares a story of a personal friend named Gillian Lynne‚ a world known choreographer for Phantom of the Opera and Cats. He opposed the question to Gillian on how she became a dancer and she explained that in school she felt hopeless and could never concentrate. The teacher suggested to her parents that she had a learning disorder; she was sent to see
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