Research (Genre) ‘The Road’ is categorized as a post-apocalyptic fiction style novel. As stated in an article written from a student at Princeton University; Post-apocalyptic fiction is a sub genre of science fiction that is set in a world or civilization after either a nuclear war‚ plaque‚ comet/rogue planet strike‚ or some other general disaster. Usually post-apocalyptic fiction novels take place immediately after the catastrophe; the author focuses on the travails or psychology of survivors.
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Alyssa Klimo English 3-4 Clean from my Hand I believe that the most prominent of the many motifs in Shakespeare’s play “Macbeth” was blood. Blood appears in nearly every scene‚ if not physically then at least as an idea. It is like a presence lurking in the background at every moment‚ waiting to make its grand appearance. In the opening scene of Macbeth‚ blood as well as grime covers the captain‚ who has just gotten back from one of the bloodiest battles of Scotland to that date. King
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The Road written by Cormac McCarthy is a novel based on a post-apocalyptic setting. The story focuses on a father and a son. No names are given to either. But‚ the son does address his father as Papa. The father and the son are trying to survive not only by undertaking the constant struggle of getting the necessary means to live (water‚ food‚ etc.) but by surviving from the cannibals. The father and the son are traveling throughout the entirety of the novel. Before the wife had abandoned her husband
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acknowledging the consequences until later. In William Shakespeare’s Elizabethan tragedy Macbeth‚ the corruptive quality of power influences the individual to go against their nature in order to obtain power by any means necessary. Shakespeare utilizes the motif of blood to show that the steps taken to obtain power will not always yield favorable results and the consequences will stay with the individual. In order to possess power‚ an individual may decide to commit an act that goes entirely against their
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Ray Bradbury puts motifs to represent and show the audience hints for what is going to happen. In the book Fahrenheit 451‚ Bradbury‚ they live in a society they live is against the law to read books and use your imagination. Bradbury uses motifs. Motifs are symbols that are repeated throughout the story. It shows objects represent things. For example he uses fire‚ mirrors‚ and both alive and death. Bradbury used quite of few motifs. But why does he use them? I think he uses them to show the reads
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On the Road by Jack Kerouac has many themes. One theme that stood out was the rebellion against Corporate America. The main characters for this theme were Dean Moriarty‚ Sal Paradise‚ and Marylou. Each of them had behaviors that conflict with an ideal‚ working American. These characters also represent a longing for something they want‚ but can’t find or are incapable of getting. The first character that was the biggest cliché against the ideal‚ working American was Dean Moriarty. Dean was
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Motifs in Fahrenheit 451 This is the novel Fahrenheit 451 it was written by Ray Bradbury. During the novel‚ Montag works with a mechanical hound. Montag is a fireman and the hound lives in the station. The hound is both dead and alive‚ he moves around like a normal dog although is mechanical. Bradbury uses motifs during Fahrenheit 451 to get the reader to focus on certain ideas. Some of the motifs he uses are fire‚ mirrors‚ and being both dead and alive. Throughout the novel‚
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Why do you think McCarthy has chosen not to give his characters names? How do the generic labels of “the man” and “the boy” affect the way you /readers relate to them? While reading The Road‚ a novel written by Cormac McCarthy‚ I was jerked from the warmth‚ comfort‚ and safety of my home and thrown into a cold‚ dark‚ and desolate world‚ walking alongside “the man” and “the boy”. McCarthy composes his work so graphically that readers are drawn right into the story. I believe Cormac McCarthy
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"If Hamlet from himself be ta ’en away‚ And when he ’s not himself does wrong Laertes‚ Then Hamlet does it not‚ Hamlet denies it. Who does it then? His madness. If ’t be so‚ Hamlet is of the faction that is wrong ’d; His madness is poor Hamlet ’s enemy." (V.ii.230-235) Hamlet ’s self-description in his apology to Laertes‚ delivered in the appropriately distanced and divided third-person‚ explicitly fingers the greatest antagonist of the playconsciousness. The obligatory cultural baggage
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The Red-Room Mr Reed passed away in this room (male establishment) The room inspires a feeling of fear‚ gothiscism‚ and emptiness Recurrence of various shades of red – scarlet‚ pink‚ crimson – signifies passion‚ danger‚ aggression‚ suppression‚ and confinement…a way of policing female passion The red-room can be viewed as a symbol of what Jane must overcome in her struggles to find freedom‚ happiness‚ and a sense of belonging. In the red-room‚ Jane’s position of exile and imprisonment first becomes
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