Casual Listener Referential Listener Critical Listener Perceptive Listener Casual listeners are probably the most common type of listeners. So‚ what is a casual listener? This type of listener likes having music playing‚ filling the environment with sounds. Whether present as a background to drive‚ study‚ work‚ exercise‚ or hang out with friends‚ music is an accompaniment to the casual listener’s daily activities. Sometimes the music simply mask the sounds of a noisy street. The casual
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performed by a mezzo-soprano or a dramatic soprano; compared to Una donna a quindici anni‚ I utilize a darker tone. As well as this‚ the second verse employs ornamentation‚ an embellishment characteristic of baroque music. Overall‚ I chose this piece to juxtapose my previous selections‚ as it shows a heavier side of my voice‚ and an older style (“Giulio Cesare” dates to 1724). This collection of repertoire purposes to showcase my versatility and my strengths as a classical soprano. They all come from
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Grade: 10 –1 Subject: Music Teacher: Mrs. D. Williams Words and Meanings ✓ Opus: A creative work‚ especially a musical composition numbered to designate the order of a composer’s works. ✓ March: A piece of music‚ usually in four beats to the bar‚ having a strongly accented rhythm. ✓ Overture: An instrumental composition intended especially as an introduction to an extended work‚ such as an opera or oratorio. ✓ Waltz: A ballroom dance in triple time with a strong accent
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“Signs of Intelligent Life on TV.” Signs of Life In The USA: Readings on Popular Culture for Writers. Eds Jack Solomon and Sonia Maasik. 6th Ed Boston: Bedford/St. Martins. 2009. Harold‚ James. “A Moral Never-Never Land: Identifying with Tony Soprano.”Signs of Life In The USA: Readings on Popular Culture for Writers. Eds Jack Solomon and Sonia Maasik. 6th Ed Boston: Bedford/St. Martins. 2009. "Has Reality TV Gone Too Far?" Scholastic Scope Sep 17 2007: 22-3. ProQuest Education Journals;
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CARMEN The Story of Georges Bizet’s Famous Opera The scene of Carmen takes place in Seville‚ Spain during the mid 19th century. Main Characters of Carmen Carmen (soprano) Don Jose (tenor) El Dancairo (baritone) El Remendado (tenor) Escamillo (baritone) Frasquita (mezzo-soprano) Mercedes (mezzo-soprano) Micaela (soprano) Morales (bass) Zuniga (bass) Carmen - is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and LudovicHalévy
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s – p ? Rule #6 FALLACY OF NEGATIVE PREMISES - From two negative premises‚ nothing follows. A chair is not a table; P - M But‚ a table is not a pen; M - S Therefore‚ a pen is not a chair. S - P ? No tenor is a soprano; P - M But‚ no soprano is a baritone; M - S Therefore‚ no baritone is a tenor. S – P ? Rule #7 From two particular premises‚ nothing follows. a. If both particular premises are affirmative‚ then the subjects and predicates are particular. Some
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Based on a hymn tune 4.Bach uses the familiar melody of the original hymn tune (ie. A chorale) in the two movements that we have (first and last) [the beautiful high pitches are chorale melodies drawn out.] chorale: hymn tune with 4 part harmony (soprano‚ alto‚ tenor‚ bass) -as the director of St.Thomas (ie.‚ the Leipzig Period 1723-50) Bach’s duties included providing music for the Lutheran services on Sunday -Bach wrote most of his 200+ chorales for Sunday service at St.Thomas’ Church in Leipzig
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it was changed to an E-minor. Amy Lee‚ the vocalist of the song‚ sings in a soprano tone giving the song a different musical timbre than the rest of the instruments. As the song opens‚ a faint amount of percussion begins. The song then leads into a slow violin introduction. Next the vocals are brought into the song. Lacrymosa is sung by Amy Lee‚ who sings in quite a wide range but can be classified as a mezzo-soprano. At approximately 43 seconds into the song‚ another set of vocals is added into
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think you are Fifth Business. You don’t know what that is? Well‚ in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano‚ always the heroine‚ often a fool; and a tenor who always plays the lover to her; and then you must have a contralto‚ who is a rival to the soprano‚ or a sorceress or something; and a basso‚ who is the villain or the rival or whatever threatens the tenor. So far‚ so good. But you cannot make a plot work without another
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Characters: Vito(protagonist): The Godfather presents Vito as the paradigmatic Mafia don. He is wise and intelligent‚ an excellent reader of others’ intentions‚ and a smooth‚ subtle talker‚ able to convince with words‚ not only bullets. Though a ruthless‚ violent criminal‚ Vito is also a warm‚ loving father and husband. In his later years‚ Vito comes across as relaxed and playful‚ even mellow. He has lived a rich‚ full life and earned a quiet retirement. Vito is both the perfect father and the
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