Tin Pan Alley The 1920s was the beginning of a decade of change in the American arts. Jazz‚ along with such inventions as the phonograph‚ radio and sound movies‚ transformed the music industry. By the end of the decade‚ 40% of all Americans had radios in their homes. Not surprisingly‚ 58% of households in New York City owned a radio. New York became the center of the music world‚ and at the center of New York was a small area called Tin Pan Alley. Radios initially provided the young century’s second
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site highlighting Tin Pan Alley‚ because I found that the content expands the understanding of an interesting musical element touched upon in the section‚ Ragtime and City Blues‚ in our textbook. The site includes interesting facts and illuminating photos that highlight the musical importance in the late 1800’s and early 1900’s. It also gives extensive history surrounding the environment that led to the phenomenon of Tin Pan Alley. The first thing I learned is that Tin Pan Alley is not a localized
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"Tin Pan Alley" was the nickname given to the street where many music publishers worked during the period of 1880 to 1953. In the late 19th century‚ New York had become the epicenter of songwriting and music publishing‚ and publishers converged on the block of West 28th Street between Broadway and Sixth Avenue in Manhattan. There are several stories about how the block got its name. One that is often repeated tells of a reporter for the New York Herald who was hired to write about the new business
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1. What is Tin Pan Alley and why is the history of Tin Pan Alley important to the history of rock ’n’ roll leading up to the 1950s? Tin Pan Alley was a place in New York City where music publishing was centered. Great songwriters such as George Gershwin and Irving Berlin wrote music here. Many of the Tin Pan Alley songs were written in a strophic verse-chorus form. Tin Pan Alley was originally the name of the place in New York‚ but then came to refer to the very popular style of music that was
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LESSSON 5 The Swing Era (1932-1942) • Post Depression (1929) • Big Bands become prominent • Instrumentation: 4-5 trumpets‚ 4 trombones‚ 5 saxophones (woodwinds)‚ piano‚ bass‚ drums‚ guitar • Arranger becomes much more important • Written out arrangements with less‚ or little‚ improvisation • Some up-tempo tunes • Many more ballads with jazz interpretation • Music often for dancing Music become a big business • Recordings were now very important • Recording companies now exercised
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Victor Estrada ID: 1261250 Listening To Jazz Class Essay Following the swing era‚ which had come into existence in the 1930’s after the Great Depression‚ a new and more innovative jazz style merged in the 1940’s known as Bebop. Bop was not as popular as swing because unlike swing‚ Bop was not a dancing jazz style. Bop however did bring a new musical dimension different from swing. The Bop jazz style focused on advanced improvisations‚ emphasis on solos‚ and just musical virtuosity in general
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great members‚ and thus big bands came to an end. Swing music‚ which was very popular during the war‚ died out at the end of the war. This happened because swing music was a reminder of the war and many people who were sad about the war tuned out swing or turned it off. Transportation was difficult During World War 2‚ automobile fuel was rationed and made it hard for many traveling big bands to tour‚ perform‚ and make a living. Recording Ban From July 1942 - November 1943‚ there was a recording
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The element I chose for this paper was Tin. Tin got its name because it is Anglo-Saxon‚ and the atomic symbol get its name from the Latin root Stannum. https://education.jlab.org/itselemental/ele050.html. What does Tin mean? Tin belongs to the carbon family https://www.britannica.com/science/tin. Tin consists of 50 Protons‚ 69 Neutrons and 50 electrons. (my citation for where i got this information is the periodic table you gave to us.) The atomic number of tin is 50 because the atomic number is usually
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New York City‚ Artie Shaw would become one of the top bandleaders in the swing era. He began his musical career as a highly sought-after alto saxophone player in the New York area‚ and was able to benefit from the growth of radio and studio recordings. As he perfected his technical ability with various dance bands‚ he was still relatively unknown in the early 30’s when he began to focus exclusively on the Clarinet while Swing music began to grow in popularity. While we may carefully analyze the
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Swing to Bebop: Inherent Social Changes The 1920’s and 1930’s were a period for unprecedented African American contributions to the music world. The twenties‚ which have now been termed "the jazz age"‚ laid the foundation for jazz as a marketable mainstream fascination. Throughout the twenties and thirties‚ dances such as the Charleston‚ Lindy Hop‚ and Jitterbug helped to secure the big band profession in entertainment. Swing emerged as a genre formulated on a swinging 4/4 beat with live performances
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