"The Wall": Situational Irony Conan Tsui English 12 December 6 2012 In the short story "The Wall" written by Jean-Paul Satre‚ the situational irony reveals that loyalty and bravery are difficult to comprehend‚ especially during wartime. Though Pablo’s loyalty towards his cause and to Ramon were pure. Pablo decides not to give up Ramon‚ even though the information might save himself from being executed. After days of psychological torture‚ Pablo is broken down and accepts that he will
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The Fall of Oedipus “Thebes is tossed in a murdering sea‚” cries out the priest towards the beginning of the play. Thebes is enwrapped in darkness‚ the houses are cursed‚ children are dying at birth‚ fruit is growing unhealthily‚ and no one can put an end to it. Creon enters with the message that the plague is a result of the fact that the murderer of Laius‚ the former ruler of Thebes‚ is in the city; he must be exiled in order for the plague to end. After hearing the news‚ Oedipus vows to find
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Aristotle’s Tragic Hero: Oedipus Rex The Athenian tragedy Oedipus Rex‚ by Sophocles‚ yields a rare quality of emotional and character depth that is unparalleled and has withstood the arduous test of time. Much of the stimulation derived from Oedipus Rex is in the unraveling of the protagonist’s fate. By the hands of the gods‚ almighty King Oedipus is prophesized to take his own father’s life and marry his mother. Never has a man stood so tall and fallen so hard. In Poetics‚ Aristotle describes
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Oedipus the King by Sophocles is about Oedipus‚ a man doomed by his fate. Like most tragedies‚ “Oedipus the King” contains a tragic hero‚ a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence)‚ which is what caused Oedipus to walk right into the fate he sought to escape. Pride like that of Oedipus had
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Oedipus’ Hamartia Aristotle once said that a hero’s downfall must be a result of some tragic flaw within the character. This flaw was known as hamartia in the Greek world of Aristotle. Since Aristotle greatly admired Oedipus the King‚ many people believe that Oedipus must have had a prominent and complex hamartia. Discovering Oedipus’ hamartia within the play is not an easy task. In fact‚ it is impossible to point out Oedipus’ hamartia since I do not believe that he has one. Everything
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Some priests come to the royal palace to ask for help from Oedipus‚ the current king of Thebes who once saved them from the tyranny of the terrible Sphinx. By this time‚ Oedipus has sent his brother-in-law‚ Creon‚ to the oracle of the god Apollo to seek advice from divine sources. But before Oedipus had ever arrived in Thebes‚ the previous king‚ Laius‚ was murdered under mysterious circumstances and the murderer was never found. When Oedipus arrived in Thebes and saved the city‚ he was made king and
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OEDIPUS REX AN ENGLISH VERSION BY DUDLEY FITTS AND ROBERT FITZGERALD Table of Contents: PERSONS REPRESENTED: OEDIPUS A PRIEST CREON TEIRESIAS IOCASTE MESSENGER SECOND MESSENGER CHORUS OF THEBAN ELDERS SHEPHERD OF LAIOS ANTIGONE‚ Daughter of Oedipus ISMENE‚ Daughter of Oedipus PROLOGUE THE SCENE. Before the palace of Oedipus‚ King of Thebes. A central door and two lateral doors open onto a platform which runs the length of the facade. On the platform‚ right
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Oedipus the King: Appetite for Destruction Of all the tragedies that Greek playwright Sophocles created in his illustrious career‚ the one that stands out as his masterpiece‚ and quite possibly one of the greatest of all the Greek tragedies is Oedipus the King. The tragedy focuses on the life and downfall of the unfortunate King Oedipus‚ who was condemned by the oracle at an early age to murder his father and marry his mother. Despite the oracle’s grim prediction‚ Oedipus was responsible
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Oedipus Rex‚ by Sophocles‚ and Fences‚ by August Wilson‚ are two great tragedies by two outstanding playwrights. The two stories seem intertwined by the great characters that they center around. Although the stories of Oedipus and Troy are separated by centuries‚ the characters are almost identical. Different backgrounds‚ different cultures‚ and different adversaries do not affect the manner and behavior of the main characters. If nothing else‚ the pride in each of the characters make the two so
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the hero does not deserve his fate‚ and fear because anyone could have the hero’s fate. Consequently‚ in Sophocles’s Oedipus The King‚ Aristotle’s definition of tragedy applies to Oedipus. Oedipus’s hamartia is arrogance. Fisler states‚ “Hubris is his flaw; his actions are the result of his excessive pride” (Fisler 1006). Oedipus possesses a tremendous amount of pride. When Oedipus solved the riddle‚ 20 years prior to becoming king‚ he gained
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