Othello remains relevant to a modern audience through the human experiences of thematic issues such as jealousy‚ duty and honour‚ and racism. All three themes intertwine to convey the power and effect on different characters. Jealousy is used to highlight its immense self-destructive power‚ whilst duty and honour reflects the importance of one’s reputation. Racism is also present throughout the play‚ conveying the fears of being an outsider. Shakespeare successfully portrays these themes through
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the obsession to an extent that drives away the truth and realism in their values‚ morals and perceptions. William Shakespeare manifests this idea of an involuntary change in character in the play “Othello”‚ and with a similar approach this idea is identified by Scott Spencer in the novel “Endless Love” and is further explored in “Obsession”‚ a poem written by DaMoyre. Throughout each of these texts‚ the composers’ use of characterization depicts the true nature of obsession with themes of jealously
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Othello William Shakespeare’s tragic play is based on the contrast of the different characters to develop the plot; each character has remarkable depth of passion as an individual‚ one in particular though- Othello. Othello is a noble and brave Moor who is initially viewed as a courageous military hero. He is also a confident‚ courageous and trustworthy man‚ and that is why he has the honourable position as the army general of Cyprus. He is loved and respected by all. Except one! Through a series
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Love and Hate In Nathaniel Hawthorne’s book The Scarlet Letter‚ love and hate appear numerous times. Love appears as being good‚ hate is considered evil. Hawthorne shows that humans have the choice to choose between loving and hating another person. Through examples within the novel it is discerned that Hawthorne believes that humans are made to love and therefore‚ it is better to love than to hate one another. Love and hate are strong emotions that can leave one dependent upon the other.
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father argues that her love for Othello is unnatural‚ since‚ according to him‚ Desdemona would never fall for a black man who she "fear’d to look on." Of course‚ Brabantio couldn’t be more wrong about his daughter – Desdemona is in love Othello. It seems that Iago has played Brabantio perfectly. Iago knew that Brabantio was racist and‚ as previous passages demonstrate‚ he used Brabantio’s attitude toward the idea of a mixed marriage in order to rile the man against Othello. Brabantio repeatedly insists
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exploitation of elements such as symbolism and repetition to execute his plan‚ influence Othello in his speech and emotions. Iago uses symbolism throughout the play in order to suggest that Desdemona is having an affair. Furthermore‚ the “ancient” repeats specific words that impact Othello’s sense of hearing and vision to achieve his goals. Finally‚ Iago also uses repetition to suggest precise ideas to Othello. Symbolism allows Iago to plant the idea in Othello’s mind that his wife is cheating
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many similarities and differences between the text and the film. In both the play and film they both seem to have the same plot. The characters also stayed the same in both. The explanation of the characters are some of the differences between the two. One of the big things was that In the film the director took off many things from the text. In both the film and play the expression of Iago’s hate and revenge toward othello stays the same. He truly hates othello in both. In one of the things that
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friends close and your enemies closer In the play‚ Othello by William Shakespeare‚ one of the main characters Iago is a master of both deception and manipulation. One will see throughout the play how Iago manipulates people‚ even the mighty black war general‚ Othello. Desdemona‚ (I.iii.395) “Put money in thy purse.” Iago says Desdemona will soon lose interest in the Moor‚ (I.iii.384-387) “It cannot be that Desdemona should long continue her love to the Moor First‚ Iago betrays the wealthy Roderigo
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Throughout the dialogue between Juliet and Capulet‚ it displays the typical patriarchal relationship between a household during the Elizabethan era. Capulet demonstrated his authority over Juliet through his influential personality by making Juliet seem like a possession rather than a human. This can be seen when Capulet calls Juliet a “green-faced carrion” and “baggage”. This dehumanizes Juliet to objects‚ reinforcing Capulet’s depiction of a tyrant. It intensifies his need for overpowering Juliet
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understatement and an exaggeration (V.ii.354‚ 353). Further‚ Othello’s invocation of his own military triumphs might be seen as another example of Othello dangerously misordering his priorities. He seems to position his political reputation as his biggest concern‚ as he did in Act III‚ scene iii‚ lines 353–355‚ when‚ having decided that Desdemona does not love him‚ he exclaimed‚ “Farewell the tranquil mind‚ farewell content‚ / Farewell the plumed troop and the big wars / That make ambition virtue.” At
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