Readers have been responding to what they have read and experienced since the dawn of literature. For example‚ we have Plate and Aristotle who were concerned about audience responses and how plays generated pity and fear on them. Still‚ the audience or readers were passive. After the appearance of reader response theory‚ readers are activated. They involve themselves to elaborate the text‚ fill in the gaps and enact their experiences with the text. Most reader response critics can be divided into
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Film analysis: Front of the ship scene – Titanic Nothing on earth can rival the epic spectacle and breathtaking grandeur of Titanic. This sweeping love story sailed into the hearts of moviegoers around the globe‚ ultimately emerging as the most popular motion picture of all time. The flying scene in Titanic is a beautiful and romantic phase of the film because it invites the audience to empathise with the lovers. These two characters are the protagonists of the film‚ a young man of low social status
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READER’S RESPONSE STRATEGY/ READER’S RESPONSE CRITICISM Applying Reader Response Strategy in Appreciating Literary Works The appreciation of the short story applies seven reader response strategies posed by Beach and Marshall (1990); they are describing‚ conceiving‚ explaining‚ interpreting‚ engaging‚ connecting and judging. The guiding questions are constructed based on the responses. NO | Response | Explanations | Indicators | Questions to guide | 1 | Engaging(Include) | Getting involved
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theoretical approach to study films as a text. It will include an extended study of film form and provide necessary vocabulary to analyse films. There will also be an additional section on Indian cinema. 2. Text Book: David Bordwell and Kristin Thompson. Film Art: An Introduction. SEVENTH EDITION. New York: McGraw-Hill Inc.‚ 2004. 3. Reference Book: 1. Richard Maltby Hollywood Cinema Blackwell Publishing‚ 2003 2. Ed. R L Rutsky‚ Jeffrey Gieger Film Analysis: A Norton Reader Norton Publishing 2005 3.
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Sequence Analysis A. State the "message(s)" of the scene or sequence‚ i.e.‚ what is the filmmaker trying to communicate? B. Justify your statement in A by explaining how the five main channels of information in film--visual image‚ print and other graphics‚ speech‚ music‚ noise (sound effects)--work together to communicate it. Note that not all films make use of all five channels (e.g.‚ print and graphics were common in the era of the silent film) and‚ further‚ that the intermittent suppression of
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Synopsis of film Introduction The second wave feminism has brought about several new feminist film theories. Concepts such as the gaze and scopophilia were introduced in the analysis and study of films‚ notably from individuals such as Laura Mulvey‚ Gaylyn Studlar and Gilles Deluze. Laura Mulvey uses Freud’s psychoanalytic theories and concepts as “political weapons” to argue that cinematic spectatorship is influenced by patriarchal society (Mulvey‚ 746). Women in films are often used to depict
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The film Metropolis‚ Fritz Lang adopts the same way of thinking as Eliot. Lang depicts the fragmented society through social stratification. He depicts the bourgeois as people who lead a callous and monotonous life in order to serve the wealthy upper class. The crescendo in the non-diegetic music with the addition of wavering vector lines in the beginning of the film forebodes the exploitation of the working class and creates a sense of chaos. The centralisation of the clock indicates that the workers
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1305: Contemporary Film Studies Assessment Task 1: Film Form Assignment Name: Chong Sarah Man – Yee‚ 22882618 Film Form on Hero (Zhang Yimou‚ 2002) “Film form‚ in its broadest sense‚ we mean the overall system of relation that we can perceive among the elements in the whole film” (Bordwell and Thompson 49). In this formal analysis‚ I will be considering film form in relation to the film Hero directed by Zhang Yimou. Large aspects of film form such as mise-en-scene‚ shot‚ editing and
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The transactional reader response theory uses the text and the response it stimulates in the reader to determine meaning in a work. Using this theory‚ the details “A Father’s Story” presents‚ and how the reader fills in the gaps determines the amount of empathy the reader has for Luke in his action of covering up Jessica’s murder. Throughout the story‚ it is presented that after Luke’s wife‚ Gloria‚ left with their children‚ he does not see the children very often. After the boys grow up and start
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Everyone has as a good and evil side to him or her. In this scene of Psycho it shows the both sides of Marion and Norman. Through the use of camera angles‚ film techniques‚ dialogue‚ and sound effects‚ the film portrays the main characters‚ as they are being trapped‚ unable to escape their state of mind‚ the guilt of their actions. These sides are shown mostly through the lighting. Certain conflicts and how the characters deal with them and each other are what shape the structure of the movie
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