April 25th‚ 2012 Word Count: 818 The gothic novel‚ Wuthering Heights‚ is designed to both horrify and entertain readers with scenes of passion and cruelty. The novel is set around the time period of the late 1700’s and early 1800’s‚ with most of it taking place on the two neighboring houses‚ Wuthering Heights and Thrushcross Grange. The lead character‚ Heathcliff‚ is a huge part in making the novel seem cruel. Heathcliff symbolizes evil while Emily Bronte portrays him as a jealous‚ controlling
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According to Freud‚ there are three different kinds of mental processes that result in three kinds of personalities. These are Id‚ Ego and Superego. These three parts in Freud’s model of the psyche help explain mental maturity and development. In Emily Bronte’s novel Wuthering Heights‚ Catherine symbolizes the impressionable ego and was pulled between Heathcliff‚ which represents the id‚ and Edgar‚ which represents superego. Her struggle between these two opposing forces and inability to choose between
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Emily Brontë’s Wuthering Heights is the story of two intertwined families from late 18th century England through the beginning of the 19th century. Living on an isolated moor‚ the families interact almost exclusively with each other‚ repeatedly intermarrying and moving between the manors Wuthering Heights and Thrushcross Grange. The reader hears the story from Lockwood‚ the tenant of Thrushcross Grange‚ through the housekeeper‚ Nelly Dean. After he inquires about Heathcliff‚ his strange landlord
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The landscapes of Wuthering Heights play an important part in the novel‚ in particular the moors which are instrumental in establishing the mood of the novel and advancing the plot. In addition‚ different perceptions of this wild terrain also give us a deeper understanding of various characters. To these characters‚ the moors can be seen as a symbol of freedom or a mysterious and dangerous place. Through them‚ we see the strong passions that blow wildly through Wuthering Heights; Heathcliff is like
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who display an utter disregard for the natural order of human life are characters who are often deemed iconic and are thoroughly scrutinized. If only the characters of Emily Bronte’s Wuthering Heights were as simple as that. Set on the mysterious and gloomy Yorkshire moors in the nineteenth century‚ Wuthering Heights gives the illusion of lonesome isolation as a stranger‚ Mr. Lockwood‚ attempts to narrate a tale he is very far removed from. Emily Bronte’s in-depth novel can be considered a Gothic
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as‚ "usually a large mansion or remote castle which is dark and foreboding: usually isolated from neighbors" In Wuthering Heights‚ Bronte has used Thrushcross Grange and Wuthering Heights to depict isolation and separation. The dark and foreboding environment described at the beginning of the novel foreshadows the gloomy atmosphere found in the remainder of the book. Wuthering Heights is an ancient mansion perched on a high ridge‚ overlooking a bled‚ windy. sparsely inhabited wasteland. The harsh
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Repetition is a technique that Bronte employs in Wuthering Heights. She uses repletion to convey the idea that nothing ever ends in the world of the novel. Time seems to run in cycles and the horrors of the past repeat themselves in the present an example of this is Heathcliff being forbidden an education and then Hareton being forbidden an education “he was never taught to read or write”. The way that the names of the characters are recycled‚ so that the names of the characters from the younger
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Wuthering Heights - Feminist Criticism The feminist criticism is perhaps the perspective that best applies to WutheringHeights. For one‚ any personal possessions of a woman goes straight to the husband once she marries. It’s like the woman doesn’t even exist because she has to live under the husband’s name‚ who now owns her belongings. Thrushcross Grange would have been Isabella’s had she not married Heathcliff but‚ since she did marry him‚ Heathcliff automatically becomes the owner. In addition
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Wuthering Heights is not a religious novel in the sense that it supports a particular religion (Christianity)‚ or a particular branch of Christianity (Protestantism)‚ a particular Protestant denomination (Church of England). Rather‚ religion in this novel takes the form of the awareness of or conviction of the existence of a spirit-afterlife. An overwhelming sense of the presence of a larger reality moved Rudolph Otto to call Wuthering Heights a supreme example of "the daemonic" in literature
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The juxtaposition of sharply disparate elements‚ i.e. "clashing contrasts‚" can give rise to violence. Such is certainly true of Emily Bronte’s Wuthering Heights. In fact‚ the entire novel could be analyzed using comparison and contrast. Examples of the "clashing contrasts" are found in the violence between Heathcliff and Edgar‚ Heathcliff and Linton‚ Heathcliff and Hindley‚ Catherine and Isabella‚ and Heathcliff and Isabella. Other contrasts which serve to explicate the plot and relationships are
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